New smaller lighter amplifiers
Moderator: Shoshanah Marohn
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New smaller lighter amplifiers
There has been several discussions about new smaller, less heavy amplifiers. In all these recent discussions I hear nothing about the new Evans small light weight amps. Scott Henderson plays through an Evans that is 200 watts, and has a 10 inch speaker. The back is closed. The amp is about 10 inches wide, and 12 inches tall and weighs 21 pounds. Trust me when I say it has the power and tone quality of big heavy Peavey amps. The sound coming from this small little Evans box is just unbelievable. My question is this, why hasn't this amp been mentioned along with Quilter, Little Walter, and all the other new little amps?
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I wasn't really even looking to buy the Milkman, but Mrs Gray proposed it as my birthday present.
I prefer the tube sound over the all solid state. I certainly felt the green monster the equal of my Session 400. And they don't make those anymore.
I prefer the tube sound over the all solid state. I certainly felt the green monster the equal of my Session 400. And they don't make those anymore.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Donny, I have not tried one of the little Evans amps, but I am scheduled to try one. Now to answer your question about playing Curly Chalker C6th, big chords, at extreme volumes. I have heard Scott Henerson's little Evans do it. No break up of any kind, and the tone was as good as it gets. Like you Donny, I did not believe it was possible until I heard and saw it with my own eys. Donny, old guys like you and me have to see and hear things before we belive it. I saw it and heard it, and that is why I am asking about these little amps. I am starting to believe you don't have to have an 85 pound amp with a 15 inch speaker to make a big sound. Scott Henderson's amp weighs 21 pounds, has a 10 inch speaker, and can tear your head off clean at the shoulders.
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Re: New smaller lighter amplifiers
I have a couple of early/mid 60's Standel's that have plenty of power and sound better than anything I've compared them to, and they are very light weight. Especially the hybrid Imperial head with a single speaker cab. Bob Crooks nailed it a long time ago. Just too bad there aren't more of them out there.Keith Hilton wrote:My question is this, why hasn't this amp been mentioned along with Quilter, Little Walter, and all the other new little amps?
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I have been looking to get into boutique tube amps. I really want a milkman creamer 20 watt.
We mic everything and 20 tube watts would be plenty for me.
I'm saving my pennies but every time I have a new medical issue I have to break the piggy bank.
I live about 45mns from Burlington and I may just have to give Scott a a call and try the RE300.
We mic everything and 20 tube watts would be plenty for me.
I'm saving my pennies but every time I have a new medical issue I have to break the piggy bank.
I live about 45mns from Burlington and I may just have to give Scott a a call and try the RE300.
Zum SD-12 Black, Zum SD-12 Burly Elm Several B-Bender Tele's and a lot of other gear I can't play.
I spent half my money on gambling, alcohol and wild women. The other half I wasted. W.C. Fields
I spent half my money on gambling, alcohol and wild women. The other half I wasted. W.C. Fields
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Keith, in response to your OP, I have no idea why they don't get the attention of the others you mentioned. The new Evans amps are fabulous.
I played through an old (Darrel Stephens-era) FET500 LV for years and when I got my RE500, I sold the FET without giving it a second thought. The new amp is that much better. I'll be curious how you like the "Little Green Monster". From the Evans website, however, it looks to be basically the same amp as the RE500. Although mine's not green.
I played through an old (Darrel Stephens-era) FET500 LV for years and when I got my RE500, I sold the FET without giving it a second thought. The new amp is that much better. I'll be curious how you like the "Little Green Monster". From the Evans website, however, it looks to be basically the same amp as the RE500. Although mine's not green.
Drew Pierce
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
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I suppose this is a question for Scot, but I wonder what the difference is between the RE200 and RE300? I know the 500 is simply a 500w version of the 200w RE200, with the only difference being the power amps. When I bought mine, Scot recommended the 500 over the 200 when I mentioned playing a fair amount of C6.
Drew Pierce
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
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Drew, you actually know more details about these amps than I do. Why don't you contact Scott and ask him what the difference between the RE200 and RE300.
From talking to Scott about the 500, the reason he said he was discontinuing the 500, is because the people building the power boards are discontinuing the 500. So apparently Scott does not actually build the power amp board, but simply buys them. Scott told me he has a few of the 500's left and when he gets rid of them he will no longer build them. That still leaves the question of the difference between the RE200 and RE300. I know Scott Henderson has the RE200 and it will tear you head off---at the neck. Scott did say he changed the speaker, and I am wondering why? Find out Drew.
From talking to Scott about the 500, the reason he said he was discontinuing the 500, is because the people building the power boards are discontinuing the 500. So apparently Scott does not actually build the power amp board, but simply buys them. Scott told me he has a few of the 500's left and when he gets rid of them he will no longer build them. That still leaves the question of the difference between the RE200 and RE300. I know Scott Henderson has the RE200 and it will tear you head off---at the neck. Scott did say he changed the speaker, and I am wondering why? Find out Drew.
Right, Keith (strangest autocorrect ever). He's been buying class D power. I'm thinking if the 200 or 300 isn't loud enough,
1) you're too loud, and
2) class D power modules are coming down, get a powered extension cab driven by the line out. You can just scale that up as much as you like.
1) you're too loud, and
2) class D power modules are coming down, get a powered extension cab driven by the line out. You can just scale that up as much as you like.
Last edited by Lane Gray on 9 Oct 2015 5:28 pm, edited 1 time in total.
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Lane I think you have the right idea. One question on my mind is why did Scott Henderson tell me he changed the original speaker in his RE200? Is there a better choice speaker--for sound--for weight--or why? Maybe only Scott Henderson can answer that question, but don't know when I will see Scott next.
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It's true, Scot buys his power amps from outside sources. It's also true that amp wattage is something of a mystery to me when it comes to valuation. Peak power and other factors beyond my comprehension come into play. The validiity of comparing 10-40 watt tube amps to 500 watt SS amps escapes me.
As for speakers, John Hughey, a long time Evans player, once told me he tried using the neo speakers available at that time and they would not hold up under the loads he was pushing on C6 in bigger venues. As I recall, he told me he went back to the JBL E130 that originally came loaded in his FET 500s. But that was before the current advancements in neo speakers.
I know that Scot uses the best speaker available for the sound his customers want.
As for speakers, John Hughey, a long time Evans player, once told me he tried using the neo speakers available at that time and they would not hold up under the loads he was pushing on C6 in bigger venues. As I recall, he told me he went back to the JBL E130 that originally came loaded in his FET 500s. But that was before the current advancements in neo speakers.
I know that Scot uses the best speaker available for the sound his customers want.
Drew Pierce
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
Emmons D10 Fatback, S10 bolt-on, Zum D10, Evans RE500, Hilton volume and delay pedals.
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Amps
I have a GK500 I use with a DD3 and the speaker in my Vegas 400. It's 500 watts at 4 ohms and 350 8 ohms. It sounds good. I leave the Vegas amp at the Opry show and carry the GK weighing approximately 4lbs. GK makes a GK500 Fusion that has one 12AXT7 tube. I've heard a comparable and less expense Carvin amp that sounds very good. Jack Stoner has the Carvin with the EPS 15 Eminence. He used it at the Heartland Steel Show this year and it sounds good. Plenty of power to get that clean sound at a low volume.