Lap Steel & the Blues
Moderator: Brad Bechtel
- Terry VunCannon
- Posts: 1238
- Joined: 20 Nov 2003 1:01 am
- Location: Greensboro, North Carolina, USA
- Contact:
Lap Steel & the Blues
Just wanted to let everyone know about my weekend playing the lap steel. One of the bands that I play in, is a blues band called the Matt Hill Band. Matt is the lead singer/guitarist, & I play lead guitar & lap steel. This weekend we competed in the Piedmont Blues Talent Showcase ( www.piedmontblues.org/ ) & finished 1st place. I played lap on four out of seven songs that we got to perform, & the blues fans seemed to love the instrument. The band now gets to go to the IBC, International Blues Challenge, in Memphis, Feburary of 2005. I can't wait to play lap steel at the National contest.
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- Location: New Jersey, USA
- Terry VunCannon
- Posts: 1238
- Joined: 20 Nov 2003 1:01 am
- Location: Greensboro, North Carolina, USA
- Contact:
- Richard Shatz
- Posts: 669
- Joined: 23 Aug 2004 12:01 am
- Location: Quincy, IL, United States
- Steinar Gregertsen
- Posts: 3234
- Joined: 18 Feb 2003 1:01 am
- Location: Arendal, Norway, R.I.P.
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Now I'll only have to figure out a cheap way to get your band over to my local jazz and blues festival. Are any of you guys good rowers by any chance?
Congrats, Terry.
Steinar
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www.gregertsen.com
Congrats, Terry.
Steinar
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www.gregertsen.com
- Gerald Ross
- Posts: 3205
- Joined: 4 Aug 1998 11:00 pm
- Location: Ann Arbor, Michigan, USA
- Contact:
Yay Terry! Keep spreading the word!
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Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'
Gerald's Fingerstyle Guitar Website
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Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'
Gerald's Fingerstyle Guitar Website
- Terry VunCannon
- Posts: 1238
- Joined: 20 Nov 2003 1:01 am
- Location: Greensboro, North Carolina, USA
- Contact:
Thanks guys...I really try to "spread the word" while playing music. I have been playing lead guitar 20 plus years, & playing lap steel for the last 2 years. I love playing lap so much that I would like to play steel only.
Richard...when playing live I play guitar & lap steel & must be able to switch between the two quickly,many times playing both instruments during the same song. I run my guitar & lap into an A/B box, I put the lap on a modified keyboard stand, then out of the A/B box into a Mesa Boogie DC-3. This way I can stand & play guitar, walk over to my steel & hit the A/B switch and play a lap steel lead. When I play lap only, I like to sit in a chair to play. My main laps are my new Harmos Model One, my '51 National Dynamic, or my early 40's Oahu Tonemaster. My main guitars are my SRV Strat & my Les Paul Classic Plus w/57 Classic Pickups.
Richard...when playing live I play guitar & lap steel & must be able to switch between the two quickly,many times playing both instruments during the same song. I run my guitar & lap into an A/B box, I put the lap on a modified keyboard stand, then out of the A/B box into a Mesa Boogie DC-3. This way I can stand & play guitar, walk over to my steel & hit the A/B switch and play a lap steel lead. When I play lap only, I like to sit in a chair to play. My main laps are my new Harmos Model One, my '51 National Dynamic, or my early 40's Oahu Tonemaster. My main guitars are my SRV Strat & my Les Paul Classic Plus w/57 Classic Pickups.
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- Posts: 68
- Joined: 30 Jul 2004 12:01 am
- Location: Arroyo Grande, California, USA
Congrats Terry.
I also play some steel in our electric Blues band http://www.blueswizards.net/ using it for 'C' tunes like 'Kansas City', 'Born In Chicago' and 'When The Saints Go Marching In'
I'm not much of a steel player and play in more of a bottle neck than a 'steel' style but that guitar gets more comments after the show than anything else I do. People just don't see them much and the tone is so different, it really sets those songs apart.
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Half-assed bottleneck and lap slide player. Full-assed Builder of resonator instruments.
I also play some steel in our electric Blues band http://www.blueswizards.net/ using it for 'C' tunes like 'Kansas City', 'Born In Chicago' and 'When The Saints Go Marching In'
I'm not much of a steel player and play in more of a bottle neck than a 'steel' style but that guitar gets more comments after the show than anything else I do. People just don't see them much and the tone is so different, it really sets those songs apart.
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Half-assed bottleneck and lap slide player. Full-assed Builder of resonator instruments.
Hi Terry, Congrats!
My current band is more 'folky' than bluesy (spanish acoustic, bass + me on 8-string lap steel & backing vocals) fronted by a female singer/songwriter, but we cover some blues tunes too. Tuesday nite we did 2 sets at the Academy St bar & coffee shop and managed to cover Patsy Cline's Walking After Midnight, the Delmore Bro's Blues Stay Away, some Fleetwood Mac, a Dire Straits & a Clapton tune in between the originals. I used a straight C-6 tuning ('G' on top) and dobro on about 4 tunes. The audience acceptance of the steel seemed genuine- it wasnt my playing either, just the beautiful tone & voice of the instrument.
Last winter, I did a few shows with an electric blues band. I used my S-8 with an expanded C-13/9 that gave me a 'D' & a 'Bb' on the bottom for some cool diminished sounds & a strummable dom 9th on the last 4 strings.
I love the C-6 for blues & rock- from Clapton's Bellbottom blues to Santana's Black Magic Woman, to Fleetwood Mac or Dire Straits, but I always schlep along a metal-body Ricky 6 tuned to open E/E7 for straight ahead 12-bar & rock songs in E. Thats the poor man's double neck!
My current band is more 'folky' than bluesy (spanish acoustic, bass + me on 8-string lap steel & backing vocals) fronted by a female singer/songwriter, but we cover some blues tunes too. Tuesday nite we did 2 sets at the Academy St bar & coffee shop and managed to cover Patsy Cline's Walking After Midnight, the Delmore Bro's Blues Stay Away, some Fleetwood Mac, a Dire Straits & a Clapton tune in between the originals. I used a straight C-6 tuning ('G' on top) and dobro on about 4 tunes. The audience acceptance of the steel seemed genuine- it wasnt my playing either, just the beautiful tone & voice of the instrument.
Last winter, I did a few shows with an electric blues band. I used my S-8 with an expanded C-13/9 that gave me a 'D' & a 'Bb' on the bottom for some cool diminished sounds & a strummable dom 9th on the last 4 strings.
I love the C-6 for blues & rock- from Clapton's Bellbottom blues to Santana's Black Magic Woman, to Fleetwood Mac or Dire Straits, but I always schlep along a metal-body Ricky 6 tuned to open E/E7 for straight ahead 12-bar & rock songs in E. Thats the poor man's double neck!
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- Posts: 1944
- Joined: 27 Oct 2002 12:01 am
- Location: Gahanna, Ohio, USA
- Terry VunCannon
- Posts: 1238
- Joined: 20 Nov 2003 1:01 am
- Location: Greensboro, North Carolina, USA
- Contact:
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- Posts: 120
- Joined: 13 Feb 2002 1:01 am
- Location: Montclair, NJ, USA
Blues on lap steel works for me. When I go to jams now, I only play lap steel and bottleneck (on a funkly little supro regular guitar with a lap steel pickup). The response to both is great curiosity and appreciation. Other musicians really notice the sound quality. Best thing is, I'm not likely to run into a long line of other steel players waiting to play. Most times I've take the steel out, a substantial portion of the crowd (including musicisns) have never even seen one before.
- Terry VunCannon
- Posts: 1238
- Joined: 20 Nov 2003 1:01 am
- Location: Greensboro, North Carolina, USA
- Contact:
I play lap at a couple of local jams also. Like you said...not many other lap players in line.
I also have some pictures of our blues band with me on guitar & lap at www.sonicbids.com/thematthillbluesband .
I also have some pictures of our blues band with me on guitar & lap at www.sonicbids.com/thematthillbluesband .