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the symmetrical tricone
Posted: 25 Apr 2013 8:40 am
by John Morton
Posted: 25 Apr 2013 8:46 am
by Rick Stratton
Wow, that's great!
Nice work!
Posted: 25 Apr 2013 8:59 am
by Mike Neer
John, just a masterful piece of art. You nearly killed me with these pics. Jonesing for a tricone....
Posted: 25 Apr 2013 10:16 am
by chas smith
WOW, WOW, and seriously, WOW!
Posted: 25 Apr 2013 1:44 pm
by Michael Kienhofer
Any-more build Pics John? Just love seeing these put together!
Posted: 25 Apr 2013 2:00 pm
by Allen Hutchison
Wow, magic beautiful job, congrats.
Is that head stock aluminium?
Posted: 25 Apr 2013 2:33 pm
by David Matzenik
Stunned!
Posted: 25 Apr 2013 2:47 pm
by Brad Bechtel
What a cool looking instrument! Where in Portlandia will the guitar be displayed?
Posted: 25 Apr 2013 2:51 pm
by David Cook
Like that wide string spacing
Posted: 25 Apr 2013 3:30 pm
by Rockne Riddlebarger
Amazing! Incredible! Awsome! What more can I say?
Posted: 25 Apr 2013 4:36 pm
by Mike D
Very cool John, always love your work.
Now...do you really have a bandsaw big enough to cut out that buck from one piece?!?
Posted: 25 Apr 2013 4:52 pm
by John Morton
Thanks for all the kind words.
The Portland event is the Northwest Handmade Instrument Show at Marylhurst College.
http://www.nwmusicalinstrumentshow.org/
I used to snip everything, but now it's a CNC milling machine for the geometrically precise bits.
Here are some more shots from the process:
layout for top and back
top blank on the mill table
grill patterns have been cut
a test of the die that recesses the grill
tray rim ready for assembly
tray pieces w/ assembly form
I use a block mold, a rectangular block which is cut to the body shape in plan and elevation. There is a guitar-shaped piece in the center, and the various other pieces aid in clamping parts of the assembly as they are soldered. Everything goes back together like a 3D puzzle. (Mike D, my upper blade guide goes up to 12", that's enough to cut one side.)
the cone blank is cut from flat alum. sheet
the cone is spun over an aluminum form
after spinning
the spiral grooves are done freehand
Posted: 26 Apr 2013 7:19 am
by Mike D
Awesome set-up and tooling. I made all mine with an electric nibbler, a couple small hand nippers and a Dremel.
Spinning cones looks like fun.
Posted: 26 Apr 2013 8:13 am
by Tom Pettingill
What a beautiful instrument John!
Posted: 26 Apr 2013 8:20 am
by Brian McGaughey
Wow! You are a true craftsman, John.
How does it sound?
Posted: 30 Apr 2013 7:35 pm
by John Morton
I have made other guitars with this profile, which is a Weissenborn shape reduced by 15%, therefore a 23" scale. The largest tricone array that fit in the shape was 4.5" diam. This one is much deeper, which makes for a fuller sound. Also the reorientation of the cones allowed me to return to 6" cones, which probably helps the bass.
At the moment the tuning is a G arpeggio running 2 octaves from D to D, therefore a full step below standard guitar tuning with a scale shorter by 2". This suggests that I could run that tuning up as much as a 4th to C. I'll try that soon, wearing my safety glasses ...
John