Is everyone still using a Delay?
Moderator: Shoshanah Marohn
- Greg Johnson
- Posts: 351
- Joined: 23 May 2013 4:10 pm
- Location: Greencastle, Pennsylvania, USA
Is everyone still using a Delay?
I have been thinking about a new delay lately, and was curious how many are still using one? I was going to get a Carbon Copy what's your thoughts.
MSA CLassic SD-10
92 Emmons LII
79 Super Pro
Quilter TT
Evans FET 500
Fender Twin 65 RI
American Takimine
92 Emmons LII
79 Super Pro
Quilter TT
Evans FET 500
Fender Twin 65 RI
American Takimine
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- Jerry Overstreet
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- Location: Louisville Ky
Yes, wouldn't be without one. I'm still using one of the old AD80 Ibanez analog delay pedals for both steel and guitars. I keep patching it up and modifying 18v power supplies to keep it running.
Some like the Boss digital delays like the DD3 or the combo delay/reverb pedals like the RV3. Never used the Carbon Copy, but hear good things about it. I believe it is also an analog pedal.
For me, it's the old 70's, 80's analog stuff like the AD80, Boss DM-2 or the re-issue Maxon 999 delays. More pricey, but worth it in my view.
Some like the Boss digital delays like the DD3 or the combo delay/reverb pedals like the RV3. Never used the Carbon Copy, but hear good things about it. I believe it is also an analog pedal.
For me, it's the old 70's, 80's analog stuff like the AD80, Boss DM-2 or the re-issue Maxon 999 delays. More pricey, but worth it in my view.
I must be nobody. That standard one repeat at somewhere around 200ms that so many people like is not a good thing. I've tried to like it. Repeatedly. I put my reverb of 2 or 3, and the delay on Craigslist.
Perhaps there are artistic settings and uses for it, but it rarely gets set and used that way.
Even in Bobbe's youtube video calling it the most important effect, when I hear it, every single time I think "for the love of God, why? Isn't there enough ugly in the world?"
When I've played gigs where the house sound man "gives" me such a treatment, I spend most of the night with my hands in my lap, changing my rôle to harmony singer.
The preceding carries these qualifications: I know I'm a goofball, and these are the opinions and artistic judgments of an admitted and confessednfessed goofballfball.
Perhaps there are artistic settings and uses for it, but it rarely gets set and used that way.
Even in Bobbe's youtube video calling it the most important effect, when I hear it, every single time I think "for the love of God, why? Isn't there enough ugly in the world?"
When I've played gigs where the house sound man "gives" me such a treatment, I spend most of the night with my hands in my lap, changing my rôle to harmony singer.
The preceding carries these qualifications: I know I'm a goofball, and these are the opinions and artistic judgments of an admitted and confessednfessed goofballfball.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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- Bryan Daste
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Delay is a big part of my sound. I love my Strymon El Capistan - here's a podcast episode with an audio demo (using pedal steel) - https://pedalsteelpodcast.wordpress.com ... -capistan/
- Ben Morine
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- Paddy Long
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- Jerry Overstreet
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https://youtu.be/ZhbtOavlIgg Yeah, so was this guy, THE Master...known to be fond of the DD3 as well as other devices. I don't know if it's on this clip or not, but maybe.
I'd love to hear the effects haters' clips of anything near this sweet. Anything can be made to sound bad if you try hard enough.
I'd love to hear the effects haters' clips of anything near this sweet. Anything can be made to sound bad if you try hard enough.
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What sounds good in a bedroom or studio, with a low ceiling and carpet and curtains to deaden the sound, often does not sound so good in a large dance hall with all hard surfaces and a high ceiling to bounce the sound around. Also, I find that on most of the medium to bigger jobs your amp is going to be mic'd, and then you hear a fair amount of delay from the steel coming through the mains and monitors and bouncing back. I don't really know what the audience hears, but I find the spring reverb in my Milkman or Twin, or a Wet Reverb pedal with another rig, is all I need to sound good on stage. Do I sound like Buddy Emmons or Paul Franklin? Of course not.
PS: I do use an organ pedal with a compressor, and an overdrive pedal for certain songs, so I am not an "effects hater."
PS: I do use an organ pedal with a compressor, and an overdrive pedal for certain songs, so I am not an "effects hater."
It don't mean a thing if it ain't got that swing.
- John Booth
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Yep, yer a little, shall we say, "Different"? But you're one of my favorite goofballs on this forum BuddyLane Gray wrote: The preceding carries these qualifications: I know I'm a goofball, and these are the opinions and artistic judgments of an admitted and confessed goofball.
Jb
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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- Tony Prior
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I've stopped using my effects processor, which is a PRO FEX, but not for the same reasons as everyone else. I just don't want to carry any more gear !
On the gigs it's just amp reverb,but when I track, yes, I use delay.
On the gigs it's just amp reverb,but when I track, yes, I use delay.
Emmons L-II , Fender Telecasters, B-Benders
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
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A lot of just reverb for me but I do enjoy playing with delays and other fx as well.
https://soundcloud.com/brettlanier/bl1 (100% pedal steel)
https://soundcloud.com/brettlanier/bl1 (100% pedal steel)
- Larry Behm
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I set my Boss VF1 to about 420 with 1 slap back at about 15%, it gives my sound the illusion of wetness, thus I can cut back on the amount of reverb and still not appear to be dry.
'70 D10 Black fatback Emmons PP, Hilton VP, BJS bars, Boss GE-7 for Dobro effect, Zoom MS50G, Flamma Reverb, Planet Wave cables, Quilter 202 Toneblock, Telonics 15” speaker.
Phone: 971-219-8533
Phone: 971-219-8533
I used one for many years. For the last year,I used only reverb and didn't miss the delay at all. I just recently started using it again and I guess I can say that it really doesn't matter one way or the other because I usually set it to the point that you can just barely hear it.
Cops aren't paid much so I steel at night.