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Post new topic what is a good choice for a 4th floor pedal?
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Author Topic:  what is a good choice for a 4th floor pedal?
William Johnson


From:
Statesboro, Georgia, USA
Post  Posted 6 Feb 2006 3:53 am    
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i am curious, but what do ya'll feel is the most useful move for a 4th floor pedal (D)?

any examples i can heard in certain songs?

what are the pulls (set-up) for the Franklin D pedal move? used much these days?

thanks,

Billy


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William Johnson (Billy)
Grievous Angel Productions
Statesboro, GA. 30461 USA
http://www.grievousangelpro.com

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Charlie McDonald


From:
out of the blue
Post  Posted 6 Feb 2006 4:35 am    
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PF: http://b0b.com/tunings/franklin.htm
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Bill Rowlett


From:
Russellville, AR, USA
Post  Posted 15 Feb 2006 10:48 am    
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I made one that opens a trap door in front of me. Now when some drunk annoys me I just step on the fourth pedal and shazamm. . ..

Bill
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Jerry Hayes


From:
Virginia Beach, Va.
Post  Posted 15 Feb 2006 12:07 pm    
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Hey Billy, the logical place to put a 4th E9th pedal is in the 1st position next to your A pedal as your foot is usually resting over the A & B pedals and moves to the right (Emmons) or to the left (Day) to activate the C pedal. This way it only has to move a little the other direction to use the 4th pedal....... I use a 4th pedal in position one but mine is the Tom Brumley thing of raising the 7th F# to G#....JH in Va.

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Bobby Boggs

 

From:
Upstate SC.
Post  Posted 15 Feb 2006 8:23 pm    
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If the Franklin 4th pedal bugs you with an Emmons set-up? You suggest moving it to pedal one.Then the 4th pedal slot is the perfect place for it. If, you play a Day set-up?
? If you move it to pedal one with a Day set-up?You have the same problem in reverse.

I say keep it in the 4th slot with either set-up.

If you choose to use what many refer to as the Franklin 4th pedal? And I'm not saying you should.The bottom line here.It's really hard to out smart the guy that made it famous.

Quote:
I made one that opens a trap door in front of me. Now when some drunk annoys me I just step on the fourth pedal and shazamm


I think Bill has the best idea so far.

[This message was edited by Bobby Boggs on 15 February 2006 at 08:26 PM.]

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Mike Perlowin


From:
Los Angeles CA
Post  Posted 15 Feb 2006 11:38 pm    
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Like my friend Jerry Hayes says, the best place to put it is adjascent to the A pedal, on the far left of you're using an Emmons set up.

A lot of players have this pedal lower the G# strings to G natural. (I have the change in a knee lever.) There are several good reasons for this, the main on is that when used with the A pedal, you get a diminished chord that also functions as a 7th chord (assuming the bass player is playing the root.)
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Chris Brooks

 

From:
Providence, Rhode Island
Post  Posted 16 Feb 2006 4:53 am    
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I have this one, Mike. Works great.

Chris

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Carter SD-12 Extended E-9 with 5 & 6; Peavey N 112; Small Stone, Hughes & Kettner Rotosphere.
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Roger Rettig


From:
Naples, FL
Post  Posted 16 Feb 2006 5:31 am    
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I've had the Bs lowering to As on this pedal for a while now, but I'm not very excited by it. I think I'll change to lowering the G#s - that sounds more useful.

It'll also mean I can get a reliable 'split-tune' with my 'C' pedal ('Day' set-up) and my B to Bb lower (RKL) once again - that whole-tone lower has been screwing that split-tune up, and I've missed it!

RR
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