Selections from– True North
By: Last Train Home
“All Eyes Go”
Picture if you will a sold out amphitheater, the crowd hushed in anticipation as Leo LeBlanc slides into a smooth and sexy slide guitar intro with Jacob Dylan providing additional guitar as the rest of the band begins to fall in to time.
What you mean this is not the Wallflowers on the Bringing Down The Horse tour? Well until the vocals kicked in you could swear that this opening track from the 1999 freshman release Last Train Home was indeed the Wallflowers. The difference in style and talent comes in with the vocals.
Eric Brace’s vocals on this one are far superior to anything offered by the Jr. Dylan on Bringing Down the Horse. Clear and crisp with a tenor that is both smoky and smooth, one is reminded of Alan Jackson in timbre. Spot on harmony vocals only accent this piece that is as ready for Contemporary Rock / Country radio as anything ever done by Dylan, The Eagles, or Big Head Todd and The Monsters.
“Doughnut Girl”
Now here is a fun and fanciful flight that crosses genre boundaries. With a base sound reminiscent of the 40’s carnival houses this tune jumps up and grabs you in the Chorus. Blend Charlie Chaplin with The Mommas and the Pappas and throw in a healthy helping of tasteful banjo and you get the picture.
The liner notes mention that there is a great Pedal Steel outro that was excluded from this piece because of the stellar trumpet work on the track, and stellar it is indeed melodic and enticing it is a wonderful outro for this fun tune. Fortunately for the listener the competing PSG outro was included on the album as a “Not So Hidden Track” but regrettably it was unavailable to me for this review.
“Never Been To Memphis”
This track shows that Last Train is a well rounded contemporary country rock band as comfortable and capable of authentic Country R&B as they are Contemporary Rock.
If the 3 cuts I listened to from this album are indicative of the quality of the content on this disk then this is indeed one of those treasures that one runs into occasionally in the world of Independent music. Pro performances, top shelf production and content that is diverse, moving and entertaining this is an album that could and should spin along side the best of it class.
PS: I just found the 30 second bonus track “The Outro from Doughnut Girl” on another website. Wow that is some tasty PSG, I can see how the PSG and the trumpet could not peacefully co-exist on the outro to that track. Both parts are exceptional and I am sure glad I did not have to make the choice between them. I think I would have wound up leaning towards the guitar track but then I am partial to guitars.
I also just realized I just reviewed the wrong album and am now giving a listen to the other album, which features a whole lot, more of David Van Allen’s Pedal picking. Very tasteful stuff, full of harmony and sorrow at times and jumping with energy at others it adds an element to the music that takes it over the top of good to the realm of great.
The more I listen to this band the more I like them, I think I may have to buy these CDs.
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Bobby Bensley -
JavaMusic A&R
<FONT SIZE=1 COLOR="#ffffff"><p align=CENTER>[This message was edited by Bobby Bensley on 11 July 2002 at 02:27 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bobby Bensley on 11 July 2002 at 02:31 PM.]</p></FONT>