70s Session 400 ??
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- Paul O'Bryan
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- Location: Adelaide. Australia
70s Session 400 ??
I have just bought a 70s Session 400. Couple things I'm questioning
because I been told that it's original. Firstly is the position of the badge?
Secondly is the 2 screws either side through the top that holds the electronics
up in place, there are no chrome plates on top that they normally have?
because I been told that it's original. Firstly is the position of the badge?
Secondly is the 2 screws either side through the top that holds the electronics
up in place, there are no chrome plates on top that they normally have?
- Geoff Queen
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- Paul O'Bryan
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Thanks for that info guys. I was pretty sure the badge was in the wrong spot but did not really know about the saddles ,so that clears that up. Mine obviously has not got the original speaker in it and has an EV 15". I bought an Eminence Neo to put in there and just wondering what other players have in theirs and if the Neo Eminence is a good speaker to be in there or not?
- Doug Earnest
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- Paul O'Bryan
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- Dennis Detweiler
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I still have my 1974 Session 400 that I bought new. The Peavey logo is in the proper place in the corner. It originally came with a JBL D-130. I blew through three of them until the birth of the Black Widow. The 1974 put out an honest 200 RMS. Those after that slightly less output. In communication with Buddy Emmons, he said, his first Session (1974) produced a fatter tone than those he used after that year. I concur, I've A/B'ed several during the life of my 1974 and found his conclusion true. Hang onto it.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Geoff Queen
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- Paul O'Bryan
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- Jack Hanson
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I believe my Session 400 is a 1977 according to it's serial # and came with the stock Black Widow. I replaced that speaker with an Eminence EPS 15C (which is a neo mag) and it's been very good in that amp. I really appreciate the weight reduction too.
Emmons Push Pull, BMI, Session 400, Home of the Slimcaster Tele.
- Lee Baucum
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- Dennis Detweiler
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Paul, the original glides were round chrome glides 1.5 inch diameter X 3/8 thick. Mounted with a screw in the middle.
Early 1974 and earlier Peavey electronic gear had the logo mounted in the corner at an angle. I'm guessing, late 1974 and since then all logos were mounted centered.
When I bought my Session 400 in 1974, I had to special order it. The local Peavey dealer didn't have any in stock yet. They were available with a single 15 jbl or two 12 inch Electrovoice speakers. It came with a lifetime warranty card, which I still have. However, the lifetime warranty only covered parts and not labor. When a speaker would blow, I'd show my card to the Peavey dealer and he would order a new speaker free of charge.
Early 1974 and earlier Peavey electronic gear had the logo mounted in the corner at an angle. I'm guessing, late 1974 and since then all logos were mounted centered.
When I bought my Session 400 in 1974, I had to special order it. The local Peavey dealer didn't have any in stock yet. They were available with a single 15 jbl or two 12 inch Electrovoice speakers. It came with a lifetime warranty card, which I still have. However, the lifetime warranty only covered parts and not labor. When a speaker would blow, I'd show my card to the Peavey dealer and he would order a new speaker free of charge.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Dennis Detweiler
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My 1974 also has the smooth round control knobs. The control panel faceplate is metal. After 1974 they were plastic.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Jerry Overstreet
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https://www.parts-express.com/peavey-me ... --248-8780
these are the amp glides and this is great source for peavey hdwe.
dont know about Session series, but some peavey amps used EV speakers at some time.
congrats on your new gear.
these are the amp glides and this is great source for peavey hdwe.
dont know about Session series, but some peavey amps used EV speakers at some time.
congrats on your new gear.
- Dennis Detweiler
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Jerry, that looks like the correct glides. I'm surprised they still make them after 45 years.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Jerry Overstreet
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- Paul O'Bryan
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- Dennis Detweiler
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- Location: Solon, Iowa, US
I can only find patent numbers on mine. I'm not sure if mine is the original. I think I replaced it at one point. Too many years ago. I recall old forum posts concerning proper pan for the amp. Try the search engine.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Dave Mudgett
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From this thread - https://bb.steelguitarforum.com/viewtopic.php?t=348363
4EB2C1B is the two-spring unit (which is stock) and 9EB2C1B is the 3-spring unit. I've used both in various amps, they sound fine - the 3-spring is a bit more sproingy.
One could also use a long delay version, which would be 4EB3C1B (2-spring) or 9EB3C1B (3-spring). I've had some amps that prefer long delay.
4EB2C1B is the two-spring unit (which is stock) and 9EB2C1B is the 3-spring unit. I've used both in various amps, they sound fine - the 3-spring is a bit more sproingy.
One could also use a long delay version, which would be 4EB3C1B (2-spring) or 9EB3C1B (3-spring). I've had some amps that prefer long delay.