Light?
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- Larry Behm
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Light?
What kind of light do you use to see the fret board in darker venues?
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Flamma Reverb, Planet Wave cables, Quilter 202 Toneblock, Telonics 15” speaker.
Phone: 971-219-8533
Phone: 971-219-8533
- Mike Wheeler
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- Ricky Davis
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A "WHITE" Fretboard>What kind of light do you use to see the fret board in darker venues?
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
I don't recall ever being on a stage that was pitch black like that. What type of situation are you talking about?
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
Light
My band leader prefers a dark stage, and usually I'm off to one side.I use a 25 watt clip-on light attached to a mic stand or a mic clip capable of holding a Mag-Lite keychain light. If/when I need to change a string, it's great.
Emmons LeGrande D-10
GFI Ultra D-10 keyless
Quilter SteelAire
GFI Ultra D-10 keyless
Quilter SteelAire
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I strongly prefer white line fret boards. Chrome fretboards look good, but the glare of stage lights, or low light situations, make it very hard to see with them. I've never tried white fretboards like Ricky Davis suggests. I can't play without seeing the lines.
It don't mean a thing if it ain't got that swing.
- Stu Schulman
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I'm a fan of white fretboards,Some steel companies don't offer that option these days,I don't understand that?
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
I think I'd consider either a lighted fretboard or one of these. It's dimmable, and you can clamp it to the front apron!
TROND Halo 9W-C Dimmable Daylight LED Clamp Light Desk Lamp w/ Extra Long Aluminum Gooseneck & Premium Diffusion Film, for Headboard, Workbench, Studio, Drafting Table, Bedside Reading & Task Lighting https://www.amazon.com/dp/B01FDD79AW/re ... xBb75C4524
TROND Halo 9W-C Dimmable Daylight LED Clamp Light Desk Lamp w/ Extra Long Aluminum Gooseneck & Premium Diffusion Film, for Headboard, Workbench, Studio, Drafting Table, Bedside Reading & Task Lighting https://www.amazon.com/dp/B01FDD79AW/re ... xBb75C4524
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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My '65 ZB has white fretboards and has served me well for nearly fifty years. Although I've primarily played a Mullen for the last 20 years (it's a lot lighter!), I do miss the white boards for their unequaled visibility in low light.
I agree with Stu; I'm surprised white boards are not a common option. Something I used to use for really dark venues was a battery powered reading light for reading books in bed without waking your bedmate. It hung around your neck so the light lit up the playing area perfectly.
John Borchard
I agree with Stu; I'm surprised white boards are not a common option. Something I used to use for really dark venues was a battery powered reading light for reading books in bed without waking your bedmate. It hung around your neck so the light lit up the playing area perfectly.
John Borchard
- Bob Hoffnar
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- Jeremy Threlfall
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- Roger Rettig
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I was recently on a show during which I had to play intros in pitch darkness. That's a complete black-out as one scene ended. I was sitting at my guitar just out of the audience's sight-line and it really was a problem.
The sound-guys found a couple of those LED-light's on pliable stalks and I taped them to my Zum Encore. It worked like a charm. I needed to be spot-on pitch and no hunting around with the vocalist waiting to hear me so he could pitch.
I love the illuminated fretboards but this was just a five-week run. Not worth the outlay.
The sound-guys found a couple of those LED-light's on pliable stalks and I taped them to my Zum Encore. It worked like a charm. I needed to be spot-on pitch and no hunting around with the vocalist waiting to hear me so he could pitch.
I love the illuminated fretboards but this was just a five-week run. Not worth the outlay.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Larry Allen
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