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Lindley & G.E. Smith
Posted: 22 Jun 2012 5:17 pm
by Andy Volk
Posted: 24 Jun 2012 3:13 am
by Morgan Scoggins
Nice playing. I like the way he blocks with his bar hand.
This proves you don't have to buy expensive gear to sound like a pro. I bet that 6 string lap steel he was playing probably cost less than $200.
And he did it all with a Stevens bar! According to Jerry Byrd.. that just can't be done.
Posted: 24 Jun 2012 9:44 am
by Tom Pettingill
Thanks for the link Andy
Posted: 24 Jun 2012 11:18 am
by Steve Ahola
Morgan Scoggins wrote:This proves you don't have to buy expensive gear to sound like a pro. I bet that 6 string lap steel he was playing probably cost less than $200.
True enough about the lap steel but his amplifier of choice is reportedly the Dumble ODS (Overdrive Special) which sells used for anywhere between $30k and $100k.
Steve Ahola
Posted: 24 Jun 2012 11:48 am
by Chris Walke
Steve Ahola wrote:
True enough about the lap steel but his amplifier of choice is reportedly the Dumble ODS (Overdrive Special) which sells used for anywhere between $30k and $100k.
Steve Ahola
But the funny thing is, that tone sounds pretty much the same as the tone recorded on Jackson Browne's "Running on Empty" album. Wonder what amp he was using back then.
Posted: 24 Jun 2012 12:35 pm
by Peter Jacobs
A couple of years ago, he posted a "for sale" notice on his website for the Dumble amp he used on Running on Empty -- I forget the model, though. If I weren't so attached to my internal organs, I would have sold a few to buy it...
Posted: 25 Jun 2012 5:44 am
by Chris Walke
Peter Jacobs wrote:A couple of years ago, he posted a "for sale" notice on his website for the Dumble amp he used on Running on Empty -- I forget the model, though. If I weren't so attached to my internal organs, I would have sold a few to buy it...
Well, that answers my question.
Posted: 25 Jun 2012 6:24 am
by Frank James Pracher
Peter Jacobs wrote:A couple of years ago, he posted a "for sale" notice on his website for the Dumble amp he used on Running on Empty -- I forget the model, though. If I weren't so attached to my internal organs, I would have sold a few to buy it...
I think I read somewhere that Ben Harper bought it.
Posted: 25 Jun 2012 7:13 am
by Joachim Kettner
The first time I heard him was on this record:
http://www.youtube.com/watch?v=-ccV6xsFPmY
Posted: 25 Jun 2012 8:20 am
by Tim Mech
Chances are good that Mr Lindley didn't pay 30-100 grand for his Dumble... chances are also good that Ben Harper did.
Posted: 25 Jun 2012 1:37 pm
by Andy Volk
Unlikely. Harper grew up around Lindley, is good friends with his daughter and interviewed him for the Fretboard Journal.
Posted: 25 Jun 2012 3:39 pm
by Tim Mech
Friendship is one thing but, believe me, Ben would pay him what it was worth.
Posted: 25 Jun 2012 7:28 pm
by Richard Sevigny
Mr Dave nails it as usual... there's enough technique it that one clip to keep a root rocker like me busy for months
Posted: 26 Jun 2012 4:59 pm
by Randy Reeves
thank you for this clip. Lindley's tone and touch
blows me away.
Posted: 26 Jun 2012 7:49 pm
by Stephen Watson
Great to hear a cheap unit sound so good. Gives me hope for mine.
Always been a fan of DL, but unfortunately our one and only personal encounter in the late '70's was contrary.
Crossed signals, I guess.
Posted: 26 Jun 2012 11:48 pm
by Steve Ahola
I understand that it was Jackson Browne who turned David Lindley on to Dumble amps- "Running on Empty" is one of the first albums to feature one of Dumble's amps so prominently. I believe that it was Mr Browne who also turned Stevie Ray Vaughan onto Dumble (he played a Dumbleland Special on his first album which was recorded at Browne's studio.)
Nowadays there are a lot of Dumble clone amps out there like from Two Rocks and Fuchs which only set you back 3 or 4 bills. (Santana bought a very rare ODS amp with reverb a few years ago for $75k.)
Steve Ahola
Posted: 27 Jun 2012 7:43 am
by Joachim Kettner
Here's another pre- Jackson Browne output by Lindley.
Claire Hamill- Consummation:
http://www.youtube.com/watch?v=myXbfZzeQnk
Did he already play lap steel with his band Kaleidoscpe?
Posted: 27 Jun 2012 10:54 am
by Andy Volk
Posted: 27 Jun 2012 11:49 am
by Steve Ahola
Joachim Kettner wrote:Did he already play lap steel with his band Kaleidoscope?
I saw them open a show for the Steve Miller Blues Band at the Berkeley Community Theater in 1968- I mention that only because two of the songs on Dave's first album were from Miller's set list: "Your Old Lady" and "Mercury Blues".
Back then in the local rock and folk scene there were a lot of guitarists playing acoustics on their laps with a slide or bar but I don't think that electric lap steels were very common at all. I'm sure that Mr. Dave dabbled with every stringed instrument under the sun...
Here is the first song that really knocked me out: "Trail of Tears" by the Talbot Brothers from 1972, I believe:
http://picosong.com/wV7N
http://www.youtube.com/watch?v=cTExUVmibAQ
Very melodic and a tone to die for (Dumble be darned!)
Steve Ahola
Posted: 28 Jun 2012 8:26 am
by Joachim Kettner
Thanks to Steve for the song tip!
Posted: 28 Jun 2012 8:51 am
by Fred Kinbom
Amazing playing and tone! Thanks for posting, Andy!
Posted: 28 Jun 2012 9:29 am
by Mike Neer
Show of hands: For how many people here was Mr. Dave the gateway drug to steel guitar?
My hand is fully extended.
Posted: 28 Jun 2012 10:32 am
by Brad Bechtel
He's certainly the first steel guitarist I remember seeing live, with Jackson Browne at Fullerton College in Fullerton, CA in 1973 (Linda Ronstadt was the opening act).
Posted: 28 Jun 2012 2:37 pm
by Kelvin Monaghan
You got it Mike, saw him live with Wally Ingram about 10 years ago in a very small intimate gig here in OZ all accoustic,had a nice chat with him after the gig,that was it Hooked .
Posted: 28 Jun 2012 3:05 pm
by Joe Snow
I felt really dumb one day when I realized those Jackson Browne leads were lap steel. I had the Kaliedoscope album in 69, I took "hawaiian guitar" as a young child, I hadn't ever seen Jackson Browne's band live, and kinda wondered how those sustaining overdriven leads were accomplished on a guitar. Then many years later realized it was lap steel. duhh. Anyhow, David Lindley in my mind has remained an innovative voice for all kinds of musical innovation through unconventional means.