The Steel Guitar Forum

I've been using a Steel Driver II since they first came out. This one is about to go in the shop for another rebuild. I like what this thing does but I'd like a distortion I can get really r/r with but that has some EQ and more ways of controling the treble and bass. A stomp box that doesn't change the tone in the off mode would be essential. I've had the Rat Distortion stomp and didn't like it. Anybody out there maybe the rockers with an idea? I'm thinking on the Steel Driver III with the Matchbox 70 in the non fuzz mode but want to hear from the ones that use distortion and a lot. Who makes the best stomp box distortion?

Frank, I use a vintage Big Muff from Electro Harmonix, which I and a few others believe to be the best distortion pedal ever made. The pedal has been reissued, in two different versions. The Black ones don't sound the same.

But the secret of getting a truly great distorted sound is to put the pedal on a bypass loop, and put a 6 band equaliser on the same loop, so you just EQ the distortion, not the basic or clean sound of the steel. You can then EQ the fuzz any way you like.

Putting the pedals on a bypass loops (or 2 loops if you prefer) keeps them out of the signal path when they aren't in use, thus preventing signal loss and/or bleedthrough.

P.S. If anybody wants directions on how to make a bypass loop or series of loops. E-mail me and I'll send them.

The "Mosrite" is one of the late 60 early 70's.If you can find one they have a warm rich fuzz that kicks Butt.

Frank, I love the sound of Rat pedals for guitar, but I haven't been able to get a good sound out of one for steel. Years ago a friend of mine played my steel thru an original Ibanez Tube Screamer, and it sounded great, ( kinda like Dave Lindley, the guy who played for Jackson Browne). The reissue's cost a lot, but a kid that works at the music store I am working at says that the newest Ibanez tube screamers that they have out sound just as good as the old ones and are more versital. He also know's how to modify various other pedals to make them sound like the original Tube Screamer. I intend to pick one up sometime, I think the Tube Screamer
( an original, a reissue, or the newest version ) would be worth looking into. Also, I remember seeing Jimmie Crawford using either a Tube Works or a Real Tube distorion pedal ( the one with 12 ax7's ) when he was playing with Radney Foster, and he was getting some of the best distortion tone I have ever heard out of a PSG. Good Luck!

I use a an old Rat pedal on my lead guitar effects board but for my steel rig I use an old DOD Overdrive pedal (the yellow one) which is wonderful. I like the overdrive pedals as they seem to be able to approximate the overdriven amp sound used a lot for slide guitar things. Boss makes one of these too.

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Livin' in the Past and the Future with a 12 string Mooney Universal tuning.

I have one of those new Digitech effects units that I am quite satisfied with. I'm sure there are better ones, but this was less than $150, and is very user friendly. I had a sound I liked in about 10 minutes.

This contains compression, distortion, reverb, delay, chorus, phase...all the goodies. As I said, maybe not top of the line, but quite acceptable, and easy to operate.

Another one that has all the effects plus amp modeling is the POD XT. I have tried one in the store and been very impressed.

Oddly, what makes for "good" distortion tone seems to be even more personal than clean tones! Back when I was in John Berry's band, he loaned me his original Tube Screamer, and it was just what I was looking for. I've tried MANY reissues, boutique pedals and never found quite the same tone. Right now I'm using a new Maxon OD-808 which is pretty close. There is a huge difference between an overdrive type of tone and distortion, which is more the bosstone/steeldriver/rat color. For me, some songs call for one, some the other. The Roland GP-100 rack unit has some of the best distortion tones I've heard, that's what I use in the studio. Mike P's right- an EQ in line with your dist/OD box is a world of difference. And completely different response if you EQ the tone before or after the distortion. Experimenting's in order!

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My Bands: Sugarland Kate and the Retreads Kecia Garland Band Shane Bridges Band Dell Conner Blues Band

WHATEVER ROBERT RANDOLPH USES!!!!!

is this the same as a boss tone unit ? i'm not to famalier with the others but i have heard of them,,and if it is i would like to know if anyone has used one of these, and how do you set yours ?? thanks gary.

I saw Robert Randolph around 6 months ago and I was checking out his pedal board when one of the roadies was tearing his stuff down. All of the pedals were boss pedals.When I asked what kind of distortion pedal he used, the roadie told me he didn't use a distortion pedal and he got his tone from cranking up the amps. He had a Twin Reverb and a newer Fender, maybe "The Twin" or something like that. I don't think either amp had channel switching either. He was pretty loud but not too loud for the venue and his tone was great! I have to admit that he was too loud for a small club gig, hence the search for the right distortion pedal
( or a small tube amp and an a/b box ).<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bob Watson on 14 April 2003 at 08:49 PM.]</p></FONT>

For me, nothing beats the sound of a naturally overdriven amp.

I saw Robert here in Dallas a few weeks ago, and he was using a Steel Driver.

I'm using the new Pod XT, but I still put a Tube screamer in the chain before the volume pedal. I don't like running the distortion after the volume pedal.

I'd avoid the Pod if I were you...sucks the life out of the sound and introduces artifacts that don't sound natural...IMO of course.

Tech21 makes nice overdrive/modelling stuff, I like.

Old Mosrite Fuzz pedals are a great sound.

A Rat or a Tube Screamer. Either one works great for me.

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1985 Emmons push-pull,Evans SS200, Nashville400, 65 re-issue Fender Twin, Fender Tele

Moved to 'Electronics' section of the Forum.