Sigh.... Robert Randolph Tuning ?????
Posted: 2 Oct 2006 3:40 am
Do I even dare bring it up.
I think it has finally become a safe subject around here and I know there are 40 threads already about Robert and about 4 about his tuning but they all look to be from a couple years back.
Finding Robert's actual 13 string tuning is way more difficult than I ever thought. I visited b0b's page on it and it still isn't completely clear to me what the tuning is.
I have tuned my 10 string non-pedal neck to a E7 tuning without the double E's and the low B to get the 12 string tuning I saw on Carter's site for him to 10 strings.
Do I expect to recreate in one weekend what Robert has taken a lifetime to achieve? Of course not, but although the E7 tuning I am using makes since, I hear SO MUCH more dynamic playing that I am able to do with it when I break his recordings down. With E7, I can only seem to get away with playing at the root, and 2 frets down from the root. Robert is all over the place making it sound much more lively and not completely bluesish.
I almost think if I with C6 I could recreate it better as C6 seems to have more ability to move frets and still stay in key.
So, anybody actually find out what the actually tuning is yet? Or am I just in denial that it is truly a E7(ish) tuning?
I don't need the compedance because we all know he rarely uses the pedals anyway.
I think it has finally become a safe subject around here and I know there are 40 threads already about Robert and about 4 about his tuning but they all look to be from a couple years back.
Finding Robert's actual 13 string tuning is way more difficult than I ever thought. I visited b0b's page on it and it still isn't completely clear to me what the tuning is.
I have tuned my 10 string non-pedal neck to a E7 tuning without the double E's and the low B to get the 12 string tuning I saw on Carter's site for him to 10 strings.
Do I expect to recreate in one weekend what Robert has taken a lifetime to achieve? Of course not, but although the E7 tuning I am using makes since, I hear SO MUCH more dynamic playing that I am able to do with it when I break his recordings down. With E7, I can only seem to get away with playing at the root, and 2 frets down from the root. Robert is all over the place making it sound much more lively and not completely bluesish.
I almost think if I with C6 I could recreate it better as C6 seems to have more ability to move frets and still stay in key.
So, anybody actually find out what the actually tuning is yet? Or am I just in denial that it is truly a E7(ish) tuning?
I don't need the compedance because we all know he rarely uses the pedals anyway.