Neil Flanz "Sweet Memories"

Chris Templeton · From: The Green Mountain State

https://www.youtube.com/watch?v=htZOeXAvqSc
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Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.com/album/the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:

Dana Blodgett · From: California, USA

That Emmons is such a powerful thing.I always loved most everything that Neil did and here's one that I just can't get enough of...

https://youtu.be/d2PQf60Q2go
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Dana Blodgett
From Los Osos,Ca.
'74 ShoBud 6140 3+4, Martins HD28,D-12-28, D-15,'65 Gibson LG-1, '77 Gibson Les Paul special dbl cut p-90's, Les Paul Special p-100's,Les paul Special Hybrid(maple top) hbkr's,'68 Fender Strat reissue, Fender Squire Jazz bass,Epi mandolin,Epi Wilshire '66 reissue, Kamaka Concert uke, 70's Kamaka Soprano Uke, Fender Super amp, Ampeg ba112 bass amp,60's harmony banjo,'00 Gibson SG Supreme

billy tam R.I.P. · From: baton rouge, louisiana

Thanks for posting these. In the early to mic 70's Neil came to Baton Rouge with Marcia Ball to play at Cahoots a small club that brought a lot of Texas road bands. Neil had an amp issue and someone with either the club or band asked if Neil could borrow an amp. I was a little troubled about it as it was a very brand new Evans fet500 sm cab but as I was a fan of Neil's playing and knew Marcia from her days in Baton Rouge I said I would bring it to the club. I was rewarded with 4 hours of the best live steel I had ever heard. He was like an octopus on C6 with both feet working the pedals. I was a newbie then but inspired by his work then and still am now.
Billy

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