Reply ( 2 and 9 drop, Pedal Steel section)
Posted: 2 Mar 2001 10:14 am
Rick W
Here is some of the ways I use the knee-lever that drops 9th D-C# and 2nd Eb-D-C#.
Most examples use the 9th string lower so I'll try to post another with more 2nd string examples.
<font face="monospace" size="2"><pre>
Using the D->C# on 9th string to form I,IV & V dominant7ths a half tone apart
D7 A7 E7 OR D7 A7 E7
1--------------------------------------------------------
2--------------------------------------------------------
3--------------------------------------------------------
4--------------------------------------------------------
5----7----8----9--------------------1----2----3----------
6--------------------------------------------------------
7--------------------------------------------------------
8----7R---8R---9R-------------------1R---2R---3R---------
9----7----8L---9--------------------1L---2----3----------
10--------------------------------------------------------
Position1 Position2
D7 A7 E7 OR D7 A7 E7
1--------------------------------------------------------
2--------------------------------------------------------
3--------------------------------------------------------
4----7R---8R---9R-------------------1R---2R---3R---------
5----7----8----9--------------------1----2----3----------
6--------------------------------------------------------
7--------------------------------------------------------
8--------------------------------------------------------
9----7----8L---9--------------------1L---2----3----------
10--------------------------------------------------------
Position1 Position2
A whole lot of E D and A chords w/occational D->C# on 9th string
E7 D E D7 A7 E7 A D7 A7 E7
1---------------------------------------------------------------
2---------------------------------------------------------------
3-------*---*---------------*-----------------------------------
4---0---1R--3R--4R--5---6R--8R--10---11R--12--------------------
5---------------------------------------------------------------
6---0---1---3---4---5---6---8---10---11---12--------------------
7---------------------------------------------------------------
8---------------------------------------------------------------
9---0---1L--3L--4---5---6---8L--10---11---12--------------------
10---------------------------------------------------------------
* = Press C-pedal to to raise another halftone for a sus4 sound
All-pull guitar, E-Eb lower tuned split w/C-pedal to give a F on 4th string
1--------------------------------------------------5---------------
2-------------------------------------------5LL~~~~~---------------
3---------*---------------*----------------------------------------
4---8C~~~8CL~~~8L---6C~~~6CL~~~6L---5~~~5L~~~~~~~~~~---5L~~~~5-----
5-----------------------------------------------5~~~---------------
6---8~~~~~~~~~~~~---6~~~~~~~~~~~~---5B~~~~~~~~~~~~~~---5B~~~~5-----
7------------------------------------------------------------------
8------------------------------------------------------------------
9---8L~~~~~~~~~~~---6L~~~~~~~~~~~---5L~~~~~~~~~~~~~~---------------
10------------------------------------------------------5~~~~~5-----
* = C-pedal & Knee-lever together
1-----------------------------------------------------------------------------------------
2----------------------------------------------------------------6LL~~~~------------------
3-----------------------------------------------------------------------------------------
4----------------------------------------6C~~~~6~~~~~~~~~~~~~~~~~~~~~~~~-----1~~~~~~~-----
5----------6~~8-/8A--8~~~~~--------------------------------------------6--------1~~1A-----
6------------------------8B-/6B~~~~---6B~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-----1B~~~~~~-----
7-----------------------------------------------------------------------------------------
8----------6L~8--8~--8~~~~~---------------------------------------------------------------
9----------------------------6~~~~~---6~~~~~~~~~~~~~~6L~~~~~~~~~~~~~~~~~------------------
10-----------------------------------------------------------------------------------------
Count 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3
* *
* *
Move left foot to cover B & C pedals here Move back to A & B here
Using same bass-note over different chords
1---------------------------------------------------
2---------------------------------------------------
3---------------------3B~~~~------------------------
4-------------4R~3~~~~~~~~~~------------------------
5-----------4A~~~3A~~~~~~~~~---7A~~~~~6A~~6~~6------
6---------4~~~~~~3B~~~~~~~~~---7~~~~~~6B~~6B~6------
7---------------------------------------------------
8------------------------------7R~~~~~6~~~6~~6------
9----4L~~~~~~~~~~3~~~~~~~~~~------------------------
10---------------------------------------------------
1---------------------------------------------------
2---------------------------------------------------
3---------------------4~~~~~------------------------
4-------------4R~4~~~~~~~~~~------------------------
5-----------4A~~~4~~~~~~~~~~---6A~~6~~~~~~~~---6----
6---------4~~~~~~4~~~~~~~~~~---6B~~6B~~~~~~~---6----
7---------------------------------------------------
8------------------------------6~~~6~~~~~~~~---6----
9----4L~~~~~~~~~~4L~~~~~~~~~------------6L~~--------
10---------------------------------------------------
1---------------------------------------------------
2--------------------4LL----------------------------
3----------------------4~~~~~-----------------------
4-------------4R~4~~~~~--4~~~--3~~~~~~--2~~~~~~-----
5-----------4A~~~4~~~~~~~~~~---3~~~~~~--2~~~~~~-----
6---------4~~~~~~4~~~~~~~~~~---3~~~~~~--2~~~~~~-----
7---------------------------------------------------
8---------------------------------------------------
9----4L~~~~~~~~~~4L~~~~~~~~~---3~~~~~~--2~~~~~~-----
10---------------------------------------------------
</pre></font>
Bengt
Here is some of the ways I use the knee-lever that drops 9th D-C# and 2nd Eb-D-C#.
Most examples use the 9th string lower so I'll try to post another with more 2nd string examples.
<font face="monospace" size="2"><pre>
Using the D->C# on 9th string to form I,IV & V dominant7ths a half tone apart
D7 A7 E7 OR D7 A7 E7
1--------------------------------------------------------
2--------------------------------------------------------
3--------------------------------------------------------
4--------------------------------------------------------
5----7----8----9--------------------1----2----3----------
6--------------------------------------------------------
7--------------------------------------------------------
8----7R---8R---9R-------------------1R---2R---3R---------
9----7----8L---9--------------------1L---2----3----------
10--------------------------------------------------------
Position1 Position2
D7 A7 E7 OR D7 A7 E7
1--------------------------------------------------------
2--------------------------------------------------------
3--------------------------------------------------------
4----7R---8R---9R-------------------1R---2R---3R---------
5----7----8----9--------------------1----2----3----------
6--------------------------------------------------------
7--------------------------------------------------------
8--------------------------------------------------------
9----7----8L---9--------------------1L---2----3----------
10--------------------------------------------------------
Position1 Position2
A whole lot of E D and A chords w/occational D->C# on 9th string
E7 D E D7 A7 E7 A D7 A7 E7
1---------------------------------------------------------------
2---------------------------------------------------------------
3-------*---*---------------*-----------------------------------
4---0---1R--3R--4R--5---6R--8R--10---11R--12--------------------
5---------------------------------------------------------------
6---0---1---3---4---5---6---8---10---11---12--------------------
7---------------------------------------------------------------
8---------------------------------------------------------------
9---0---1L--3L--4---5---6---8L--10---11---12--------------------
10---------------------------------------------------------------
* = Press C-pedal to to raise another halftone for a sus4 sound
All-pull guitar, E-Eb lower tuned split w/C-pedal to give a F on 4th string
1--------------------------------------------------5---------------
2-------------------------------------------5LL~~~~~---------------
3---------*---------------*----------------------------------------
4---8C~~~8CL~~~8L---6C~~~6CL~~~6L---5~~~5L~~~~~~~~~~---5L~~~~5-----
5-----------------------------------------------5~~~---------------
6---8~~~~~~~~~~~~---6~~~~~~~~~~~~---5B~~~~~~~~~~~~~~---5B~~~~5-----
7------------------------------------------------------------------
8------------------------------------------------------------------
9---8L~~~~~~~~~~~---6L~~~~~~~~~~~---5L~~~~~~~~~~~~~~---------------
10------------------------------------------------------5~~~~~5-----
* = C-pedal & Knee-lever together
1-----------------------------------------------------------------------------------------
2----------------------------------------------------------------6LL~~~~------------------
3-----------------------------------------------------------------------------------------
4----------------------------------------6C~~~~6~~~~~~~~~~~~~~~~~~~~~~~~-----1~~~~~~~-----
5----------6~~8-/8A--8~~~~~--------------------------------------------6--------1~~1A-----
6------------------------8B-/6B~~~~---6B~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-----1B~~~~~~-----
7-----------------------------------------------------------------------------------------
8----------6L~8--8~--8~~~~~---------------------------------------------------------------
9----------------------------6~~~~~---6~~~~~~~~~~~~~~6L~~~~~~~~~~~~~~~~~------------------
10-----------------------------------------------------------------------------------------
Count 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3
* *
* *
Move left foot to cover B & C pedals here Move back to A & B here
Using same bass-note over different chords
1---------------------------------------------------
2---------------------------------------------------
3---------------------3B~~~~------------------------
4-------------4R~3~~~~~~~~~~------------------------
5-----------4A~~~3A~~~~~~~~~---7A~~~~~6A~~6~~6------
6---------4~~~~~~3B~~~~~~~~~---7~~~~~~6B~~6B~6------
7---------------------------------------------------
8------------------------------7R~~~~~6~~~6~~6------
9----4L~~~~~~~~~~3~~~~~~~~~~------------------------
10---------------------------------------------------
1---------------------------------------------------
2---------------------------------------------------
3---------------------4~~~~~------------------------
4-------------4R~4~~~~~~~~~~------------------------
5-----------4A~~~4~~~~~~~~~~---6A~~6~~~~~~~~---6----
6---------4~~~~~~4~~~~~~~~~~---6B~~6B~~~~~~~---6----
7---------------------------------------------------
8------------------------------6~~~6~~~~~~~~---6----
9----4L~~~~~~~~~~4L~~~~~~~~~------------6L~~--------
10---------------------------------------------------
1---------------------------------------------------
2--------------------4LL----------------------------
3----------------------4~~~~~-----------------------
4-------------4R~4~~~~~--4~~~--3~~~~~~--2~~~~~~-----
5-----------4A~~~4~~~~~~~~~~---3~~~~~~--2~~~~~~-----
6---------4~~~~~~4~~~~~~~~~~---3~~~~~~--2~~~~~~-----
7---------------------------------------------------
8---------------------------------------------------
9----4L~~~~~~~~~~4L~~~~~~~~~---3~~~~~~--2~~~~~~-----
10---------------------------------------------------
</pre></font>
Bengt