Mike Sweeney

About Steel Guitarists and their Music

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Ben Jack
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Mike Sweeney

Post by Ben Jack »

I was in Nashville last Fri. night and went to the Palace to hear Mike. I throughly enjoyed his playing , its first class . I also enjoyed the visit we had as we talked about many mutual friends we shared. I highly recommend you visit Mike and the Band if you are in Nashville on any night as they play 7 nights a week.

Ben Jack
Bobbe Seymour
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Post by Bobbe Seymour »

Amen!!!!!
Boomer
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Post by Boomer »

Mike Sweeney: one of the best, and one of the most commercial. Boomer
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Duane Dunard
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Post by Duane Dunard »

For the last three or four years,my wife and I have made a habit of visiting Mike at the Nashville Palace during our summer vacations. We always enjoy his fine steel work and a chance to visit with him. When in Nashville, do check him out.
Bob Hayes
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Post by Bob Hayes »

DIDO.....Mike is a great guy..fantastic PICKER.....soulfull person aqnd good friend.
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Ben Jack
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Post by Ben Jack »

I also went by and visited Bobbe Seymour but he asked me not to devulge where he is as there are too many pickers trying to come by and steel his licks.

Ben
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Mike Sweeney
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Post by Mike Sweeney »

Wow,fellas,what can I say? Thank all of you for the kind words. I'm not sure I deserve all of that but I certainly do appreciate your comments. I'd also like to invite any and all of my fellow steelers to come by and see me at the Palace any time they are in town. I'm there at least six nights a week. I try to take off on Sunday if my sub is available. Thanks again.

Mike
Louie Hallford
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Post by Louie Hallford »

Going to the Palace to eat and hear Mike is also one of my favorite stops when in Nashville.

Hopefully I will not be able to find "Bob Ease" new store location the next time I come to Nashville,that way I should have enough gas money to get home. Image
Gerry Grider
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Post by Gerry Grider »

Mike played Midnight in Old Amarillo at our request a few years back. The MC read the request and said "I guess we've got a steel player in the crowd tonight". Mike did a great job and the crowd loved it.
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Mike Sweeney
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Post by Mike Sweeney »

Hey Gerry,
I remember that night. I don't get to many requests anyway and especially for that great old Bobby Bowman tune.
Come back and see me again.
Mike
Roger Kelly
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Post by Roger Kelly »

Mike, I'm sure you meant Billy Bowman didn't you? He wrote the tune. Image
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Mike Sweeney
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Post by Mike Sweeney »

Yes Roger I'm so sorry for the typo. That's what I get for posting on here when I'm worn to a frazzle. It is BILLY Bowman. I think I'll go back to bed now, Good Night All, Mike Sweeney
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Robby Turner
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Post by Robby Turner »

I Remember when I used to get an occassional(how do you spell that word?) phone call from my Dearest Friend, Ben Jack! I can't believe you were in town and didn't ring me. As for Sweeney, I've always been a fan! Call me Ben!
Robby
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Mike Sweeney
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Post by Mike Sweeney »

Robby,
I can say this for Ben. He told me he tried to call you several times while he was here but got no answer. We figured you went to Arizona for Waylons funeral.
But he did ask if I knew if you were in town or not. So you were not forgotten.
Come by and see me when you can.
Mike
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Earnest Bovine
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Post by Earnest Bovine »

<SMALL>Mike Sweeney: one of the best, and one of the most commercial. </SMALL>
What does "commercial" mean here?<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Earnest Bovine on 02 March 2002 at 12:31 AM.]</p></FONT>
kyle reid
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Post by kyle reid »

I think it means, "Opry Live" like more commercials than music?
Herb Steiner
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Post by Herb Steiner »

It probably means he's a good player worthy of respect, who plays music people want to listen to.

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Kevin Hatton
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Post by Kevin Hatton »

I would also add my name to the list to Mike Sweeney fans. The Nashville Palace is always a place you can go to and know that steel guitar is well represented in the band at the hands of Mike Sweeney. Ask him to play some C6th when your there. He really cuts the rug! Good food there at the Palace also.
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Mike Sweeney
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Post by Mike Sweeney »

Thanks Herb and Kevin.
By the way, COMMERCIAL is NOT a dirty word.
I can't speak for California or Montana[ even though I have played shows in both states]here in Nashville we don't get paid by the note.
Once again thanks to everyone for the kind words.
Mike
Jim Whitaker
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Post by Jim Whitaker »

Commercial-- What 99% of all TV shows have to do to stay on the air!

Commercial-- What 99% of all Musicians have to play to stay on the air!

Ps. Mr Sweeney I'll be seeing you next Sat. nite before the Bush/Emmons show.

Jim

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JIM
"73" MSA S10, "74" LTD 400, "55" Esquire, "63 Epiphone, "63" Precision,
"71" Jazz (The Bass)
REAL OLD STUFF

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Whitaker on 02 March 2002 at 04:29 PM.]</p></FONT>
Gene Jones
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Post by Gene Jones »

(quote from Mike's post: we don't get paid by the note.)

Reminded me that on my first road job I was admonished by the bandleader that the quickest way to get fired would be to continually try to impress someone by trying to "cram as many fast notes in as you can before the song is over".

The best way to hang around for awhile would be to play something pretty.....and close to the melody! I guess that would be another definition of commercial. Image www.genejones.com <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:32 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:34 PM.]</p></FONT>
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Earnest Bovine
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Post by Earnest Bovine »

Sometimes people use "commercial" to mean a style of playing. I wonder what style they mean.
Herb Steiner
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Post by Herb Steiner »

I've always assumed that "commercial," as a description of a player's style, refers to note choice and stylistic characteristics that cater to the preferences of the audience, rather than to impress other musicians or push musical boundaries. E.g., refer at least in part to the melody of the song, construct your solos so as to be relatively singable melodies, play "inside" so to speak, and be fairly conversant with styles currently popular in the culture.

If I might offer one example: playing Crazy Arms on the E9th tuning, whether in Day, Emmons, or Mooney style, would be generally considered a "commercial" approach.

Playing "Crazy Arms" in ultra-Chalker style would impress many steel players and be way loads of fun, but nevertheless would be less "commercial" than striving for the recorded sound of the song.

Completely un-commercial would be trying to cram "Giant Steps" into "Crazy Arms." The great player could make it work, I'm sure. But don't count on a whole lot of dancers out there in Audience-ville.

Doug, somehow I have a feeling you're already aware of these things.

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Gene Jones
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Post by Gene Jones »

Herb....you silver-tongued devil. You defined my understanding of "commercial" so much better than I did! Image
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