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Post new topic D8 copedent question
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Author Topic:  D8 copedent question
Wayne Baker


From:
Altus Oklahoma
Post  Posted 4 Aug 2003 6:18 pm    
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I have a D8 with 4 pedals on the front neck and no pedals on the back neck. I have no idea what tuning to use. Any ideas?

Thanks,
Wayne Baker
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Larry Bell


From:
Englewood, Florida
Post  Posted 4 Aug 2003 7:26 pm    
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I assume you mean 4 pedals and no knee levers

I would tune the front neck E9 w/ no chromatics (lo to hi)
B D E F# G# B E G#
P1 would pull E's to F
P2 would pull B's to C#
P3 would pull G#'s to A
P4 would pull E's to Eb

Back neck -- C6 with either C or F on the bottom -- F will give you a lot more chords
(lo to hi)
F A C E G A C E

That's what I'd do. There's a lot of music there. I'd miss having a D and F# in the upper register, but with only 4 pedals, this gives you the A+B, A+F, B+Eb combinations pretty easily without knee levers.

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Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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Alvin Blaine


From:
Picture Rocks, Arizona, USA
Post  Posted 5 Aug 2003 6:25 am    
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I've been using this on one of my Fender 400's. A6 TUNING, sometimes I'll tune the low A to G for a 13 chord. Or I may change pedal 3 & 4 for a song or two.

A C# E F# A C# E A

P1 F# F#
P2 D D
P3 G# G#
P4 B B
OR
P3 G# G#
P4 B B


Thanks b0b, that helps alot!

[This message was edited by Alvin Blaine on 05 August 2003 at 11:06 PM.]

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b0b


From:
Cloverdale, CA, USA
Post  Posted 5 Aug 2003 9:15 am    
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Alvin, please read the UBB Code Help File for instructions on how to post charts and tab. Thanks.

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               Bobby Lee
-b0b-   quasar@b0b.com

 System Administrator
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Joerg Hennig


From:
Bavaria, Germany
Post  Posted 5 Aug 2003 9:31 am    
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Larry´s suggestion looks good, but on the E9, I would insist on having a pedal that raises the high E to F#.
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Larry Bell


From:
Englewood, Florida
Post  Posted 5 Aug 2003 9:56 am    
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Where would you put it, Joe?

I would miss it too, but you have the A+B mi7 chord with the root on 7, the A pedal straight minor chord and the G#m7 with the E's lowered. I don't think I'd want to give up raising or lowering the E's. I would miss having a D up top more than the F#, but that's a personal preference. One more pedal or a single knee lever would really be useful.

------------------
Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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