The Steel Guitar Forum Store 

Post new topic Fender 400 copedent thoughts?
Reply to topic
Author Topic:  Fender 400 copedent thoughts?
Russ Tkac


Post  Posted 15 Sep 2005 6:28 pm    
Reply with quote

Here is my copedent. I have "Day" setup on pedals 3&4. Let me know your thoughts. If you see how I can make this better...let me know!


0--1---2---3---4---5---6---7---8
1--G#----------A-------------------G
2--E-------Eb--------------Eb--F----
3--B---------------C#--Bb--Bb-------
4--G#----------A-------------------G
5--F#-------------------------------
6--E-------Eb------------------F----
7--D---C#--------------C#-----------
8--B---------------C#---------------


[This message was edited by Russ Tkac on 15 September 2005 at 07:29 PM.]

[This message was edited by Russ Tkac on 15 September 2005 at 08:16 PM.]

View user's profile Send private message Send e-mail

Jim Sliff


From:
Lawndale California, USA
Post  Posted 15 Sep 2005 8:19 pm    
Reply with quote

How about the A6 tuning and copedent right out of the (downloadable) Fender manual?

If you don't play straight country, it's a heck of a great setup. Good for Western Swing, Rock, Blues. IV chord on pedal 1, minors on 2, 7th on 3, some weird thing on 4 (1 and 4 down a half step), sus4 on 5 and 6ths dropped a half step on 6. 7 would bring your roots up a half step (I only have 6 pedals).

From a theory standpoint I'm clueless, but from a playing standpoint it's easy to jump around and make usable music. I don't know any better, but I like it.
View user's profile Send private message Send e-mail

Ron Castle

 

From:
West Hurley,NY
Post  Posted 16 Sep 2005 2:15 am    
Reply with quote

I don't know the capabilities of the 400 changer- assume dbl raise/lower:
0  1  2  3  4  5  6  7  8

G# A G
E Eb F F#
B C# Bb C#
G# A A
F# G
E Eb F
D C#
B C# Bb A
I think this makes best use of adjacent pedals

[This message was edited by Ron Castle on 16 September 2005 at 03:16 AM.]

View user's profile Send private message Send e-mail

basilh


From:
United Kingdom
Post  Posted 16 Sep 2005 2:47 am    
Reply with quote

Ron ..the 400 and 1000 Fenders are SINGLE raise and lower with no possibility of tunable splits..
Baz

------------------
Quote:
Steel players do it without fretting






View user's profile Send private message Send e-mail Visit poster's website

Russ Tkac


Post  Posted 16 Sep 2005 3:53 am    
Reply with quote

I've played E9 for years and want to be able to play what I know on the 8 strings and add good changes. I do use pedal combinations and will look at moving 7 to 5 but I’ll lose a nice change in combination of 4&5.

If I had a 10 string I think I'd try the "Mooney" tuning with the G# on top and the low bass. Yes, the single raise and lower is challenging.

Thanks
Russ

[This message was edited by Russ Tkac on 16 September 2005 at 04:55 AM.]

[This message was edited by Russ Tkac on 16 September 2005 at 06:15 AM.]

View user's profile Send private message Send e-mail

Jerry Tillman

 

From:
Florida
Post  Posted 16 Sep 2005 6:02 am    
Reply with quote

I have some fender 400s and a d-8.I play mostly the e-9 tuning but different types of music and I find I miss the high f# and the combinations I get with the other strings.I also miss the eb. I think I want a 10 string tuning out of 8 strings.I love the tone from my 400 and also the d-8 with the wide plastic Jazzmaster type pickups.I don,t think you can get those tones with other types of steels with or without pedals.That big peice if ash(?)with the metal frame around it seems to do something.I,m thinking of tuning my d-8 to two e9 tunings,first neck 1 thru 8 e9 and second neck 3 thru 10.Then I can do most of my licks even if I change necks for different verses and songs as I tend to stay in an area for a while once I get there.This might not make much sense.My two cents worth. lakeshrk
View user's profile Send private message Send e-mail

John Daugherty


From:
Rolla, Missouri, USA
Post  Posted 16 Sep 2005 6:06 am    
Reply with quote

Moon always had a G# on top (he calls it Ab),even with his 8 string Fender 1000. His 2nd pedal was the only pedal that pulled 2 strings (3rd & 4th string).

------------------
www.phelpscountychoppers.com/steelguitar


View user's profile Send private message Visit poster's website Yahoo Messenger

Ron Castle

 

From:
West Hurley,NY
Post  Posted 16 Sep 2005 1:55 pm    
Reply with quote

I assumed dbl l/r since Russ has 2 lowers on
strs 2,3& 7 already?
View user's profile Send private message Send e-mail

Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 16 Sep 2005 1:57 pm    
Reply with quote

Russ, your copedent makes perfect sense if you play with both feet on the pedals. If you don't, you really should move the E to F pedal over next to the B to C# raise.

------------------
Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6)   My Blog
View user's profile Send private message Visit poster's website

Russ Tkac


Post  Posted 16 Sep 2005 4:38 pm    
Reply with quote

Ron,

You can lower or raise the same pitch on the string with all the pedals. You can't lower or raise two different pitches on the same string.

b0b,

It looks like the E to F pedal should be moved but I am getting better with two feet!

Russ
View user's profile Send private message Send e-mail


All times are GMT - 8 Hours
Jump to:  

Our Online Catalog
Strings, CDs, instruction,
steel guitars & accessories

www.SteelGuitarShopper.com

Please review our Forum Rules and Policies

Steel Guitar Forum LLC
PO Box 237
Mount Horeb, WI 53572 USA


Click Here to Send a Donation

Email admin@steelguitarforum.com for technical support.


BIAB Styles
Ray Price Shuffles for
Band-in-a-Box

by Jim Baron
HTTP