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The More I play
Posted: 22 Jul 2019 7:51 am
by Larry Behm
The more I want to play. I have been working on a George S and Reba tribute band show. Not a lot of steel in the Reba material but coming up with a lot of out of phase/distortion/enveloping/organ sounds that fit great.
(Zoom MS50g gives me all of my effects)
This challenges me and excites me at the same time.
And then there is just the great sound of the steel, it moves me to want to play and hear it even more even after 48 years.
Having a goal (the upcoming show) gives me a real reason to sit down at the steel everyday with renewed viga, picking the songs apart etc.
How about you?
Posted: 22 Jul 2019 10:53 am
by Dick Wood
I too have been playing in a George Strait Tribute Band for the last couple of months. Paul's parts can be a booger to get right but it makes me learn new stuff and it's fun.
Posted: 22 Jul 2019 11:28 am
by scott murray
absolutely Larry.
it certainly helps to have material that challenges and engages, and a guitar rig that's a joy to play. after 20+ years of playing, I've finally got the rig of my dreams and plenty of material to keep me going!
Posted: 23 Jul 2019 5:05 am
by Bill Terry
Dicky wrote:Paul's parts can be a booger to get right...
Yeah, I did a GS tribute thing for a while a few years ago, and it's not just Paul. Try that Weldon ride on Right or Wrong.. LOL.. killer. I ended up just half-@ssing that one, never did really get it right.
Posted: 23 Jul 2019 7:19 am
by Dick Wood
Right or Wrong and Ace in the hole gives me heartburn because they are done on C6th and the phrasing and pedal moves just don't all quite get there on E9th. I take your approach on those tunes.
Posted: 27 Jul 2019 10:56 am
by Rich Upright
I find most GS steel licks easy to copy, except "Nobody in His Right Mind". Oh, I can play the right notes, but somehow it doesn't sound "right". Band likes it, though. On the last verse outro, it's slightly different.
Posted: 28 Jul 2019 9:10 am
by Dick Wood
Rich...I did this short video to help you with what I think you're probably having trouble with on Nobody in his right mind. I forgot to mention that you release the A pedal and 2nd string lower at the same time but I figured you would hear it and know what I was doing.
Let me know if you have anything else you're having trouble with.
https://youtu.be/CmtDPk25GLk
Posted: 29 Jul 2019 3:56 pm
by Ron Funk
PF's C6th triplets in the middle of his solo for "You're Something Special to Me" just might be the hardest 'coordination thing' between C6th levers and pedals that I've ever tried / attempt to master.
Posted: 31 Jul 2019 1:32 am
by Ian Rae
I've recently attracted the attention of two different singers who love the pedal steel sound but don't understand the instrument at all, so it's quite a challenge keeping up with a variety of music that doesn't immediately suggest steel at all!
But like Scott, I now have the rig of my dreams and after only six years of serious playing I'm having a ball
Posted: 22 Feb 2021 5:00 pm
by Ben Thomas
Dick Wood wrote:Rich...I did this short video to help you with what I think you're probably having trouble with on Nobody in his right mind. I forgot to mention that you release the A pedal and 2nd string lower at the same time but I figured you would hear it and know what I was doing.
Let me know if you have anything else you're having trouble with.
https://youtu.be/CmtDPk25GLk
Your video helped me get that bend/release right. Thanks for posting!