B. Garrett's 7b9 masterpiece
Posted: 11 Aug 2000 2:08 pm
As promised in the Bar Chatter "Diminished" thread:
This is an interpretation of Bobby Garrett's solo from Hank Thompson's "Get the Hell Out Of Dodge". In retrospect, I've decided that BG used a natural 9 instead of a b9 for the second chord (lead in), but I'm leaving it there anyway to prove a point *wink*
Get The Hell Out of Dodge - C6 tab Key of C
an Interpretation of Bobby Garrett's solo
<font face="monospace" size="3"><pre>
G7b9 C C7b9
1------------|----------------------|---------------------------------|
2-11(6-------|----------------------|-----------------------------4(6-|
3-11---------|---------12~~10-------|-------10~~~~7-----------4---4---|
4-------11---|-----12--12~~10--10---|-10----10~~~~7---7~~~4---4-------|
5-11(5--11(5-|-12--12----------10(5-|-10(5------------7(5~4(5-----4(5-|
6------------|-12------12~~10-------|-------10(6~~7(6---------4(6-----|
7-------11---|-----12----------10---|-10--------------7~~~4-----------|
8------------|-12-------------------|---------------------------------|
9------------|----------------------|---------------------------------|
10-----------|----------------------|---------------------------------|
F F#o C Bb7 A7
1---------------|----------------------------|-----------------------------
2-----------5(6~|~6(6------------------------|-----------------------------
3--5-----5--5~~~|~6---6------------9---------|--7----5~~~~5(7~~5--4---4----
4--5-----5------|-----6---6--------9----9----|-----------------------------
5-----5-----5(5~|~6(5-----6(5--6(5------9(5--|--7----5------------4---4----
6--5--5--5------|-----6(6----------9(6-------|--7(6--5(6----------4(6-4(6--
7---------------|---------6-------------9----|-----------------------------
8-----5---------|----------------------------|-----------------------------
9---------------|----------------------------|-----------------------------
10--------------|----------------------------|-----------------------------
D7 G7 C
1----------------------------------|------------
2----------------------------------|------------
3----------------------------------|---12-------
4---12~~~11~~~~12----14------------|---12-------
5---12(5~11(5~~12(5--14(6--14(6----|---12-------
6------------------------------14--|---12-------
7---12~~~11~~~~12----14------------|---12-------
8----------------------------------|------------
9----------------------------------|------------
10---------------------------------|------------
</pre></font>
The first measure is a "pickup" measure.
For the third measure and fifth measure, you can pretty much mash pedal 5&6 together and keep 'em mashed.
Thank You, Bobby Garrett, wherever you are.
-John <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ricky Davis on 12 August 2000 at 12:54 AM.]</p></FONT>
This is an interpretation of Bobby Garrett's solo from Hank Thompson's "Get the Hell Out Of Dodge". In retrospect, I've decided that BG used a natural 9 instead of a b9 for the second chord (lead in), but I'm leaving it there anyway to prove a point *wink*
Get The Hell Out of Dodge - C6 tab Key of C
an Interpretation of Bobby Garrett's solo
<font face="monospace" size="3"><pre>
G7b9 C C7b9
1------------|----------------------|---------------------------------|
2-11(6-------|----------------------|-----------------------------4(6-|
3-11---------|---------12~~10-------|-------10~~~~7-----------4---4---|
4-------11---|-----12--12~~10--10---|-10----10~~~~7---7~~~4---4-------|
5-11(5--11(5-|-12--12----------10(5-|-10(5------------7(5~4(5-----4(5-|
6------------|-12------12~~10-------|-------10(6~~7(6---------4(6-----|
7-------11---|-----12----------10---|-10--------------7~~~4-----------|
8------------|-12-------------------|---------------------------------|
9------------|----------------------|---------------------------------|
10-----------|----------------------|---------------------------------|
F F#o C Bb7 A7
1---------------|----------------------------|-----------------------------
2-----------5(6~|~6(6------------------------|-----------------------------
3--5-----5--5~~~|~6---6------------9---------|--7----5~~~~5(7~~5--4---4----
4--5-----5------|-----6---6--------9----9----|-----------------------------
5-----5-----5(5~|~6(5-----6(5--6(5------9(5--|--7----5------------4---4----
6--5--5--5------|-----6(6----------9(6-------|--7(6--5(6----------4(6-4(6--
7---------------|---------6-------------9----|-----------------------------
8-----5---------|----------------------------|-----------------------------
9---------------|----------------------------|-----------------------------
10--------------|----------------------------|-----------------------------
D7 G7 C
1----------------------------------|------------
2----------------------------------|------------
3----------------------------------|---12-------
4---12~~~11~~~~12----14------------|---12-------
5---12(5~11(5~~12(5--14(6--14(6----|---12-------
6------------------------------14--|---12-------
7---12~~~11~~~~12----14------------|---12-------
8----------------------------------|------------
9----------------------------------|------------
10---------------------------------|------------
</pre></font>
The first measure is a "pickup" measure.
For the third measure and fifth measure, you can pretty much mash pedal 5&6 together and keep 'em mashed.
Thank You, Bobby Garrett, wherever you are.
-John <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ricky Davis on 12 August 2000 at 12:54 AM.]</p></FONT>