Tone pot still not working
Moderator: Shoshanah Marohn
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Tone pot still not working
I checked the "caps" and they build up on the meter. As they are the wax type, the ends aren't blown, so I assume they are good. I changed the tone pot with a new 250K. Now the sound cuts out when you turn it. With the old one in, the tone remained the same. This is an Epiphone Electar. As I said in the other post, the pot is marked 20 M-Z. Someone responded that a 250K would work. I'm now thinking that way back then they used a pot with a different rating. Any suggestions? The Guldan I also just bought does the same thing, cuts out when you turn the tone knob. The "caps" in this one also test and look ok. Whatever the problem is, they both have it. Any sugestions? Thanks, Ron
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Ron how are the caps wired into the pot?..There are several varations that will work.. But its like this, one end of the cap must go to ground threw the tone pot..
Thats how the tone is changed by grounding the cap or having the pot resistance between the cap and ground.
Again there are several varitaions that will work..One end of the cap can go to the volume pot then the other over to the tone pot.Or you can just have a solid jumper wire from the volume pot over to the tone pot.
But both pots must be connected and the cap resisted in and out of ground by the tone pot..
Hpe this makes since!!
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Jerry Wallace/TrueTone pickups-2001 Zum: D-10,8+6, "98 Zum: D-10,8+8,Nashville 1000,Session 500 ,Session 400 head only amp,Tubefex,ProfexII, Artesia, New Mexico
http://www.jerrywallacemusic.com
Thats how the tone is changed by grounding the cap or having the pot resistance between the cap and ground.
Again there are several varitaions that will work..One end of the cap can go to the volume pot then the other over to the tone pot.Or you can just have a solid jumper wire from the volume pot over to the tone pot.
But both pots must be connected and the cap resisted in and out of ground by the tone pot..
Hpe this makes since!!
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Jerry Wallace/TrueTone pickups-2001 Zum: D-10,8+6, "98 Zum: D-10,8+8,Nashville 1000,Session 500 ,Session 400 head only amp,Tubefex,ProfexII, Artesia, New Mexico
http://www.jerrywallacemusic.com
- Dave Grafe
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Did you ever measure the resistance of the old pot (outside post to outside post)?
Normally 200M-Z would mean "200 MEGA (200,000,000) ohms - Z (audio) taper" - if your volume pot is still a 200M then your 250K tone pot could essentially be passing the bulk of the signal to ground as you open it up and thus causing it to cut out.
250K IS a standard value for most modern pickup harnesses but might not be appropriate for a super high impedance unit. I will look up some old drawings and see if I can find anything that will help you out here.
Dave<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Grafe on 23 November 2004 at 03:16 PM.]</p></FONT>
Normally 200M-Z would mean "200 MEGA (200,000,000) ohms - Z (audio) taper" - if your volume pot is still a 200M then your 250K tone pot could essentially be passing the bulk of the signal to ground as you open it up and thus causing it to cut out.
250K IS a standard value for most modern pickup harnesses but might not be appropriate for a super high impedance unit. I will look up some old drawings and see if I can find anything that will help you out here.
Dave<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Grafe on 23 November 2004 at 03:16 PM.]</p></FONT>
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I just spoke to a person at the electronics store. When I told him the volume cut out on the 250K pot, he said it's too big and that 200 is 200 ohms and the M-Z has something to do with other specs, maybe temperature. He had a 150 which he said will work. He was very knowledgeable. Does this sound reasonable?
- Dave Grafe
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- Dave Grafe
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Here we go, from "The Electric Guitar Handbook" by Jack Darr (1977) - common practice with a single pickup is to use matching 500K audio taper pots for volume and tone (low-pass filter) and wired thusly:
I hope this helps
Dave<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Grafe on 23 November 2004 at 07:48 PM.]</p></FONT>
I hope this helps
Dave<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Grafe on 23 November 2004 at 07:48 PM.]</p></FONT>
- Blake Hawkins
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Ron and Dave:
In some old electronic notation M = 1000.
I realize that some use M as "meg" but in the case of this pot, I'm sure that the
200M is 200,000 ohms. The "Z" is either the tolerance or the taper.
Since others have covered the proper connection of the circuit I won't go into that.
However, if the value of the cap is higher than .05, then it will kill the audio signal at one end of the range.
I have a Harmony lap steel that came to me with a switch and a cap in the tone circuit.
The cap (and it looked original) was a .1 mfd which pretty well killed the output of the pickup. I changed that to .022 mfd and had something I could use.
Be sure your replacement pot is an audio taper as has been mentioned in one of the other replys.
Even though the ohm meter shows a charge on the cap, it could still be bad because of a change in the capacity.
What we are dealing with here is a piece of antique electronic gear. It is very different from what the young guys in the electronics stores are used to seeing.
Oddly enough, music stores are more likely to have a correct pot than the corner Radio Shack.
I have bought 250 K volume control pots from Sam Ash Music. I believe Guitar Center also has them.
Blake<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Blake Hawkins on 23 November 2004 at 09:56 PM.]</p></FONT>
In some old electronic notation M = 1000.
I realize that some use M as "meg" but in the case of this pot, I'm sure that the
200M is 200,000 ohms. The "Z" is either the tolerance or the taper.
Since others have covered the proper connection of the circuit I won't go into that.
However, if the value of the cap is higher than .05, then it will kill the audio signal at one end of the range.
I have a Harmony lap steel that came to me with a switch and a cap in the tone circuit.
The cap (and it looked original) was a .1 mfd which pretty well killed the output of the pickup. I changed that to .022 mfd and had something I could use.
Be sure your replacement pot is an audio taper as has been mentioned in one of the other replys.
Even though the ohm meter shows a charge on the cap, it could still be bad because of a change in the capacity.
What we are dealing with here is a piece of antique electronic gear. It is very different from what the young guys in the electronics stores are used to seeing.
Oddly enough, music stores are more likely to have a correct pot than the corner Radio Shack.
I have bought 250 K volume control pots from Sam Ash Music. I believe Guitar Center also has them.
Blake<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Blake Hawkins on 23 November 2004 at 09:56 PM.]</p></FONT>
- John Bechtel
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I found my Ernie Ball 250K Audio-Pots at the same Fender dealer where I bought my ’65 Re-issue Twin–Reverb Custom™ 15” Eminence and I use them along with a .0224 disc-cap. There is no gr. preference on a disc-cap. I wire it, in either direction; between the Center-(Out) Terminal of the tone-pot and the Lead-(In) Terminal of the Vol.-pot. then connect the Ground-terminal of both pots and on to the ground-(output jack) of the guitar. This combination affords a nice gradual transition between Bass and Treble on the Tone-Pot, for me!
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“Big John” Bechtel
’49/’50 Fender T–8 Custom [X2]
’65 Re-issue Fender Twin-Reverb Custom™ 15”
click here click here
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“Big John” Bechtel
’49/’50 Fender T–8 Custom [X2]
’65 Re-issue Fender Twin-Reverb Custom™ 15”
click here click here
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- Blake Hawkins
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