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That OTHER Sound
Posted: 12 Jun 2003 11:55 am
by Rick Collins
Emmons push-pulls do have "that sound"; I have experienced it ('66 Emmons). Mr. Carl Dixon has refered to the distinctive sound of the Rickenbacher bakelite as having a "moan". I cannot detect this in my post war 8-string bakelite.
Do any other brand of pedal guitars have a desireable elusive sound that is not present in some like models? If so, we might refer to it as "that other sound.
Rick
Posted: 12 Jun 2003 12:02 pm
by Pat Burns
..I've heard steel sounds described as a "whine"....now as a "moan"...do any of them "p!ss and moan", or should that be in the "Steel Players" category?
...crying steel guitars.. Or purring, wailing, screaming, screeching, bellowing, singing, humming (single coil pickups only)...<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pat Burns on 12 June 2003 at 01:12 PM.]</p></FONT>
Posted: 12 Jun 2003 8:04 pm
by chas smith
Bigsby. Sho-Buds are pretty distinctive.
Posted: 12 Jun 2003 8:16 pm
by Kevin Hatton
ZB Custom. Sho-Bud.
Posted: 13 Jun 2003 5:55 am
by Larry Bell
Fender steels had a totally different sound and, since nobody has mentioned them, I will.
My three favorite vintage sounds are
Emmons p/p
ZB Custom
Sho-Bud
(more or less in that order)
All are different and I hear a little bit of each in my Fessenden guitar. That's why I play it most often these days.
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Larry Bell - email:
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2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
Posted: 13 Jun 2003 6:24 am
by Jay Ganz
<img src=
http://home.hvc.rr.com/jsganz/Sho~Bud.jpg>
One of the best "other sounds" I can think of!!!
Posted: 13 Jun 2003 7:16 am
by David L. Donald
Ditto
Posted: 13 Jun 2003 7:52 am
by Tommy Minniear
Agreed!
Tommy Minniear
Posted: 13 Jun 2003 8:06 am
by Kevin Hatton
Thats the one Jay. I've got it's sister over here in Buffalo. Awesome sounding steel.
Posted: 13 Jun 2003 8:52 am
by Pat Burns
...what I'm hearing is, whether you want "that sound" or "that other sound", get it while you can, 'cause they ain't makin' it anymore...
...there can be no question that Sho-Bud consistently made the most beautiful looking guitars...
Posted: 13 Jun 2003 6:42 pm
by Gary Preston
gentlemen i have a beutiful ''sho-bud'' that
i had built back in 1977 and she is still doing great today,and still soungs good also. i take good care of her !! G.P.
Posted: 13 Jun 2003 7:00 pm
by Bobbe Seymour
What's wrong, I agree with everybody! Yes,
These are great "Other sounds". And Pat Burns, I must say you are correct, I wish you weren't but you are. You'd better gettum' while there hot! These great classic sounds aren't being made anymore. Sho-Bud,Z-B, Bigsby, all very good "other sounds". But Sho-bud wins the beauty contest, Z-B's aren't very ugly either, but then, I seldom see a bad Bigsby------>
Jay Gantz, I need you to do my photography! You do some great work. You need to put out a "Steel Guitar Calender".
looks like you have the guitars to do it with too!
Posted: 13 Jun 2003 7:21 pm
by Eddie Malray
JAY: Did you have to post those pictures? I won't sleep at all tonight. I've played an Emmons PP for many years and I love it. However I bought a near mint 1977 Sho-Bud Super Pro just before Christmas and I find myself playing it more and more. (not that it matters but it's a 1978) Both steels have different tones but both are great.
Posted: 14 Jun 2003 8:46 am
by John De Maille
I'm with Bobbe on the steel calender idea. I think every steel player will want one. I know I do.
Posted: 14 Jun 2003 9:28 am
by CrowBear Schmitt
Bobbee's Pics arent to bad either over at SGN
maybe some close ups and you'll have the SGN calender ready
J Ganz's pics are Xcellent without a doubt
Posted: 14 Jun 2003 7:07 pm
by R. E. Klaus
'73 MSA and Millennium
Posted: 14 Jun 2003 8:16 pm
by Damir Besic
what other sound?...
don`t kill me,just kiddin`
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Posted: 15 Jun 2003 12:10 am
by Travis Bolding
If a Push Pull is the 'Be all - End all' of PSG tone (and I agree that, in the right hands, there is something magical about them) why aren't they still being produced? Someone with the knowledge, know-how, expertise, and "ear" should be designing a new run of PP's. Bobbe, are you listening...?
~~ Travis
Posted: 15 Jun 2003 12:29 am
by Cal Sharp
Bobbe -
Have you ever seen G. Gordon Liddy's "Stacked and Packed" calendar? Nubile babes posing with guns. That concept might work with steel guitars, and you've already got a head start.
C#
Posted: 15 Jun 2003 5:29 am
by Damir Besic
Travis,
push pulls are simply too expensive to make.There is too many parts in it.And to tell you the truth, even if someone would make a new push pull (Zum,Mullen etc...)I would still prefer an old restored Emmons.There is just something about those old guitars that new ones don`t have.There will never be another push pull Emmons or great Sho~Bud FT or another Bigsby, and you better get them while you can and if you can.
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Posted: 15 Jun 2003 7:03 am
by Larry Bell
Damir,
We have to carefully define 'too expensive'.
With Franklins and MSA Millenniums (or is that Millennia?) going for $5000-6000, I have no doubt that an exact replica of the classic Emmons push-pull could be made from scratch and still be competitive in that price range. But lets be realistic. MOST steel players prefer a newer guitar. The market for a push-pull is only a small fraction of the market for pedal steels. I love old Emmons guitars with all my heart and will never sell my 12-string, but the fact is that there are still quite a few of them floating around. Granted the price is increasing, but an immaculate push-pull in good working order can still be bought. I am certain that anyone who is willing to pay $2000-3000 (maybe a bit more for special features, maybe a bit less for one that is not so perfect) can get one. I don't think anyone would consider tooling up for the small market that can't be filled by vintage instruments already available. The only reason they'd be too expensive would be compared to the used market. You couldn't make money selling new ones for the price one can buy a 'pre-owned' guitar.
That's my take on it.
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Larry Bell - email:
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2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
Posted: 15 Jun 2003 10:01 am
by Joe Miraglia
Larry What you're saying is the Beast( the 12 string P/P, some of you might not know who the Beast is)doesn't want to come back to me? Joe<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Joe Miraglia on 15 June 2003 at 11:05 AM.]</p></FONT>
Posted: 15 Jun 2003 10:16 am
by Larry Bell
You got that right, Joe
He's happy right where he is.
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Larry Bell - email:
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2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
Posted: 15 Jun 2003 1:37 pm
by Damir Besic
Well,if someone makes a push pull it would be a new guitar,right?It would be a new push pull.Maybe push pulls are old and maybe some people don`t like them but if you have one for sale I know one thing,it will sell quick.I don`t know anything about cost involved into making a steel guitar,I only said what I`ve heard from some competent people in Nashville who are in steel guitar business,and thats what they said.Would I pay $6.000,00 for a great looking and restored to like new condition Emmons push pull?Yes I would.Would I pay $6.000,00 for other new guitar?No,I would not.
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Posted: 15 Jun 2003 5:44 pm
by Larry Bell
I've never seen a pedal steel I would pay $6000 for. PERIOD.
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Larry Bell - email:
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2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps