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Practice Technique
Posted: 7 Aug 2020 11:34 am
by Jim Saunders
I am but a just a hobbyist player, but I have found that when my practicing gets boring on a song, I do it in a different key. That gives it a new flavor. Like, My Shoes Keep Walking, do it in E, then G, or A etc. Or Crazy done in C, then drop to A. Makes it fun and teaches me the neck.
I recall when Bobby Bowman was still with us, in our monthly jams he would do Amazing Grace and each player would modulate up to the next key as it passed around the room.
Posted: 7 Aug 2020 2:05 pm
by Ian Rae
It's good not to get stuck in one key.
You never know when you might need to play in a different one.
Posted: 7 Aug 2020 3:58 pm
by Donny Hinson
Good idea Jim! Another idea is to play the same song using different strings. Play a whole just using strings 3,4,5, and then play the same song using just strings 5,6,8, or 4,5,6. Many times, it's far more musical to go up and down the neck than it is to play a whole bunch of notes at the same fret. I know some players who brag about being able to play a whole scale or even a whole song at one fret...but I've never really cared for that style of playing.
Posted: 7 Aug 2020 4:37 pm
by Dom Franco
I like this idea! On steel guitar it is fairly easy to play a song you know well, up or down a few frets, but what really sounds interesting to me is moving the song to a key where using open strings in combination with barred notes makes some cool chords possible and hammer-ons and pull-offs offer some fast licks and moving harmonies...
In the past I have avoided some keys because they would force me up an octave or require "open" chords. Now I would like to try that on purpose and see what new things I can learn.
Hey There
Posted: 7 Aug 2020 6:59 pm
by Jim Saunders
Dom, I listened to your playing and vocals and you are really good! I have always been amazed at someone who could sing and accompany him or herself. I think it takes two brains to pull it off. You do it effortlessly.
Posted: 7 Aug 2020 8:42 pm
by Jack Stanton
When learning a lick I I frequently practice it in the cycle of fourths or the cycle of fifths
Posted: 7 Aug 2020 11:43 pm
by Ian Rae
That's good on any instrument.
Helps with theory.
Posted: 8 Aug 2020 12:33 am
by Tony Prior
good reminder Jim. Practicing across several root keys is a standard routine. Many feel playing root scales or stock phrases in multiple keys is not necessary or a waste time, it is not. It allows us to SEE the fretboard ( or whatever instrument we are playing ) both practically and visually.