The Buddy Emmons Story
Posted: 27 Nov 2018 9:41 pm
Since his passing in July of 2015 I've been working steadily on Buddy's yet-untitled biography. The book is framed by Buddy's own memoirs - which he gave to me to use as a solid framework - and includes everything from formal interviews to casual conversations with Buddy and with dozens of friends, artists and musicians who worked with him over the decades. The book is a labor of love on a subject I'm endlessly passionate about; I'm not writing from a fan's standpoint but rather as an objective observer. I hope to have the book completed in less than a year.
Buddy's journey, both as a musician and as an inventor, is a universal story. My goal is not to address the book solely to the steel guitar community, but rather to the world at large. To do otherwise would - I believe - be an injustice to Buddy's legacy. I'm hopeful steel guitarists - who can be some of the most opinionated and fiercely independent people in music (myself included) - will find inspiration from Buddy's story. Those looking for a detailed deep dive into, say, the merits of the push-pull mechanism vs. the all-pull system will be disappointed. I believe those discussions are best left for debate here on the SGF.
Paul Franklin once said to me, referring to Buddy, "he chose you" to tell this story. Paul's words were and are extremely humbling. I will work as hard as I possibly can to be worthy of this responsibilty. To improve my writing skills, I re-entered college - after being away for 43 years - and graduated from MTSU with a degree in liberal studies - with an emphasis in "English" and "Music Industry" in 2017.
It's remarkable how many talented and very busy musicians have agreed to talk about Buddy Emmons. I only wish he could now read this partial list: Linda Ronstadt, Ray Price, Pat Martino, Little Jimmy Dickens, Judy Collins, Jimmy Work (who wrote and sang "Making Believe" from Buddy's first hit recording session in Detroit in1954), Paul Franklin, Carol Kaye, Duane Eddy, drummer Jan Kurtis (Buddy's roomate on tour with Ernest Tubb and Ray Price), Ron Elliott, Brenda Lee, Ben Keith, Mike Cass, John Sebastian, Johnny Bush, Buddy Spicher, Bernie Leadon, Albert Lee, producer John Boylan (Suite:Steel), Jay Dee Maness, Georgene "GiGi" Emmons and Willie Nelson have all been interviewed. There are many, many more.
Buddy was a complicated and guarded individual, to say the least; he wasn't easy to get to know. I can't tell you how many people have said to me "you'll never really 'know' Buddy Emmons." Over time I think I was able to earn his trust and get him to open up as much as he was willing. Put it this way: Buddy always answered every question I asked as honestly as possible and he was always very generous with his time.
His unexpected passing came as a shock to all of us. I can't tell you how many questions I wish I could ask him now.
I'll send reports - and even post some chapter snippets - here from time to time. I may pursue a pre-order "crowd-funding" campaign in order to help with artwork, publishing and marketing costs. We did this with The Big E tribute album and it really helped out a great deal. Thanks again to all those who bought the album. All proceeds continue to go to the Country Music Hall of Fame in the name of Peggy Emmons: https://www.amazon.com/Big-Salute-Steel ... B00DJJAXN8
Here are a few sample quotes from interviews:
Drummer Jan Kurtis on the time he first time he played with Ernest Tubb and the Texas Troubadours in 1959: "So Buddy turned to me and said, 'Do you know the tune ‘Oleo?' And I said, 'Yeah, I do. I've played it.' And he says, 'Alright.' So he kicked it off. And I'm telling you, I was wiped out. These guys played so good. I was amazed by Buddy."
Pat Martino on hearing Buddy's version of "The Great Stream" for the first time:
"I was floored; I'd never heard steel guitar played like that. The precision of his performance of that particular composition was an achievement in itself, since there were no other regular six-string guitarists who had ever attempted to play that song. And to hear it on steel guitar as accurately as Buddy played it, that really floored me."
Carol Kaye on meeting Buddy at the Volcanic Action of My Soul sessions for Ray Charles: "He was playing steel. We were tuning up and he was playing some chords and I said, "oh, you're a jazz player." And he said, "yeah, some." You know how polite he was about his playing. He played some stuff, and I thought 'yeah, that's great.' He owned it on steel, with the way that he was playing jazz."
Ray Price on Buddy's work on the first Emmons pedal steel design: "Buddy sat on my bus for three years filing out and designing the steel guitar that he built - going down the road. I’m telling you, he's the most dedicated person I know. He's like my right arm."
I'll keep you updated when I come up for air.
Steve Fishell
Previously I posted this in the "Info on Buddy Emmons in Detroit" thread:
"Briefly: Buddy and I worked together on his autobiography - based on about 70 pages of his incomplete memoirs - from March until December 2010 (Tom, you are right on the money regarding the number of pages!).
After eight months, with Buddy losing sleep over the memories that our work generated, he asked me to stop at the end of 2010. Please read this note from Buddy posted on the SGF: https://bb.steelguitarforum.com/viewtop ... ve+fishell
After that post, Buddy made a pact with me that he would bequeath his memoirs to me - to be used as the basis for a book - IF I would halt all work until after he was gone. I honored that promise and so did he.
I have been working steadily on the book ever since. I will post more about the work-in-progress next week."
Buddy's journey, both as a musician and as an inventor, is a universal story. My goal is not to address the book solely to the steel guitar community, but rather to the world at large. To do otherwise would - I believe - be an injustice to Buddy's legacy. I'm hopeful steel guitarists - who can be some of the most opinionated and fiercely independent people in music (myself included) - will find inspiration from Buddy's story. Those looking for a detailed deep dive into, say, the merits of the push-pull mechanism vs. the all-pull system will be disappointed. I believe those discussions are best left for debate here on the SGF.
Paul Franklin once said to me, referring to Buddy, "he chose you" to tell this story. Paul's words were and are extremely humbling. I will work as hard as I possibly can to be worthy of this responsibilty. To improve my writing skills, I re-entered college - after being away for 43 years - and graduated from MTSU with a degree in liberal studies - with an emphasis in "English" and "Music Industry" in 2017.
It's remarkable how many talented and very busy musicians have agreed to talk about Buddy Emmons. I only wish he could now read this partial list: Linda Ronstadt, Ray Price, Pat Martino, Little Jimmy Dickens, Judy Collins, Jimmy Work (who wrote and sang "Making Believe" from Buddy's first hit recording session in Detroit in1954), Paul Franklin, Carol Kaye, Duane Eddy, drummer Jan Kurtis (Buddy's roomate on tour with Ernest Tubb and Ray Price), Ron Elliott, Brenda Lee, Ben Keith, Mike Cass, John Sebastian, Johnny Bush, Buddy Spicher, Bernie Leadon, Albert Lee, producer John Boylan (Suite:Steel), Jay Dee Maness, Georgene "GiGi" Emmons and Willie Nelson have all been interviewed. There are many, many more.
Buddy was a complicated and guarded individual, to say the least; he wasn't easy to get to know. I can't tell you how many people have said to me "you'll never really 'know' Buddy Emmons." Over time I think I was able to earn his trust and get him to open up as much as he was willing. Put it this way: Buddy always answered every question I asked as honestly as possible and he was always very generous with his time.
His unexpected passing came as a shock to all of us. I can't tell you how many questions I wish I could ask him now.
I'll send reports - and even post some chapter snippets - here from time to time. I may pursue a pre-order "crowd-funding" campaign in order to help with artwork, publishing and marketing costs. We did this with The Big E tribute album and it really helped out a great deal. Thanks again to all those who bought the album. All proceeds continue to go to the Country Music Hall of Fame in the name of Peggy Emmons: https://www.amazon.com/Big-Salute-Steel ... B00DJJAXN8
Here are a few sample quotes from interviews:
Drummer Jan Kurtis on the time he first time he played with Ernest Tubb and the Texas Troubadours in 1959: "So Buddy turned to me and said, 'Do you know the tune ‘Oleo?' And I said, 'Yeah, I do. I've played it.' And he says, 'Alright.' So he kicked it off. And I'm telling you, I was wiped out. These guys played so good. I was amazed by Buddy."
Pat Martino on hearing Buddy's version of "The Great Stream" for the first time:
"I was floored; I'd never heard steel guitar played like that. The precision of his performance of that particular composition was an achievement in itself, since there were no other regular six-string guitarists who had ever attempted to play that song. And to hear it on steel guitar as accurately as Buddy played it, that really floored me."
Carol Kaye on meeting Buddy at the Volcanic Action of My Soul sessions for Ray Charles: "He was playing steel. We were tuning up and he was playing some chords and I said, "oh, you're a jazz player." And he said, "yeah, some." You know how polite he was about his playing. He played some stuff, and I thought 'yeah, that's great.' He owned it on steel, with the way that he was playing jazz."
Ray Price on Buddy's work on the first Emmons pedal steel design: "Buddy sat on my bus for three years filing out and designing the steel guitar that he built - going down the road. I’m telling you, he's the most dedicated person I know. He's like my right arm."
I'll keep you updated when I come up for air.
Steve Fishell
Previously I posted this in the "Info on Buddy Emmons in Detroit" thread:
"Briefly: Buddy and I worked together on his autobiography - based on about 70 pages of his incomplete memoirs - from March until December 2010 (Tom, you are right on the money regarding the number of pages!).
After eight months, with Buddy losing sleep over the memories that our work generated, he asked me to stop at the end of 2010. Please read this note from Buddy posted on the SGF: https://bb.steelguitarforum.com/viewtop ... ve+fishell
After that post, Buddy made a pact with me that he would bequeath his memoirs to me - to be used as the basis for a book - IF I would halt all work until after he was gone. I honored that promise and so did he.
I have been working steadily on the book ever since. I will post more about the work-in-progress next week."