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Megan Lovell's rig (Larkin Poe)

Posted: 2 Apr 2020 7:14 am
by JB Bobbitt

Posted: 2 Apr 2020 8:22 am
by Nic Neufeld
Amen to preferring the sound of dead strings, haha. Ich auch.

Posted: 2 Apr 2020 5:34 pm
by Dennis Conklin
I was surprised to see she uses a TubeScreamer. I have heard on here several times that that has too much mids for steel. Obviously work for her though

Posted: 2 Apr 2020 5:46 pm
by Jim Pitman
Hats off to her. The cradle for her Rick is a concept I've been toying with for years and never acted on. We sitting musical brethren are boring visually. I play my dobro standing.... so why not. I also dig the fact she used the GBD GBD tuning like i do.
Gosh, I wish I were 40 years younger. I'd ask her on a date.

Posted: 3 Apr 2020 4:07 am
by Peter Jacobs
Dennis Conklin wrote:I was surprised to see she uses a TubeScreamer. I have heard on here several times that that has too much mids for steel. Obviously work for her though
I’ve been fortunate to see Larkin Poe live. That steel, her amp and her technique sounded incredible. Not muddy or honky in the least. She gets a very sweet singing tone that sounds incredible in a band situation.

As another G tuning player (actually Gadd4), I was surprised that she said she uses strings starting at .013 or .014. Maybe I should lighten up my gauges?

Posted: 3 Apr 2020 4:13 am
by Doug Beaumier
That cradle for her Rick reminds me of Alvino Rey's guitar shape cradle for his lap steels. He made them for a different reason though. He said audiences in the 1930s didn't recognize the instrument he was playing (a lap steel) so he set it into a guitar body to make it more understandable to audiences.

Image

It's interesting that Megan's strings are "several years old" and she's not too picky about the brand of strings she uses. I like that. I kinda feel the same way.

Posted: 3 Apr 2020 4:19 am
by K Maul
I’m that way about strings, too. Less that way on Pedal steel but my lap steel strings often get rusty before I change em! As for the Alvino Rey things, I get the audience ignorance factor. I started up a band where I mostly play bottleneck slide on standard guitar simply to avoid people asking “what is that, a dulcimer?” Type questions!

Posted: 3 Apr 2020 4:23 am
by Doug Beaumier
I hear ya, Kevin! I too change the strings on my pedal steel more often than lap steel. Especially in the summer, with all the outdoor gigs.
I was surprised that she said she uses strings starting at .013 or .014.
Me too. And after she said that she played a quick 'string pull' lick, pulling string 1 up 1/2 step. That's probably why she likes a thinner string 1.

Posted: 3 Apr 2020 5:05 am
by Peter Jacobs
You ain’t kidding, Doug. Check out how she pulls the 2nd string throughout the entire song here:

https://www.youtube.com/watch?v=Ob3fY2mIeHA

Posted: 3 Apr 2020 6:58 am
by Chris Bauer
Re: Dennis' comment on Tube Screamers. I'm not a fan of them for six string but I love them for steel.

For anyone who doesn't like that TS mid-range sound, though, a great alternative is the Wampler Clarksdale. It's a Tube Screamer-type circuit but with three tone control knobs that give you a super amount of tonal control.

As for old strings on lap steel, YES!

Posted: 3 Apr 2020 7:45 am
by Michael Butler
Jim Pitman wrote: Gosh, I wish I were 40 years younger. I'd ask her on a date.
you better ask her husband first. ha!

i enjoy their videos. it's great to see and hear their songs. love her lap steel sound.

as far as using a TS, you can always tweak it to what you like.

play music!

Posted: 3 Apr 2020 7:58 am
by Pete Burak
Their group absolutely rips in concert!
Saw them play a long set at the Portland Blues Festival last 4th of July, and they just plain slayed the audience, took no prisoners, with a smile.
:D
The lead singers guitar tone is really great, too!

Posted: 3 Apr 2020 8:19 am
by Nic Neufeld
She's definitely a unique player...few other people playing Ricky bakelites...in bluegrass open G...for rock and blues. She plays primarily like a fretted lead guitarist, not a lot of chords but mostly single string, which is her role in the band (Rebecca Lovell is an exceptional instrumentalist too, on mandolin and guitar, but you rarely hear her solo, perhaps kind of an agreed turf delineation between the two of them?).

I think if she were more of a chordal player, Tube Screamers might start to get too muddy, but for her playing style, it works great. I like a TS for steel too, but only in a rock context (nonpedal).

We saw them in Salina on our way to the Rocky Mountains last summer...definitely a great live show, they've been at this since they were kids basically.

Personally I really enjoy some of their early stuff almost more than their current rock/blues sound...if you like bluegrass check out the second Lovell Sisters album (Time to Grow), and their first stuff as Larkin Poe (Spring/Summer/Fall/Winter EPs, as well as their collab with Thom Hell) is probably my favorite of theirs, if you can find it.

This one has a nice blend of dobro and Ric: https://www.youtube.com/watch?v=hcMQKUndQVA

This one is just good pop, Megan still on the dobro: https://www.youtube.com/watch?v=IOW4SCMP4N4

They never recorded this one, but a good song, tasteful playing on it: https://youtube.com/watch?v=dGEjbJkxFhs