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Old Marlen Pedal Steel Guitar
Posted: 12 Nov 2016 8:29 am
by Wally Parks
Posted: 12 Nov 2016 8:44 am
by Lane Gray
Wowser. That IS early.
Posted: 12 Nov 2016 11:57 am
by K Maul
The shot of the underside is quite dark,but it is probably pull-release. Tune raises [with pedals engaged] at the keyhead like a push pull. Any lowers are tuned using the knee lever or pedal stops. There are several threads on the forum about this.
Posted: 12 Nov 2016 12:07 pm
by Edward Rhea
Really cool. Definitely a pull release. Can you tell us, what the black & red buttons do?
Posted: 12 Nov 2016 1:44 pm
by Herb Steiner
What Lane said! That is probably the earliest Marlen I've ever seen.
As to the red/black buttons, I have a Gibson C-530 with red/black buttons that operate a boo-wah tone sweep and a stutter switch. Both were trademark Speedy West chops. I surmise that's the usage on this Marlen.
Cool find.
Posted: 12 Nov 2016 3:24 pm
by Chris Lucker
Pedal one has a lower. It reverses to release the bottom string. There should be a return spring connected between the pivot where the rod goes to the bottom string finger anf the screw a couple inches from it.
Posted: 13 Nov 2016 7:44 am
by Wally Parks
Thank you guys for the input. It is helping figure this out.Herb is correct on the black and red buttons. The black is a soft boo wah and the red a stutter switch. Very interesting. Thank You again Wally
Posted: 13 Nov 2016 11:50 am
by Damir Besic
I know one thing, it is more then likely a tone machine... I can almost guarantee you, it has the tone to die for...
Re: Old Marlen Pedal Steel Guitar
Posted: 13 Nov 2016 1:32 pm
by Ian Rae
Wally Parks wrote:My question is how would this be tuned?
Here's my suggestion from tracing the rods. Only a guess, but it contains the elements of the modern tuning and would be a valid precursor.
Posted: 14 Nov 2016 3:26 am
by Chris Lucker
You can make that pedal 1 lower work better if you move the reversing pivot farther from the changer. Doing do will allow a straighter rod to the finger. Remember, you are missing the lower return spring for that change.
Marlin Steel
Posted: 15 Nov 2016 9:15 am
by Charley Bond
I rebuild that baby with today's undercarriage & have a Super Sweet Steel...
Posted: 15 Nov 2016 10:45 am
by Lane Gray
Give it an all-pull changer and you'll ruin the tone.
Fingers matter
Posted: 15 Nov 2016 12:31 pm
by Ian Rae
Maybe what Charley means is leave the actual changer but smarten up the linkage. I did that with an old pull-release guitar, replacing wires bent through holes with properly engineered pivots. Made it more playable.
Posted: 15 Nov 2016 12:35 pm
by Brett Lanier
Yeah, you can do anything you need to do with a pull release. It just takes a little a little creativity, and a lot of patience.
I can't tell for sure by the pictures but it looks like the guitar doesn't have a roller nut. That could cause problems with a more complicated setup, especially with getting lowers to return to pitch.
My Marlen has the best tone of any guitar I've ever played, and it seems to have the same style changer/fingers as this one. I think the wider string spacing could have something to do with it. More finger mass per string, and less interferance from magnets on adjacent strings.
I'd be interested in hearing how a boo-wah button works.
Posted: 15 Nov 2016 4:50 pm
by Jim Pitman
I saw a Marlen on Craig's list a few days back. Wich I had some $.
Brett - you need to demo your guitar at my house. (or I'll come to you)