Freedom Jazz Dance on Clinesmith--funky 60s Jazz
Posted: 21 Jul 2012 5:29 pm
...and 8 of them are rests!
It has taken me quite a while to figure out how best to play Freedom Jazz Dance--I would guess I've made at least 10 attempts over the last year, but finally after spending a few nights tweaking the arrangement and settling on a tuning (C13), I think I've got it.
Here are the toughest 16 bars I've ever played on steel. I play the chords on steel (Clinesmith) as well: Freedom Jazz Dance
Here is the extended version with some improvisation: Freedom Jazz Dance with solo
Eddie Harris is one of my all-time music heroes. I stumbled onto his Mighty Like A Rose and Exodus To Jazz LPs in my grandfather's collection and immediately fell in love with his tone and soulful playing, as well as Joe Diorio's great guitar playing. Eddie came from Chicago and was an incredibly interesting guy. I have had his Intervallistic Concept book for many years and have gotten so much from it.
I intend on making a full recording of the tune, but just wanted to show off the head. If anyone would ever ask me "Why do you want to play this?", I would have to say because I love this music more than anything. It may not be what people are accustomed to hearing, but I play steel and it's what I want to play.
It has taken me quite a while to figure out how best to play Freedom Jazz Dance--I would guess I've made at least 10 attempts over the last year, but finally after spending a few nights tweaking the arrangement and settling on a tuning (C13), I think I've got it.
Here are the toughest 16 bars I've ever played on steel. I play the chords on steel (Clinesmith) as well: Freedom Jazz Dance
Here is the extended version with some improvisation: Freedom Jazz Dance with solo
Eddie Harris is one of my all-time music heroes. I stumbled onto his Mighty Like A Rose and Exodus To Jazz LPs in my grandfather's collection and immediately fell in love with his tone and soulful playing, as well as Joe Diorio's great guitar playing. Eddie came from Chicago and was an incredibly interesting guy. I have had his Intervallistic Concept book for many years and have gotten so much from it.
I intend on making a full recording of the tune, but just wanted to show off the head. If anyone would ever ask me "Why do you want to play this?", I would have to say because I love this music more than anything. It may not be what people are accustomed to hearing, but I play steel and it's what I want to play.