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My custom Ryan Rukavina lap steel - in progress
Posted: 24 Aug 2011 6:41 pm
by Juan Calama
Just joined the forum after reading for a long time and wanted to share with everyone here the beginning of my custom lap steel being built by Ryan Rukavina in Missoula, MT.
For starters, I just want to say that Ryan has been great to work with. He's answered more emails than I would have expected from anyone (I ask a lot of questions and have changed my mind about things more than a few times) and so this is in part a homage to his patience and dedication.
The first picture is of the Bastogne Walnut billet that I purchased from Cyril Jacob in Oregon (thanks again Cyril for an awesome piece of wood):
The next two pictures are of the board (one wet with mineral oil to show the figure and flaming better, one au natural) with the body traced out.
And this last photo (for now) is of the body and neck blank already cut out.
More pics as the project progresses.
Posted: 24 Aug 2011 6:45 pm
by Brian Hunter
That's going to be beautiful. I had been thinking of building my own and when I had questions about the bridges and nuts he makes, he was a super nice and helpful guy.
Posted: 24 Aug 2011 6:50 pm
by Mike Neer
Too bad you couldn't find a nice piece of figured wood...
Posted: 24 Aug 2011 7:15 pm
by Juan Calama
Mike Neer wrote:Too bad you couldn't find a nice piece of figured wood...
It is not exaggeration to say that is the funniest thing I have heard today...
Thanks, you made my night.
The hardest part was deciding whether to bookmatch the top or to do one-piece...I am happy that Ryan convinced me to let the natural beauty of the wood win the day and do a one-piece.
Posted: 24 Aug 2011 7:23 pm
by Mike Neer
Yes, it is going to be a killer guitar. I love walnut!
Posted: 24 Aug 2011 8:25 pm
by Bill Hatcher
nicest wood selection you could ever make! a hundred years from now....someone will thank you!!!!
Posted: 24 Aug 2011 8:37 pm
by Andy Sandoval
It's beautiful! I love that body shape too.
Posted: 25 Aug 2011 3:04 am
by Laurence Pangaro
Yeah, that's gonna be really lovely. I hadn't seen Rukavina's stuff before, but after taking a look at his website I'm really looking forward to your updates.
LP
Posted: 25 Aug 2011 9:01 am
by Tom Pettingill
Thats a great looking chunk of walnut Juan!
Now that Ryan is doing Tru Oil finishes, the natural colors should really come to life.
Are you going to go for a mirror glossy finish or just a satin?
Posted: 25 Aug 2011 12:36 pm
by Juan Calama
Tom Pettingill wrote:Thats a great looking chunk of walnut Juan!
Now that Ryan is doing Tru Oil finishes, the natural colors should really come to life.
Are you going to go for a mirror glossy finish or just a satin?
Probably a satin finish, though to be frank, I did not know that a mirror glossy finish can be achieved with the Tru Oil finish...
Posted: 25 Aug 2011 1:11 pm
by Tom Pettingill
Sure, I do it all the time. It takes a lot of work, but Tru Oil will build a film and you can get a gloss that rivals lacquer.
Here is a steel with walnut very similar to yours all decked out in Tru Oil.
Also lots of other high gloss Tru Oil examples in my Photobucket link.
.
Posted: 25 Aug 2011 1:15 pm
by Juan Calama
Tom Pettingill wrote:Sure, I do it all the time. It takes a lot of work, but Tru Oil will build a film and you can get a gloss that rivals lacquer.
Here is a steel with walnut very similar to yours all decked out in Tru Oil.
Also lots of other high gloss Tru Oil examples in my Photobucket link.
.
That is just lovely...could be that you have just given Mr. Rukavina more work...had no idea the Tru Oil finish could be made to be so shiny, however, the satin finish has an understated grace to it as well...decisions, decisions...
Out of curiosity, which would you choose for yourself based on this cut of bastogne walnut?
Posted: 25 Aug 2011 1:33 pm
by Tom Pettingill
Thanks Juan! That is my Junkyard Dog model and I was tickled how it came out.
Out of curiosity, which would you choose for yourself based on this cut of bastogne walnut?
I don't think you could go wrong either way, the beautiful grain and color will come through regardless.
For myself, I'd probably go glossy, but I'm a glutton for punishment. Like I said though, I don't think there is a wrong choice.
Posted: 29 Aug 2011 5:14 am
by Juan Calama
Posted: 29 Aug 2011 5:23 am
by Mike Neer
Beautiful, Juan. That'll be a helluva lap steel.
Tom, that Junkyard Dog really is drool-worthy! Really stunning.
Posted: 12 Sep 2011 3:31 am
by Juan Calama
Posted: 12 Sep 2011 4:06 pm
by Liz Williams
Thanks for posting these, Juan. I love the way the cut of the fretboard echoes the wood grain. This one will be a stunner. Can't wait to see it finished. No pressure, Ryan.
Posted: 12 Sep 2011 5:34 pm
by Juan Calama
Liz Williams wrote:Thanks for posting these, Juan. I love the way the cut of the fretboard echoes the wood grain. This one will be a stunner. Can't wait to see it finished. No pressure, Ryan.
The body, neck and fingerboard are all from the same piece of bastogne walnut and so Ryan has been able to keep a kind of "asymmetrical symmetry" with this build and yes, I agree, it is going to be stunning...
No pressure Ryan...
Posted: 12 Sep 2011 7:08 pm
by Tom Pettingill
Thats shaping up real nice
Posted: 14 Sep 2011 8:31 am
by Mike D
Psychedelic baby!
Posted: 15 Sep 2011 8:51 am
by Juan Calama
And then there was binding on the body...well, half of it at least...
Posted: 15 Sep 2011 11:56 am
by Liz Williams
Getting faint, over here. Lordy!
Posted: 18 Sep 2011 5:28 pm
by Juan Calama
Posted: 19 Sep 2011 4:56 pm
by Juan Calama
Neck, meet body...body, meet neck...
Posted: 20 Sep 2011 12:23 am
by Kekoa Blanchet
So how is the neck joined to the body? Is that a glued butt joint or is it more complex than that?