Hendrix lix?

Jim Cohen · Post by **Jim Cohen** » 3 Nov 1999 5:34 pm

Got some?

Ingo Mamczak · Post by **Ingo Mamczak** » 6 Nov 1999 7:44 pm

<pre>

Hi Jim ,
Hopefully this is in the key of F# . I know it is not the origional ,
but it does sound pretty , especially played that bit slower , and leaving
certain strings ring .

________________________________________________________________________________
F# 1________________________________________________________________________________
D# 2________________________________________________________________________________
G# 3________________________________________________________________________________
E 4________________________________________________________________________________
B 5________________________________________________________________________________
G# 6_______ 2B\2_______________2B\2_______________2B\2___0_0___0__2_____2/2B\2__2___
F# 7_______________2_2________________2_2______________0_____0________________2_____
E 8______2______2_____2____________2_____2____0__________________2_________________
D 9________________________________________________________________________________
B 10__0B_________________0B\0_______________0____________________0B________________
* . . . * . . . * . . . * . . .
A= Both B's + 1 tone .
B= Both G# + 1/2 tone.
The 10th string doesn't get barred .

</pre>

Dean Forshee · Post by **Dean Forshee** » 8 Nov 1999 5:17 am

Ingo. What song is your tab from? And what does that "B" on the 10th string mean?

Just curious.

Thanks.

Steve England · Post by **Steve England** » 8 Nov 1999 12:00 pm

Keith you say

"One must admit that the steel has its limitations before it turns pathetic!!!" Yeh, sez who????
Oh by the way is that your real name?

[This message was edited by Steve England on 11-08-99]

Eddie K · Post by **Eddie K** » 11 Nov 1999 6:51 am

I like guitar riffs on the steel. Take 'em and add a cool PSG twist. Then throw them back at the guitarist in the band that has been copping your licks for so long.

I love dropping seeds like that and then and watching the guitarist try to pick up on the added PSG twists.

Whats wrong with pulling the steel outside of it's country roots now and then....

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What is that thing that you play?
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