Which 6 to pick?
Posted: 14 Aug 2012 8:11 am
Hi all. I am working on a homemade PSG with 6 strings and bicycle cables pulling directly down on the strings to change pitch. Much like a pedal activated Hipshot or Duesenberg. My aim is to make this very cheap and easy to build with only hand tools if that's all you have.
The limitations are:
- Only 6 strings (just to keep parts cost down by using mass-market pickups and tuner sets)
- Only raises are possible (to simplify things, no return springs for lowers)
- Pedals only (knee levers maybe later)
- Maximum of 2 raises per pedal (simple construction - each cable goes from string to pedal, there are no intermediate joins, so there are only 2 places to hook up)
I've looked at the threads on the Fessenden 6-shooter and the Jackson 6-stringer. Both of those go for a lap-steel like tuning. I was hoping to be able to come up with a tuning and copedent that can get me as good a setup as possible for playing classic pedal steel repertoire, though.
By examining and playing through some TAB online, this is what I have so far:
String numbers correspond to 10-string E9 numbering:
2 - Eb
3 - G#
4 - E
5 - B
6 - G#
8 - E
Pedal A - raise 5 to C#, raise 2 to F
Pedal B - raise 3 and 6 to A
Pedal C - raise 5 to C#, raise 4 to F#
I like that I can grab Eb or F on the 2nd, and that the A pedal is often down when the F lever on a 10 string would be down anyway. I don't like that I'm "wasting" a change by having pedals A+C both raise the 5 string. I also don't like that I can't change the 8 string, either to F or F#.
I'm looking for your opinions on any changes I could make to improve on this tuning. The pictures show some of the details. This is very much a prototype/testbed, so it ain't pretty.
Thanks!
Iestyn
The limitations are:
- Only 6 strings (just to keep parts cost down by using mass-market pickups and tuner sets)
- Only raises are possible (to simplify things, no return springs for lowers)
- Pedals only (knee levers maybe later)
- Maximum of 2 raises per pedal (simple construction - each cable goes from string to pedal, there are no intermediate joins, so there are only 2 places to hook up)
I've looked at the threads on the Fessenden 6-shooter and the Jackson 6-stringer. Both of those go for a lap-steel like tuning. I was hoping to be able to come up with a tuning and copedent that can get me as good a setup as possible for playing classic pedal steel repertoire, though.
By examining and playing through some TAB online, this is what I have so far:
String numbers correspond to 10-string E9 numbering:
2 - Eb
3 - G#
4 - E
5 - B
6 - G#
8 - E
Pedal A - raise 5 to C#, raise 2 to F
Pedal B - raise 3 and 6 to A
Pedal C - raise 5 to C#, raise 4 to F#
I like that I can grab Eb or F on the 2nd, and that the A pedal is often down when the F lever on a 10 string would be down anyway. I don't like that I'm "wasting" a change by having pedals A+C both raise the 5 string. I also don't like that I can't change the 8 string, either to F or F#.
I'm looking for your opinions on any changes I could make to improve on this tuning. The pictures show some of the details. This is very much a prototype/testbed, so it ain't pretty.
Thanks!
Iestyn