Speedy's West's "Skiddle-Dee-Boo"----Have a listen
Moderator: Brad Bechtel
Speedy's West's "Skiddle-Dee-Boo"----Have a listen
I just finished doing a transcription of Skiddle-Dee-Boo and then recorded a few takes on it. This is one of them:
Skiddle-Dee-Boo
I played a Clinesmith D-8 console and the usual suspects were used in this recording (Kay upright bass, Dunn acoustic guitar, box with brushes). This one is a blast to play, but it is a challenge! Speedy played it on his pedal Bigsby in F#9 tuning--the pedal raised the A# to B to give him an E6 tuning. I adapted for non-pedal D9 tuning (very similar to C6).
This package (pdf of tab/notation, Tabledit, backing track) is available here for $4.95. That's a deal!
Skiddle-Dee-Boo
I played a Clinesmith D-8 console and the usual suspects were used in this recording (Kay upright bass, Dunn acoustic guitar, box with brushes). This one is a blast to play, but it is a challenge! Speedy played it on his pedal Bigsby in F#9 tuning--the pedal raised the A# to B to give him an E6 tuning. I adapted for non-pedal D9 tuning (very similar to C6).
This package (pdf of tab/notation, Tabledit, backing track) is available here for $4.95. That's a deal!
Last edited by Mike Neer on 11 Jun 2012 4:12 am, edited 2 times in total.
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Can this be played on a 6 string with C6 strings?
Steve Ahola
P.S. Page 2 in your store appears to be identical to page 1. (I was looking for the Seven Come Eleven package.)
Steve Ahola
P.S. Page 2 in your store appears to be identical to page 1. (I was looking for the Seven Come Eleven package.)
www.blueguitar.org
Recordings on electric guitar:
http://www.box.net/blue-diamonds
http://www.box.net/the-culprits
Recordings on electric guitar:
http://www.box.net/blue-diamonds
http://www.box.net/the-culprits
Hi Steve, yes, it can be played on 6 strings, although you would have to make an adjustment for the 2 chords at the end of the first A section. Easy enough to do--I will gladly tell you how.
And thanks for the tip on the pages being the same. What would I do without you guys? There is always something. But I do believe I have sorted it all out.
And thanks for the tip on the pages being the same. What would I do without you guys? There is always something. But I do believe I have sorted it all out.
No love for Speedy's tune? I think his compositions were stellar, no matter how poorly I play them.
I find it remarkable how good Speedy was--he's often written off as just being a flashy show-off, but he had great musicality and chops. Even a tune as simple as this one is difficult to play and requires a pretty strong right hand. I sure wish I could have seen Speedy play up close.
I find it remarkable how good Speedy was--he's often written off as just being a flashy show-off, but he had great musicality and chops. Even a tune as simple as this one is difficult to play and requires a pretty strong right hand. I sure wish I could have seen Speedy play up close.
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Hi Mike,
Great playing and source material!
I only discovered Speedy & Jimmy Bryant's stuff about 6 years ago. Since I usually only listen to the CD reissues in my car, so I'm not as familiar with the song titles as I should be.
To me, in the 50's, these guys were akin to the later progressive-rock musicians of the early 70's, in that they took the music much further due to their advanced virtuosity. They really pushed the limits.
Groups like: Yes, Gentle Giant, etc. were challenging for some listeners. Maybe not the general public's cup-of-tea, but to players....pure magic!
I've been working on some of Speedy & Jimmy's tunes too (the only title I can recall at the moment is "Flying High", but there's a couple more I've figured out)
Only trouble is finding someone to play the Jimmy Bryant parts with me! That guy was a monster, too!
It's funny, now in my mid-fifties, I'm listening to and playing mostly music from the 20's thru the 50's. I went through the whole rock era (standard guitar) and seem to have come full-circle back to the good stuff!
I guess our parents (and grandparents) were right after all!
Great playing and source material!
I only discovered Speedy & Jimmy Bryant's stuff about 6 years ago. Since I usually only listen to the CD reissues in my car, so I'm not as familiar with the song titles as I should be.
To me, in the 50's, these guys were akin to the later progressive-rock musicians of the early 70's, in that they took the music much further due to their advanced virtuosity. They really pushed the limits.
Groups like: Yes, Gentle Giant, etc. were challenging for some listeners. Maybe not the general public's cup-of-tea, but to players....pure magic!
I've been working on some of Speedy & Jimmy's tunes too (the only title I can recall at the moment is "Flying High", but there's a couple more I've figured out)
Only trouble is finding someone to play the Jimmy Bryant parts with me! That guy was a monster, too!
It's funny, now in my mid-fifties, I'm listening to and playing mostly music from the 20's thru the 50's. I went through the whole rock era (standard guitar) and seem to have come full-circle back to the good stuff!
I guess our parents (and grandparents) were right after all!
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Sounds GREAT, Mike! Even homed in on that bright lively SW tone.
But, what happened to your video camera?
... J-D.
But, what happened to your video camera?
... J-D.
__________________________________________________________
A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
JD, you're right--I should have a video for every lesson. With my current set up, it's very time-consuming and basically cripples my resources. I'm hoping to get caught up, though. Once I buy a new system, life will be much easier.J D Sauser wrote:Sounds GREAT, Mike! Even homed in on that bright lively SW tone.
But, what happened to your video camera?
... J-D.
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- J D Sauser
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Mike Neer wrote:
JD, you're right--I should have a video for every lesson. With my current set up, it's very time-consuming and basically cripples my resources. I'm hoping to get caught up, though. Once I buy a new system, life will be much easier.
So, we now have to buy them video less courses to help you buy a new video setup?
You know I can't do that! I can not be caught dead, downloading TAB! ;D
I think that any of these coursed would be worth what you ask for any of your more elaborated courses, where you don't only show how to execute a tune but also explain some of the thinking behind, like Flippin' The Lid, Slippery Elm and probably Tenderly (I don't have it, but the description seems to indicate that). THAT's teaching and it takes the student further than just "learn" one more song.
This is in no way criticism towards you and what you do... you and I have talked about this on several occasions.
I think you do a great job at decoding these mile stone songs and you are not only an asset but a credit to our instrument.
I would just not like to see a step "back" into the dark ages of tab.
... J-D.
__________________________________________________________
A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
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That sounds great! I've been a big Speedy West fan for a long time, but I don't think I've heard that song before. You're really nailing the tone, too.
I know that Speedy West's primary tuning was the E6/F#9... the pedal was the same change you still have on a modern C6 pedal steel, only it worked in reverse since you couldn't lower strings on an old Bigsby.
What is the D9 tuning you're using here? Something similar?
I know that Speedy West's primary tuning was the E6/F#9... the pedal was the same change you still have on a modern C6 pedal steel, only it worked in reverse since you couldn't lower strings on an old Bigsby.
What is the D9 tuning you're using here? Something similar?
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Thanks once again from out here on the LEFT Coast
Hey MIKE! Another great example of your fine playing abilities. Thanx for sharing with all of us.
Have you given ANY THO't to doing "Steel Strike" (his first) and "Bustin' Thro'"? Both are great numbers. Steel Strike was an effort in simplicity yet, so creatively performed.
At about the same time Speedy was doing his stuff, he recorded a couple of sides with Eddie Kirk.......
If you want to see how SMOOTH he could be, give a listen to "Dear Hearts & Gentle People" b/w "The Gods Were Angry with Me".
Have you given ANY THO't to doing "Steel Strike" (his first) and "Bustin' Thro'"? Both are great numbers. Steel Strike was an effort in simplicity yet, so creatively performed.
At about the same time Speedy was doing his stuff, he recorded a couple of sides with Eddie Kirk.......
If you want to see how SMOOTH he could be, give a listen to "Dear Hearts & Gentle People" b/w "The Gods Were Angry with Me".