Jerry Byrd A7 + C6 Tuning
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- Allan Revich
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Jerry Byrd A7 + C6 Tuning
A C# E G A C E (7 string)
C# E G A C E (6 string)
Does anybody else use this tuning?
I've been playing it tuned down to G7 + Bb6. G B D F G Bb D and really like it for blues. But I can see that it has big potential to expand out of my blues "comfort zone" too.
C# E G A C E (6 string)
Does anybody else use this tuning?
I've been playing it tuned down to G7 + Bb6. G B D F G Bb D and really like it for blues. But I can see that it has big potential to expand out of my blues "comfort zone" too.
Current Tunings:
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
- Lee Gauthier
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- Nic Neufeld
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I use it occasionally, particularly when my teacher gives me an arrangement in C6/A7 (I learn from Alan Akaka so I'm a bit of Jerry Byrd's "grandstudent"). On 8 string I take the low C all the way down to a deep low A...its a .070 gauge so it works OK with long scale.
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- Allan Revich
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That sounds cool. The 8 string version I see online is A C C# E G A C E, but that only uses the standard 50 something A string. What does your version look like to get an octave lower?Nic Neufeld wrote:I use it occasionally, particularly when my teacher gives me an arrangement in C6/A7 (I learn from Alan Akaka so I'm a bit of Jerry Byrd's "grandstudent"). On 8 string I take the low C all the way down to a deep low A...its a .070 gauge so it works OK with long scale.
Last edited by Allan Revich on 30 Jun 2022 10:10 am, edited 1 time in total.
Current Tunings:
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
- Allan Revich
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Mike, I've found several references online to that 7 string version, as well as to the 7 string version that I use, A C# E G A C E (or in my case G B D F G Bb D). 8 strings consistently mentioned as A C C# E G A C E.Mike Neer wrote:Jerry Byrd played the C6/A7 tuning with 7 strings, the 7th string being C, a 1/2 step below C#.
C C# E G A C E
It would be great if someone who knew him could jump in and confirm (or not) that he used both 7 string tunings.
- Tal Herbsman
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- Earnest Bovine
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I use the Byrd variation occasionally. For the right song, it's a handy tuning change.
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- Allan Revich
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Does anyone else tune down to G7/Bb6?
I like it because I think of it as Gm7/G7 for blues, with the option of Bb6 for other things.
I like it because I think of it as Gm7/G7 for blues, with the option of Bb6 for other things.
Current Tunings:
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
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- Mike A Holland
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C6/A7 is a really good tuning especially for those 6 string players who are in C6 tuning. An easy 1/2 step tune between both tunings. I noticed a Wayne Tanner video a few years back where he demonstrates the effectiveness of this tuning. It is well worth watching this video.
https://www.youtube.com/watch?v=mFSA3ZzD5G8
https://www.youtube.com/watch?v=mFSA3ZzD5G8
- Nic Neufeld
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Yeah, I think that's the Jerry Byrd 7 or 8 string version you're mentioning where he has both the C and C# available...it's not "strummable" (which is fine, just needs more right hand discipline and I'm sure JB had plenty of that). The version I usually retune to doesn't include the C and is more of a true split where the top strings are C6 and the bottom strings are A7. I'm retuning from JAS C13 mostly so all I have to do is sharp the 6th string a half step, drop the Bb to A, and drop the LOW C to A. You could sharp it to C# but I like having the deeper root.Allan Revich wrote: That sounds cool. The 8 string version I see online is A C C# E G A C E, but that only uses the standard 50 something A string. What does your version look like to get an octave lower?
A A C# E G A C E
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
I hear the rolling surf calling
Calling and calling to me
- Tony Oresteen
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[quote="...... The Jerry Byrd Big Book has a ton of good material on this tuning.[/quote]
What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?
Thanks!
What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?
Thanks!
Tony
Newnan, GA
Too many guitars, not enough time to play
'72 Sho-Bud 6139 '71 Sho-Bud 6140
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Newnan, GA
Too many guitars, not enough time to play
'72 Sho-Bud 6139 '71 Sho-Bud 6140
'82 Sho-Bud 6160 '73 Sho-Bud 6138
'71 Marlen 210
'78 Fender Stringmaster T8 black '70??? Fender Champ Lap Steel
- Doug Beaumier
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I use the Byrd E9th too and have done a number of arrangements using it.
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- Tony Oresteen
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Thanks Doug. That helps me a lot. I will check it out.Doug Beaumier wrote:It's a 334 page compilation of Jerry's two previous books plus some additional material. Compiled and sold by Scotty’s Music several years ago. The family may still be selling it…?What is the Jerry Byrd "Big Book" ? Can you post a photo of the cover?
...snip...
EDIT: I emailed Scotty's. Let's see if they respond.
Tony
Newnan, GA
Too many guitars, not enough time to play
'72 Sho-Bud 6139 '71 Sho-Bud 6140
'82 Sho-Bud 6160 '73 Sho-Bud 6138
'71 Marlen 210
'78 Fender Stringmaster T8 black '70??? Fender Champ Lap Steel
Newnan, GA
Too many guitars, not enough time to play
'72 Sho-Bud 6139 '71 Sho-Bud 6140
'82 Sho-Bud 6160 '73 Sho-Bud 6138
'71 Marlen 210
'78 Fender Stringmaster T8 black '70??? Fender Champ Lap Steel
- Tony Oresteen
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- Location: Georgia, USA