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Split Tuning

Posted: 30 Mar 2003 2:57 am
by Walter Thut
I'm sur somebody can help me out there? Last Week i've been talking to Don Heron ( BR 5 49) and asked him about his tunings . On one Neck he has a E 13 and on the top Neck a D Split tuning the same like Hank Snow Steelguitarist. My Question: What are the intevals and how is it used?

Any help is appreciated
Walter

Posted: 30 Mar 2003 2:59 pm
by Kerry Wood
http://steelguitarforum.com/Forum2/HTML/001281.html

Walter, this thread may be of some help. Make sure to read both pages.

Kerry

Posted: 31 Mar 2003 5:50 am
by John Kavanagh
What some people would call a "split tuning"
at the end of that thread others would call an F13. It's a halftone higher than a common E13 tuning: EBdf#eg#c#'e'.

A bit of theory: the 13th is the same note as the 6th(c# in E), and any tuning that contains a 6th and a 7th(d) can be called a 13th tuning, though strictly speaking a full E13 chord has a 9th (f#) and an 11th (a); the 11th is usually left out. It's a big honkin' dominant chord.

It's a split tuning when you think of it as one chord on the bottom and a different chord on the top, using the lower strings for 7th chords, for instance, and the top 4 for 6th sounds.

I've messed around a bit with a split A6/C6 tuning: Ac#ef#gace (good for blues and rock). You could stretch things a bit and call this an A13#9, but it's easier to say "A6 on the bottom, C6 on the top", and that's the way it tends to feel too, though of course there's also an A7 in there. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Kavanagh on 31 March 2003 at 05:54 AM.]</p></FONT>

Posted: 31 Mar 2003 6:10 am
by Jeff Au Hoy
<SMALL>It's a split tuning when you think of it as one chord on the bottom and a different chord on the top...</SMALL>
Hey, that's a pretty neat idea John... sort of relates to the "B11th" tuning, which I tend to think of as really being an A6/B9.

Posted: 31 Mar 2003 6:28 am
by Jesse Pearson
I noticed that on the other steel site out there, the Hawaiian players look at a tuning for how many different chords you can see on the face of the open tuning. Since I noticed that, I do the same. Like what Mikey from the big island once said about C#m tuning working better if you look at it as E6.

Posted: 2 Apr 2003 8:28 am
by Walter Thut
Thanks a lot for your help, you can close this one.