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Leavitt Tuning
Posted: 2 Mar 2014 11:12 am
by Loyal McAvoy
If you were to add two strings to a six string Leavitt tuning of: (starting with bass) C#, E, G, Bb, C, D, where would you add the two extra strings (two on treble, two on bass, one on treble and one on bass,) tuned to which note, and why?
Thanks
Posted: 2 Mar 2014 12:08 pm
by Steve Green
Posted: 2 Mar 2014 1:02 pm
by Loyal McAvoy
Outside of adding a fifth and a raised ninth, What functional advantage do you feel it gives you when playing?
Posted: 2 Mar 2014 4:25 pm
by Bill Hatcher
you add strings....it opens up so much more you can do. if you have the musical thought..you will know.
Posted: 2 Mar 2014 4:42 pm
by Doug Beaumier
I haven't played the Leavitt tuning in a while, but it seems to me that an Eb would be very helpful... for a full Eb major chord, Eb6, Ebmaj7, and maybe more. And a low C would give you another much needed major chord position to fatten up C major, C7, C9.
Posted: 2 Mar 2014 4:44 pm
by Rick Barnhart
Bill, that's still one of my favorite versions of that tune.
Posted: 2 Mar 2014 5:26 pm
by Bill Hatcher
I thank you so much.
Posted: 2 Mar 2014 6:33 pm
by Tony Dingus
What about adding a E on the high side and an A on the low side ? A-C#-E-G-Bb-C-D-E
Tony
Posted: 3 Mar 2014 6:38 am
by Stephen Abruzzo
Tony,
That's pretty interesting how you have a straight A7 and C7 chords with no string skipping
Posted: 3 Mar 2014 6:58 am
by Rick Barnhart
Would someone kindly list the recommended gauges and notes for a Leavitt tunng on a
24 1/2" scale 8 string? Thanks