What part of the PSG experiences do you want to try ?

Instruments, mechanical issues, copedents, techniques, etc.

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Billy Carr
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What part of the PSG experiences do you want to try ?

Post by Billy Carr »

For myself personally, I like to try different things with PSG, such as set ups, different brand guitars, strings, etc. I've tried the 6 string lap steel, S-10, S-10D, S-11D, U-12, D-10's, including most brands. One thing I want to try in the future is the 14 string, Julian Tharpe set up. Special wound pick ups is another area I want to checkout. Some guys order these wound to whatever and there's difinitely a difference in the tone quality. Let's hear from some of you guys/gals, as to what might be on your mind for future PSG ideas. Thanks.
Mike Christensen
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Post by Mike Christensen »

I guess I'm most interested in learning how to play, well.
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Jack Stoner
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Post by Jack Stoner »

Nothing. I'm perfectly happy with my Franklin D-10 and it's pedal setup. I'm not an "experimenter" when it comes to pedal setups. Except for adding the 2nd string half tone raise and changing the 1st string from half tone to full tone raise, the pedal setup on my Franklin is as it was when new in December 1981.
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Mike Perlowin
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Post by Mike Perlowin »

I'd like to try playing in stadiums in front of 20,000 people, having roadies to carry around and set up my gear, and earning thousands of dollars every night.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Don Sulesky
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Post by Don Sulesky »

I like my two steels the way they are with the basic 8&5 setup.
Those I feel who are always fooling with changes are the same ones who have to mod every amp they own never being satisfied with their tone or whatever.
My goal is to just play better with what I have.
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Jim Walker
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Post by Jim Walker »

I just added a 4th pedal to my Rains lowering 5/10 a whole tone. I have the Guitar and set up I wanted. Now I Would like to have another Fender Steel King.

AND

Someday I would love to land an artist road gig.

JW
Show Pro D10, Session 400
Dion Stephen
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Post by Dion Stephen »

without question a D-10 & all kinds of amps (since i don't have 1 except a little practice amp) but i'm good from there.
Chris Lucker
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Post by Chris Lucker »

I guess I can admit that I am all-pull-curious. But that's normal, right? That doesn't make me "different", does it?
Ga McDonnell
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Post by Ga McDonnell »

"....One thing I want to try in the future is the 14 string, Julian Tharpe set up....."

The Sierra that Dan Burnham has for sale on the forum for $1400 is probably the best deal that'll come along on a 14 string.

It was posted 6 Nov 2007 and looks like it's still for sale.
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Jim Gorrie
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Post by Jim Gorrie »

Mike Perlowin wrote:I'd like to try playing in stadiums in front of 20,000 people, having roadies to carry around and set up my gear, and earning thousands of dollars every night.
I would like to put my name forward for that ~ where can I get an application form ?

:?
Peter Freiberger
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Post by Peter Freiberger »

I'd like to step into the Wayback machine for about 1970 L.A. and get a $30 a night gig with a good band to get my playing together (and at that time I could survive on that!), and be able to see Jay Dee and Buddy Emmons play on my off nights.
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Michael Douchette
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Post by Michael Douchette »

Mike Perlowin wrote:I'd like to try playing in stadiums in front of 20,000 people, having roadies to carry around and set up my gear, and earning thousands of dollars every night.
Mike, trust me; it's not all it's cracked up to be... the drummer and guitar player still get all the "benefits," if you catch my drift... :mrgreen:
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.

http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html

(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Charles Davidson
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Post by Charles Davidson »

Michael,I used to hate those drummers and front men,Too many HOT women and COLD beer took it's toll on them,I'm still just shuffling along,don't you know.
Hard headed, opinionated old geezer. BAMA CHARLIE. GOD BLESS AMERICA. ANIMAL RIGHTS ACTIVIST. SUPPORT LIVE MUSIC !
Terry Winter
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Post by Terry Winter »

Good Question-- I'm finally after many years of E9th, trying my hand at learning C6th. Carter should have my order by now: can't wait!
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Doug Earnest
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Post by Doug Earnest »

I want to try the part where I get to pick with Emmylou and some version of the Hot Band. Unlike Mike P. I'll gladly do it for free!
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Bent Romnes
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Post by Bent Romnes »

I found out that I have a special love for building them. The one proto-type I built(see "Project" posting) is now giving me countless hours of enjoyment, despite its shortcomings. I am still not over the fact that this sweet sounding guitar was literally hacked out with a dremel tool and hack saw.
It is rewarding me every day for the sweat equity I put into it.

I am trying to re-learn some tunes. This is going surprisingly well, despite my 20 year pause.

So I will have to say that my favorite experience is to transform cold wood and metal into a living thing that produces a heavenly sound.
Landon Johnson
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stadiums etc.

Post by Landon Johnson »

Mike, trust me; it's not all it's cracked up to be... the drummer and guitar player still get all the "benefits," if you catch my drift...
I gotta agree with you there! I played a couple jobs subbing on a stadium tour in the late '70's (I think it was Peter Frampton, Asia, Supertramp (?) and some local band) when I was 19 and really geeky green. I was playing bass at that time and had an 'X' that I was expected to adhere to on stage. Mid-song, keyboard player calls me over to tell me that I am "not standing on my X"... the Main Performer got me back by giving some physically horrendous groupie my room number and key (which I assumed I lost). After getting a replacement key from the front desk I entered my room, crawled into bed only to find this ghastly woman in there...and she was mighty upset when she found out I was not the rock star she was expecting. I can still hear the laughter coming from the hallway when she stormed out half dressed.

As a nineteen year old in a world of self-absorbed thirty-somethings, I was just a toy for them to play with. I liked the money and just watching these people play was awesome!

After those few jobs, it was twenty years before I took to the stage again... but I learned from that experience that I am a performer at heart, and now later in life I use that trait in the collegiate classroom. So it was worth it cuz I love my job.

And music? It hasw long been an avocation for me; I play at church, critter clubs and I record at home.

What's the one thing I'd like to do? Get a regular gig on a cruise ship where my family could travel with me.

Great thread!

LJ
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Jim Sliff
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Post by Jim Sliff »

critter clubs
OK, I'll bite - what the heck is a "critter club"??
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Mike Perlowin
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Post by Mike Perlowin »

Jim Sliff wrote:
critter clubs
OK, I'll bite - what the heck is a "critter club"??
Elks, Moose, and Eagles lodges.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Marc Friedland
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Post by Marc Friedland »

I've always refered to that as the animal circuit.
Marc
Tommy Young
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FUTURE

Post by Tommy Young »

WELL guys I started rebuilding STEELS around 1982-3 and have worked on countless numbers of guitars and rebuilt several older ones now i have found the right STUFF to get the TONE so I'm thinking of maybe building a few guitars just to check the market for a """"TRUE MAX_TONE guitar maybe

PS: getting closer each day to do this

((( IF I JUST HAD THE MONEY)))))



TOMMY YOUNG
MAX-TONE MODIFICATIONS
WHEN YOUR GUITARS TONE HAS TO BE ITS VERY BEST
Doc Rickles
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True Max Tone Steel

Post by Doc Rickles »

Tommy, your Father has all the money and you have been given the wisdom. You can't float till you get out of the boat. Build one and push it. Put what God has shown you in something for you and Him. God will bless all you set your hands to do.
You can do it Buddy. All you need is His approval and you have that.
Blessings to you,
Doc
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Wonderful Wife who loves all this stuff.
"Steel Away and Pray Everyday."
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Alan Brookes
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Post by Alan Brookes »

I'd like to try playing in tune. :oops:
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Jim Sliff
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Post by Jim Sliff »

Elks, Moose, and Eagles lodges.
Oh - Jeez, I thought those things were long gone. We had dances at the Moose hall (with local surf/rock bands) when I was in junior high - like 1965 or so. I haven't seen/heard of one since. See a few joking (I thought) posts about them....

Guess they're not around much in these parts any longer.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Mike Perlowin
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Post by Mike Perlowin »

Jim Sliff wrote:
Elks, Moose, and Eagles lodges.
Guess they're not around much in these parts any longer.
There's a Moose lodge in Culver City, not far from where you live. Our fellow forumite Billy Woo's band plays there periodically. I occasionally sit in with them.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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