John Dowden wrote:I've never really found a good sound doing the dime trick for fiddle on any of my amps, but I've heard a few guitar players use that to dial in their fender amps.
No doubt - but its a process, not a setting for Fender's. we may be hijacking the thread, but here's the Fender dial-in process I believe is most conventional, and what I use:
1) FIRST start with all three tone controls dimed (dimed means that are all set to 10, set to maximum, twisted fully clockwise, etc)
2) SECOND adjust the volume or master to something less than 2 o'clock, but louder than you plan to play
3) THIRD pull back each tone at a time to the desired tone. I start with the BASS, then mid then treble. Also, pulling back the bass often affects the other frequencys leading to step 4)...
4) FOURTH you may have to go from bass to mid to treble two or three times, adjusting up and down to "dial in" that evasive but eloquent tone
5) LAST make the final volume or master adjustment and write everything down
When I do this for MY fiddle and MY pickup, I generally have the mid and bass somewhere between 1-3 o'clock, and the treble (and presence) at 10-1 o'clock for a Fender Twin or Twin-like amp. Much like what's been shared.
Why this process? Because Fender controls are designed that way.
Try this: set all the tone controls to zero, minimum, all the way counter-clockwise, all the way to the left - on a Fender, you'll get NO volume regardless how you set the volume or master.