Universal players: which lever flats your e’s?
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- Gary Newcomb
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Universal players: which lever flats your e’s?
Curious about this for sure and apologies if it’s been covered ad nauseam before, I searched etc...
I have always had the change on LKR but have been wondering about RKL (which currently flats B’s) I don’t tend to use the change-lok and have a one-big-tuning approach.
‘03 Sierra session u12
Uni-peeps let’s go!
I have always had the change on LKR but have been wondering about RKL (which currently flats B’s) I don’t tend to use the change-lok and have a one-big-tuning approach.
‘03 Sierra session u12
Uni-peeps let’s go!
Sierra Session U12, Milkman 1/2, Goodrich Omni, Divine Noise Cables, BJS, Solid cosmic gold, baby 👶ðŸ»
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- Dave Mudgett
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E raises and E lowers on separate knees for me. I wound up with E=>Eb on RKL, regardless of U12 E9/B6, Ext E9, or standard E9 for me. I think it's a total no-brainer on universal, but I think it's a winning argument on any setup for me.
Buddy Emmons and Paul Franklin dissected the pros and cons of same knee vs. split knees for the books here - https://bb.steelguitarforum.com/viewtopic.php?t=29594 - there have been dozens of discussions over the nearly 25 years of the forum, and that thread is, IMO, one-stop shopping on this subject. Read the whole thread.
Now, bodies are different and thus the ergonomics may be different for different people. I personally find it less natural for my knees to move outward than inward, and the E=>Eb is used so much that I want it to be in the most natural position for me - RKL. But that is reversed for some players. So YMMV.
There is no 'right' answer. More than 15 years ago, I tried every permutation on a real easy-to-set-up old BMI. It took a few months of continuous tearing down and setting up, and I think it was worth the trouble. For me, at least.
Buddy Emmons and Paul Franklin dissected the pros and cons of same knee vs. split knees for the books here - https://bb.steelguitarforum.com/viewtopic.php?t=29594 - there have been dozens of discussions over the nearly 25 years of the forum, and that thread is, IMO, one-stop shopping on this subject. Read the whole thread.
Now, bodies are different and thus the ergonomics may be different for different people. I personally find it less natural for my knees to move outward than inward, and the E=>Eb is used so much that I want it to be in the most natural position for me - RKL. But that is reversed for some players. So YMMV.
There is no 'right' answer. More than 15 years ago, I tried every permutation on a real easy-to-set-up old BMI. It took a few months of continuous tearing down and setting up, and I think it was worth the trouble. For me, at least.
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- Dave Hopping
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RKL for me too. I learned that way, and it just seems that (especially on a Universal) when you engage the E>Eb lever you leave it in for much longer than any other KL. I can't imagine holding that change on LKR while having to dance on all the pedals with the left foot; the B6 side can be a stretch. Makes sense to pair the E>Eb change with the right foot, which is usually parked on the VP. No problem controlling the volume with RKL or RKR engaged.
- John De Maille
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- Slim Heilpern
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I do RKL with no lock. While I mostly play with my right foot on the volume pedal, this configuration allows me to comfortably move my right foot to the B6 pedals as needed while lowering the E's.
Chromatic Harmonica, Guitar, and Pedal Steel (Williams U12 Series 700, Emmons lap)
http://slimandpenny.com
http://slimandpenny.com
- Gary Newcomb
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I played a MSA S10 With Days Set Up, LKL Lower E's, LKR Raised E's, From 1999 to 2017.
I bought a S12U, There was some Jeff Newman lessons on Pedals, Knee levers and B6th in the deal.
When I bought the GFI S12 it was Set up Emmons/Nashville.
I changed The guitar to Day Set Up. While working on the guitar I Changed the kL's to Jeff Newman's Copendent. RKL Raise 4-8-11 to F. RKR Lower 4-8 to D# and 2 to C#.
It took just a few days and the knee levers was no problem. On the 12U Newman U tuning, the (10th String B) is on the (9th string B). Playing Strings 6-8-9 instead of 6-8-10, Took some serious practice to get that move into my Neuro-Memory.
The 9th B- 10th G#- 11th E on The Newman Uni Copendent opens some new ground to explore too.
"He Stopped Loving Her Today" has possibilities.
If you jump, Good Luck and Happy Steelin.
I bought a S12U, There was some Jeff Newman lessons on Pedals, Knee levers and B6th in the deal.
When I bought the GFI S12 it was Set up Emmons/Nashville.
I changed The guitar to Day Set Up. While working on the guitar I Changed the kL's to Jeff Newman's Copendent. RKL Raise 4-8-11 to F. RKR Lower 4-8 to D# and 2 to C#.
It took just a few days and the knee levers was no problem. On the 12U Newman U tuning, the (10th String B) is on the (9th string B). Playing Strings 6-8-9 instead of 6-8-10, Took some serious practice to get that move into my Neuro-Memory.
The 9th B- 10th G#- 11th E on The Newman Uni Copendent opens some new ground to explore too.
"He Stopped Loving Her Today" has possibilities.
If you jump, Good Luck and Happy Steelin.
- Lee Baucum
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RKL
Here are some pics of a Mullen I played for many years.
https://bb.steelguitarforum.com/viewtopic.php?t=161579
~Lee
Here are some pics of a Mullen I played for many years.
https://bb.steelguitarforum.com/viewtopic.php?t=161579
~Lee
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- Dennis Detweiler
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RKR Eb
RKL F
For the past 50yrs.
RKL F
For the past 50yrs.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
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- Tom Mossburg
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U12 Rkl Rkr
I played for a number of years with RKL. I switched to RKR where it is now. The muscles in your leg are able to hold the RKR longer because they are stronger than the ones used for RKL. And they don't affect your left leg as much IMO. Thats why I do RKR. Other than that, its just a matter of personal preference. Even though I have been using RKR for quite a while, I still find myself trying to use RKL on those songs I learned years ago from time to time.
MSA Studio Pro U-12 x 2, Telonics
RKL E's
RKR F's
RKR F's
Regards,
John
Steelin' is a way of life!
1997 Carter U-12 Double Body-Natural Birdseye Maple-8p/5k, Peavey Nashville 1000 Amp, Goodrich L10K Vol. Pedal, Boss DD-3 Delay, Boss CE-5 Chorus, Behringer UMC-204HD Audio Interface, AKAI MPK Mini MK3 Professional Midi Keyboard/Controller, Gretsch Bobtail Resonator, Fender Banjo, Rondo SX Lap Steel (C6), DIY Lap Steel (Open D), a few Mojo Hand Cigar Box Guitars (MojoHandGuitars.com).
John
Steelin' is a way of life!
1997 Carter U-12 Double Body-Natural Birdseye Maple-8p/5k, Peavey Nashville 1000 Amp, Goodrich L10K Vol. Pedal, Boss DD-3 Delay, Boss CE-5 Chorus, Behringer UMC-204HD Audio Interface, AKAI MPK Mini MK3 Professional Midi Keyboard/Controller, Gretsch Bobtail Resonator, Fender Banjo, Rondo SX Lap Steel (C6), DIY Lap Steel (Open D), a few Mojo Hand Cigar Box Guitars (MojoHandGuitars.com).
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- Andy Gasparini
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E --> Eb = RKR
E --> F = LKR
I play Day setup CBA, so E-->F follows the A pedal.
E --> F = LKR
I play Day setup CBA, so E-->F follows the A pedal.
Last edited by Andy Gasparini on 19 Apr 2023 10:28 am, edited 1 time in total.
Mullen Royal Precision U12; 1976 ShoBud The Pro II Custom; Hilton Volume Pedal; Peavy Nashville 400; Wampler Euphoria; EH B9 Organ Machine; MXR Carbon Copy; TC Electronics HOF Reverb;
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