Uses For The G Lever
Moderator: Shoshanah Marohn
Uses For The G Lever
I'm interested in how people are using the lever that raises the 1st & 7th strings a whole tone, and the 2nd string a 1/2 tone, sometimes called the "G" lever. I did a few searches that turned up nothing, but I may not be using the right search terms. Thanks in advance.
Ken Drost
steelcrazy after all these years
steelcrazy after all these years
- Igor Fiksman
- Posts: 173
- Joined: 16 May 2010 9:35 pm
- Location: Georgia, USA
I just recently added that 2nd string raise to my G LEVER. When engaged, first and second string give you same notes as strings 3 and 4 in pedals up position. Right away I started discovering really fun fast licks on top 4 strings moving that lever in and out while doing banjo type rolls. Gave me a bunch of new alternatives to just pumping A and B pedals. Lots more to discover, but I see great potential in that change. Alternatively, I know that a bunch of people have a half stop on string 1 that allows you to get to G natural before pulling up to G#. I can think of a few Haggard tunes where that F# to G raise is used.
SHO-BUD Professional SD-10 Black, SHO-BUD Pro III Custom D-10 Red, Goodrich Matchbox 6A, Steeler's Choice seat, Quilter Steelaire Amps.
- Richard Sinkler
- Posts: 17067
- Joined: 15 Aug 1998 12:01 am
- Location: aka: Rusty Strings -- Missoula, Montana
Two ways I use the 2nd string raise, are:
1. Going from a I to a I7. Hit string 4. While ringing, hit string 2 and raise it to be in unison with the E on string 4. With string 4 still ringing, release the lever raising string 2, then hit the lever lowering the 2nd string to D.
2. Going from a 4 to a 1. Say we are in the key of E. 12th fret. Against the 4 chord (A). Hit string 4 and let ring through this whole lick. After hitting string 4, (having the second string raise already activated) hit string 2, release that lever, then hit the lever that lowers 2 to C#. Then hit string 5 with no pedals. After that you have several options for getting back to the 1 chord(E). 7th fret A&B pedals. Stay at the 12th fret (no pedals). At 12, you can also hit strings 3&4 and quickly activate the lever raising 1&2 to the unisons on strings 3&4. And more...
1. Going from a I to a I7. Hit string 4. While ringing, hit string 2 and raise it to be in unison with the E on string 4. With string 4 still ringing, release the lever raising string 2, then hit the lever lowering the 2nd string to D.
2. Going from a 4 to a 1. Say we are in the key of E. 12th fret. Against the 4 chord (A). Hit string 4 and let ring through this whole lick. After hitting string 4, (having the second string raise already activated) hit string 2, release that lever, then hit the lever that lowers 2 to C#. Then hit string 5 with no pedals. After that you have several options for getting back to the 1 chord(E). 7th fret A&B pedals. Stay at the 12th fret (no pedals). At 12, you can also hit strings 3&4 and quickly activate the lever raising 1&2 to the unisons on strings 3&4. And more...
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
Here's a few uses, careful listening to commercial country radio will turn up many more:
https://m.youtube.com/watch?v=XUykptG6DBQ
https://m.youtube.com/watch?v=XUykptG6DBQ
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
- Greg Cutshaw
- Posts: 6610
- Joined: 17 Nov 1998 1:01 am
- Location: Corry, PA, USA
- Contact:
Here's 20 or so uses with tabs and sound files:
http://www.gregcutshaw.com/Tab/E9%201st ... 20Tab.html
http://www.gregcutshaw.com/Tab/E9%201st ... 20Tab.html
- Jeff Garden
- Posts: 3645
- Joined: 21 Aug 2003 12:01 am
- Location: Center Sandwich, New Hampshire, USA