What would your choice of a new steel be

Instruments, mechanical issues, copedents, techniques, etc.

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Jeff Hogsten
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What would your choice of a new steel be

Post by Jeff Hogsten »

If you could pick any new steel on the market today. Price no consideration. Has to be currently under production. What would you chose
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Richard Sinkler
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Post by Richard Sinkler »

Mullen or Show Pro.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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Douglas Schuch
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Post by Douglas Schuch »

I'd be curious to check out one of the new, light, high-tech Excels. Beyond that, though, I think I prefer my MSA Millennium to anything on the market today - light weight, stable body, etc. Maybe a Fulawka? But I'm not sure if Ed is still taking orders.

Edit: it just occurred to me that both of the builders I mention are in their 80's. I wonder where the next round of innovation in the PSG world will come from.
Last edited by Douglas Schuch on 25 Feb 2017 6:01 pm, edited 1 time in total.
Pedal steel, lap steel, resonator, blues harp - why suck at just one instrument when you can do so on many?
Ben Lawson
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Post by Ben Lawson »

Sho-Pro or Fessenden. I like the guitars and the guys that build them. Not to say that the others builders don't make great guitars. It's just that I have had pleasant dealings with them.
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Greg Cutshaw
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Post by Greg Cutshaw »

My Excel packs the best tone and most function into the smallest lightest and best sounding package I've ever played:

http://www.gregcutshaw.com/Excel%2012%2 ... yless.html

No one guitar has the best in class of everything but this would be my choice. There are many other great choices based on what features are most important to you. There are at least 4 other brands of guitars I would be 100% satisfied with including Williams, Mullen, MSA and Infinity.
Last edited by Greg Cutshaw on 25 Feb 2017 6:23 pm, edited 1 time in total.
Jerry Hedge
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Post by Jerry Hedge »

Show Pro!!!
Jeff Hogsten
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Post by Jeff Hogsten »

Greg. Does that option come with a keyed model. Have you saw the JET10 tuning BMI has. I'm using I guess what I would call a universal 10. I have no 7th or 9th string. My ninth and 10 are G# and E. I like it. The JET10 is close but puts a C# between the E and B and the ten us G#.
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Greg Cutshaw
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Post by Greg Cutshaw »

Not sure about a keyed model. Mine has all 10 of the classic E9th strings, no compromises with two more bonus strings. With the simple throw of a lever I get a full 10 string classic C6 , no compromises and two more bonus chromatic strings.
Jeff Hogsten
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Post by Jeff Hogsten »

You have any opinion between the sound difference of a 10 and 12.
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Bruce Bjork
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Post by Bruce Bjork »

How about Justice?
Banjo, Dobro, Guild D-40, Telecaster, Justice Pro Lite 3x5, BOSS Katana 100, Peavey Nashville 112 in a Tommy Huff cabinet, Spark, FreeLoader, Baby Bloomer, Peterson StroboPlus HD, Stage One VP.
"Use the talents you possess; the woods would be very silent indeed if no birds sang but the best"
Jeff Hogsten
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Post by Jeff Hogsten »

I'm playing a justice and really like the sound
Chris Reesor
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new dream guitar?

Post by Chris Reesor »

Another Excel Superb, keyless, 25.5"scale, much like my current guitar, but single body U12 instead of double. I would add two more knees in the centre,for 8X7 total.
I would also see if Fuzzy could make the lock lever change the functions of the right knees for pure B6 playing. (Probably a piece of cake for Fuzzy)

Last but not least, two pickups with a tele style control plate: volume, tone, 3 way pickup switch.
Colour? Robin's egg blue.

P.S. Sounds like Greg has fallen in love. Didn't take long.... :)
Excel Superb U12, MIJ Squier tele, modified Deluxe Reverb RI, Cube 80XL, self built acoustics & mandolins
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Darvin Willhoite
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Post by Darvin Willhoite »

MSA
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
Skip Edwards
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Post by Skip Edwards »

Don't forget Desert Rose. Chuck builds quality gtrs that play and sound great...plus they're really easy on the eyes.
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Ned McIntosh
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Post by Ned McIntosh »

I've seen a lot of very good comments about the Rittenberry steels, so I'd probably go for a Rittenberry D10. Mullen are also seriously good steels - but I already have one.
The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being.
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Mike Perlowin
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Post by Mike Perlowin »

I'd get another MSA, a "Blue Darlin" Legend.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Bill L. Wilson
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I Can Only Dream.

Post by Bill L. Wilson »

Sho-Pro, Justice, Shlid come to mind. Fortunately, my "Old Road Dog" Emmons LGII still plays and sounds good for a 22yr. old guitar. So my final steel guitar is this one, and after pickin' this baby for 12yrs., it's a keeper.
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richard burton
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Post by richard burton »

It won't make any difference what steel you get, you will still sound like you.

I was watching a youtube video recently, Tom Brumley playing a Legrande, he sounded exactly like he did when he played a Mullen, and when he played an Annapeg (imho)

https://www.youtube.com/watch?v=vBhMLjIawcM
Jeff Hogsten
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Post by Jeff Hogsten »

You will sound similar on different steels but there is a difference. Listen to david hartley. He sounds similar on different steels. Same touch. Same touch but different. If you can't hear it don't worry about it. Years ago in the 70s sho bud and emmons were primarily all that was available to me. Please don't tell me there was no difference in sound. Was one better. No. Different. I've read that lately they all sound the same. I just dissagree
Billy Carr
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best psg

Post by Billy Carr »

I'd take one of each !
Robert Parent
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Post by Robert Parent »

For a current production guitar I would pick a Williams.... They are about as close to what I currently play which is no longer available.

Robert
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Lane Gray
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Post by Lane Gray »

On the basis of mechanical features and cool engineering, the top of the heap appear to me to be, in no particular order: MSA, Williams, WBS, Schild and Sheffield. Those who dig vintage vibe shouldn't forget Jackson or Kevin Hatton and his new ZB style guitars.
On the basis of "OMG, what a gorgeous combination art and machine", the ones that spring to mind are, in no particular order: Sheffield, Ben-Rom, Williams, Show-Pro, Desert Rose, the Giles-body MSA and the Desert Rose. WBS and Schild get a special mention for taking the simple, sleek aesthetic of the original mica Emmons to a little bit farther.

The makers not in those two lists of outstanding are still damn fine guitars and I'd proudly play all but one, whose builder has personally left a bad taste in my mouth (two if you count Voldemort). And I'd still play one of those, but I'd rebadge and refretboard.

Generally speaking, Ford, Kia and Chevy don't count among the "OMG, I am in love with this car" but I'd buy another Kia in a heartbeat
Last edited by Lane Gray on 26 Feb 2017 5:31 am, edited 1 time in total.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
Wesley Medlen
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Post by Wesley Medlen »

The Judge by Justice
Justice S10 Jr, Gibson Electra 6string, Boss Katana 100, Steelers Choice ,Gretsch 6 string lap, Hilton VP
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Ken Metcalf
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Post by Ken Metcalf »

Hard call

MSA Mullen
Bob Carlucci
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Post by Bob Carlucci »

Fulawka,Ben Rom, or one of Kevin Hatton's ZB tributes.... bob
I'm over the hill and hittin'rocks on the way down!

no gear list for me.. you don't have the time......
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