| Author |
Topic: C6 pedal footwork |
John Orr
From:
Oregon, USA
|
Posted 23 Jun 2016 7:02 am |
|
| I am making errors with my foot pedal work on the C6 neck from imprecise movements of the toot. Any pointers? |
|
|
|
Hamilton Barnard
From:
Oro Valley, Arizona (deceased)
|
Posted 23 Jun 2016 7:14 am
|
|
| I leave my left foot planted on pedals 5 & 6, and move my right foot off the volume pedal to play pedals 7 & 8. |
|
|
|
Christopher Woitach
From:
Portland, Oregon, USA
|
Posted 23 Jun 2016 7:25 am
|
|
At Reece Anderson's suggestion, I figured out how the pedals lined up with fretboard and "aimed" my feet that way, until they knew where to go.
I really understand that feeling - on my U12, there are 8 pedals that can and sometimes are used in one song, although the ones I use the most are 3-8, plus the 5 knees. Pedal 3 still gives me trouble sometimes!
Good luck - it is a doable task! I was sure I'd never get it (been playing about 6 years), but it is coming along, finally
_________________
Christopher Woitach
cw@affmusic.com
www.affmusic.com |
|
|
|
John Orr
From:
Oregon, USA
|
Posted 27 Jun 2016 10:19 pm Solution and standards for pedal elevation
|
|
Thanks for the suggestions. After another frustrating performance with the pedals on the C6 neck, I had an epiphany: adjust the pedal height to vary, so I can "feel" my way from P4 through P 7.
Like the contour of pedals A, B and C on the E9 neck.
That said, what do experienced C6 players recommend for the comparative heights. My guess?here goes:
P5 and P7 high, and same height. P6 lowest, P5 slightly lower than P4. Comments most welcome!!! |
|
|
|
