If you only need that combination of 8/6/5 you could use the B6 pedal that raises the same two strings the Franklin pedal lowers. If you back up two frets (e.g., fret 6 in C) and use the 7th string plus the B6 pedal 6 (or 7), releasing that pedal gives the same notes as the Franklin pedal engaging. You can do the same with 1/5/6 with the root on top.
<font face="monospace" size="3"><pre>
FRANKILIN change B6 change
5-8--8bb----------6##----6----------
6-8--8bb----------6##----6----------
7-----------------6------6----------
8-8--8------------------------------
in each case the first chord is CEG and the second is CDF</pre></font>
Just a thought. I personally prefer the Franklin changes on a pedal. Stuff like
<font face="monospace" size="3"><pre>
5-8~~8##~~8~~8bb~~8~~8##~~8-----
6-8~~8#~~~8~~8bb~~8~~8#~~~8-----
7-------------------------------
8-8~~~~~~~~~~~~~~~~~~~~~~~------</pre></font>
can be difficult to play at all desired tempos with the changes split and/or on knee levers.
Of course, there are other strings (like the third, for example) that sound cool with the whole tone drop that won't be available with the 'workarounds'. Yep, I prefer that change on a pedal.
AND, if I were gonna add E to F# on 8, I'd do it on the C pedal. Makes much more sense there to me. The I to iim motion, unison note with the 7th string, and similar function to the 4th string movement on the C pedal make that a much more valuable change for me. I move my 11th from E to F# on the C pedal, so I have avoided the 8th thinking that it would stiffen the action too much.
Just another thought.
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Larry Bell - email:
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2000 Fessenden S-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 18 February 2003 at 11:06 AM.]</p></FONT>