E9 minor patterns
Posted: 14 Feb 2000 2:43 pm
Patterns over minors .
These are some of the patterns I try to visualise when I'm playing over minor
chords . They are just modal scales , and used over a Major or its
relative minor . I use them like pockets to help me see
where the notes are lying , and don't always play the exact notes either .
It depends on the song , or the mood .
I would tape the chords Cm Fm Gm7 Cm a few times , and then play each
pattern over them . The beauty is that each pattern has it's root in its major
open position , with the exception of the last I . That would be the AB position
for C , and instead of using fret 3 with the B pedal , I gave it fret 4 ,
no pedal , to keep in the same pattern as the V7 one .
<font face="monospace" size="3"><pre>
_________________________________________________________________________
F# 1_______________________________________________________________4_________
D# 2_________________9________________2_____________4__________4_____________
G# 3_________________________________________________________________4_______
E 4_____________________________________________________________4___________
B 5___________8_9_9A__________1_1A_2A________3_4_4A_____3_4_4A______________
G# 6_________9_______________2_______________4__________4____________________
F# 7______8_9_____________1_2_______________4________________________________
E 8_____8_______________1_______________3_4_________________________________
D 9_________________________________________________________________________
B 10________________________________________________________________________
I IV V7 I
</pre></font>
This next pattern starting on the 9 string D , is basically just the IV pattern
again but starting and finishing on a D# instead . It is also a major scale for
Eb . The reason I added it is because I would use this one for playing harmony
against the V7 pattern above .
<font face="monospace" size="3"><pre>
________________________
F# 1________________________
D# 2________________________
G# 3________________________
E 4________________________
B 5_____________1_1A_2A____
G# 6____________2___________
F# 7_________1_2____________
E 8________1_______________
D 9_______1________________
B 10_______________________
</pre></font>
This is just a scale , a combination of two of the patterns above
and it can be used over something in Cm or Eb major .
<font face="monospace" size="3"><pre>
________________________________________________
F# 1________________________________________________
D# 2_______________________2_4______________________
G# 3________________________________________________
E 4________________________________________________
B 5_______________1_1A_2A_____4A_4_3_______________
G# 6_____________2____________________4_____________
F# 7_________1_2________________________4___________
E 8_______1______________________________4_3_______
D 9_____1____________________________________3_1___
B 10_______________________________________________
</pre></font>
I hope the tab is correct
Ingo.
These are some of the patterns I try to visualise when I'm playing over minor
chords . They are just modal scales , and used over a Major or its
relative minor . I use them like pockets to help me see
where the notes are lying , and don't always play the exact notes either .
It depends on the song , or the mood .
I would tape the chords Cm Fm Gm7 Cm a few times , and then play each
pattern over them . The beauty is that each pattern has it's root in its major
open position , with the exception of the last I . That would be the AB position
for C , and instead of using fret 3 with the B pedal , I gave it fret 4 ,
no pedal , to keep in the same pattern as the V7 one .
<font face="monospace" size="3"><pre>
_________________________________________________________________________
F# 1_______________________________________________________________4_________
D# 2_________________9________________2_____________4__________4_____________
G# 3_________________________________________________________________4_______
E 4_____________________________________________________________4___________
B 5___________8_9_9A__________1_1A_2A________3_4_4A_____3_4_4A______________
G# 6_________9_______________2_______________4__________4____________________
F# 7______8_9_____________1_2_______________4________________________________
E 8_____8_______________1_______________3_4_________________________________
D 9_________________________________________________________________________
B 10________________________________________________________________________
I IV V7 I
</pre></font>
This next pattern starting on the 9 string D , is basically just the IV pattern
again but starting and finishing on a D# instead . It is also a major scale for
Eb . The reason I added it is because I would use this one for playing harmony
against the V7 pattern above .
<font face="monospace" size="3"><pre>
________________________
F# 1________________________
D# 2________________________
G# 3________________________
E 4________________________
B 5_____________1_1A_2A____
G# 6____________2___________
F# 7_________1_2____________
E 8________1_______________
D 9_______1________________
B 10_______________________
</pre></font>
This is just a scale , a combination of two of the patterns above
and it can be used over something in Cm or Eb major .
<font face="monospace" size="3"><pre>
________________________________________________
F# 1________________________________________________
D# 2_______________________2_4______________________
G# 3________________________________________________
E 4________________________________________________
B 5_______________1_1A_2A_____4A_4_3_______________
G# 6_____________2____________________4_____________
F# 7_________1_2________________________4___________
E 8_______1______________________________4_3_______
D 9_____1____________________________________3_1___
B 10_______________________________________________
</pre></font>
I hope the tab is correct
Ingo.