How many use .022w for your 6th string
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How many use .022w for your 6th string
I just read what all of you had wrote about Jagwire strings. I was really surprised too see the Lloyd Green artist set with a .022w for the 6th string. I remember using that years ago, but to me the plain sounded much better. However, tuning wise it's a touchy thing!! Just curious too see how many of you use it. Loren. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Loren Morehouse on 07 June 2003 at 07:29 PM.]</p></FONT>
- Kenny Davis
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- Ken Williams
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I use a 22 plain. I must admit that I've never tried a wound 6th string before. I agree that it would be easier to tune.
Ken
http//:home.ipa.net/~kenwill
Ken
http//:home.ipa.net/~kenwill
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- Larry Robbins
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I use the wound. Fulawka sets his guitars up for it from the shop...
JB
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Fulawka D-10 9&5
Fessenden D-10 8&8
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
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JB
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Fulawka D-10 9&5
Fessenden D-10 8&8
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
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- Larry Bell
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I've used both and LOVE the way a wound sixth tunes and sounds, but I have to raise AND lower my sixth a whole step and the throw gets pretty long. Some guitars can't handle moving a wound sixth a whole step. I didn't notice the longer throw too much on the B pedal, but lowering it a whole tone on a knee lever gets pretty hairy.
If I played a standard 10-string setup, I would definitely use a wound sixth.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
If I played a standard 10-string setup, I would definitely use a wound sixth.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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Tony,
It all depends on the CORE of the string and that can vary among mfgrs. That could account for a slight difference in travel. A smaller string may or may not have a smaller core.
I believe that stainless requires a bit more travel than nickel steel, but am not certain about that.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
It all depends on the CORE of the string and that can vary among mfgrs. That could account for a slight difference in travel. A smaller string may or may not have a smaller core.
I believe that stainless requires a bit more travel than nickel steel, but am not certain about that.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
LOREN, Bobbe Seymore had a lengthy thread on this same subject a couple of months ago. You might want to check it out in the archives. Still a good subject,though. I use an .020P for E9,.022P for Eb9,and when I tune down to D I go to a .024W for my sixth string. I even tried an .024P on my D tuning, but it just went "thunk" on the 12th fret. I'm still not sure how to do effective chord construction with "thunk" as one of my scale tones! After I thunk about it,I decided to go with a wound string. Oh,the life of a Steel Player gets tedious.
~~W.C.~~<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Wayne Cox on 08 June 2003 at 09:52 PM.]</p></FONT>
~~W.C.~~<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Wayne Cox on 08 June 2003 at 09:52 PM.]</p></FONT>
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