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Topic: Day or E9 |
Jackie Seiber
From: Oak Ridge Tn.
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Posted 18 Nov 2010 2:34 pm
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Might be a dumb Question but what is the difference in a Day setup and a E9? Im only about a month in to the PSG thing and green as they come.  |
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Archie Nicol R.I.P.
From: Ayrshire, Scotland
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Posted 18 Nov 2010 2:44 pm
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I think you mean `Day and Emmons`. Emmons setup for the three main pedals on E9 is ABC, whereas Day is CBA.
That's all it is.
Arch. |
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Jackie Seiber
From: Oak Ridge Tn.
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Posted 18 Nov 2010 3:47 pm
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Thanks Arch, Yep Emmons is what i meant. Told you i was green. |
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Jerry Hayes
From: Virginia Beach, Va.
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Posted 19 Nov 2010 6:53 am
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Jackie, to make it simple........
On both setups your second (B) pedal raises the 3rd and 6th strings G# to A.
On the Day setup your 5th and 10th strings are raised from B to C# on your third pedal and your 4th and 5th strings are raised a whole tone each on your first pedal.....
On the Emmons setup your 5th and 10th strings are raised from B to C# on your 1st pedal and your 4th and 5th strings raised a whole tone each on the 3rd pedal........
Some newer players sometimes ask "Which is better, the Emmons or Day setup?" The answer is that either is OK and one is no better than the other. Anyone who says different doesn't know what they're talking about as there are too many fine examples of each way of doing it to say one is better than the other.
I'd say if you're a new player to try both ways to see which you feel more comfortable with. This is easy to do and what you'll do is hold down the B pedal and rock on and off the A pedal and see which way your ankle responds better.
You can do this on any steel as all you have to do is back off the tuning nut on the 4th string so it'll only be pulling the 5th string and then back off the tuning nut on the 10th string so it'll be only pulling the 5th string. Then you'll be able to try both ways and you'll have the exact same tension on both pedals.........JH in Va. _________________ Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!! |
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Jackie Seiber
From: Oak Ridge Tn.
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Posted 19 Nov 2010 12:07 pm
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Thanks Jerry, I think that's good info. I was just curious. Iv seen PSG,s for sale and they mention Day Setup and Emmons. Thanks again |
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Dave Hopping
From: Aurora, Colorado
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Posted 19 Nov 2010 12:28 pm
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On a related point,I heard that the Emmons E9 setup also includes RKR lowering the 2nd string 1/2 step(sometimes a whole step),RKL lowering the E strings 1/2 step,and LKL raising the E's 1/2 step.What is the proper name for that knee lever setup? |
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b0b
From: Cloverdale, CA, USA
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Brett Lanier
From: Hermitage, TN
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Posted 19 Nov 2010 2:44 pm
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Emmons raises AND lowers the E's with the left leg. I've heard it called the "Sho-Bud set-up" when you lower the E's with RKL and raise 'em with LKL. |
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Jerry Hayes
From: Virginia Beach, Va.
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Posted 20 Nov 2010 8:23 am
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I think you're right Brett! When I bought my old ShoBud S-12 in 1977 the factory setup had the E's lowered on RKL and raised on LKL. It also had a double stop on RKR which lowered the 2nd string to D and C#. The LKR raised the 1st and 7th F# strings to G..........JH in Va. _________________ Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!! |
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Ray Minich
From: Bradford, Pa. Frozen Tundra
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Posted 20 Nov 2010 9:06 am
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b0b, there's not even a proper way to spell "copedant"...  _________________ Lawyers are done: Emmons SD-10, 3 Dekleys including a D10, NV400, and lots of effects units to cover my clams... |
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Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 20 Nov 2010 10:38 am
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Quote: |
Etymology
Pedal steel player Tom Bradshaw coined the term in the 1970s, as an abbreviation for chord-pedal-arrangement.
[edit] Pronunciation
* (UK) IPA: /kəʊˈpiː.dənt/ SAMPA: /k@U"pi:.d@nt/
* Hyphenation: coh-PEE-dant
[edit] Noun
copedant (plural copedants)
1. (music, rare) The setup of a pedal steel guitarβthe tuning plus pedal and knee lever pitch changes
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....Makes sense to me! _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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b0b
From: Cloverdale, CA, USA
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 20 Nov 2010 12:40 pm
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Yup. Or is that Yep?  _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 55 years and still counting. |
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Nic du Toit
From: Milnerton, Cape, South Africa
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Posted 20 Nov 2010 12:58 pm
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Bob, I agree with you.....I remember seeing that spelling somewhere......
Now we must decide whether we, as the steel player community, can agree on the spelling..... Copedant sounds ok to me!
Although, if we go the route of Tom Bradshaw, the spelling Copedent seems appropriate, as well! _________________ 1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit |
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b0b
From: Cloverdale, CA, USA
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Posted 20 Nov 2010 3:04 pm
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Since Tom coined the word, he is the authority. He says the spelling is "copedent", therefore it is.
The word was derived from the phrase "chord pedal arrangement". _________________ -πππ- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video |
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Dave Hopping
From: Aurora, Colorado
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Posted 20 Nov 2010 4:32 pm
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Jerry Hayes wrote: |
I think you're right Brett! When I bought my old ShoBud S-12 in 1977 the factory setup had the E's lowered on RKL and raised on LKL. It also had a double stop on RKR which lowered the 2nd string to D and C#. The LKR raised the 1st and 7th F# strings to G..........JH in Va. |
Yup(yep?)All my steels' knee levers have that setup.  |
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Tom Bradshaw
From: Walnut Creek, California, USA
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Posted 20 Nov 2010 7:43 pm Copedent vs. "Copedant"
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The spelling of copedent got its "a" in the "Pedal Steel" publication by my good friend Winnie Winston. For those who have a copy of Winnie's book, you will see that he published a few other pieces of my writings. Winnie told me that a typesetter simply misspelled the word and he didn't catch the error. So, with many thousands of copies of it being sold all over the world, many people ended up learning its spelling as "copedant" instead of how it was spelled in many other publications. Once Winnie's book was published and distributed, there was nothing that could be done to correct the spelling error.
As I've said many times, I actually didn't like the word. I was simply trying to come up with a term that was solely dedicated to our instrument (and I succeeded). Up to that time, "Setup" was the term. That word was vague and had a number of other meanings, a couple of which were demeaning in their designations.
I suspect that any word I would have coined, that identified the instrument's basic tuning, and the string pitch changes to that tuning when the instrument's pedals and knee levers were activated, would have been an annoyance to someone. ...Tom
Last edited by Tom Bradshaw on 21 Nov 2010 8:15 am; edited 1 time in total |
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Ned McIntosh
From: New South Wales, Australia
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Posted 21 Nov 2010 6:56 am
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Tom,
I can't think of a better portmanteau word for the tuning setup of the steel-guitar than "copedent". I think your crafting of the word was inspired.
It stands alone, it has stood the test of time and it remains recognisable in spite of "regional spelling variations". (for example, Australians use "tyre" and "aluminium", and we still use the double-L in words such as "travelled", "unravelled" etc. However, we use "copedent" because that's what we mostly learned when we got into this contraption!)
It is the perfect word for the task.  _________________ The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being. |
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Archie Nicol R.I.P.
From: Ayrshire, Scotland
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Posted 21 Nov 2010 8:30 am
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That's the way it goes, Ned.
Some spell Emmons, others spell Day.
Arch. |
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Henry Matthews
From: Texarkana, Ark USA
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Posted 21 Nov 2010 6:17 pm
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I just say, what setup do you have? I can't spell copedent. Copedent ranks right up there with words like, modality, circa, and frippery with me. LOL
Seriously, Tom did coin a word for steel guitarist and I think it was very good thinking. I still hate modality though. _________________ Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes. |
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Tom Bradshaw
From: Walnut Creek, California, USA
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Posted 21 Nov 2010 6:27 pm That awkward moment!
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Some day you will say to another steel player, "Want to know what my setup is?" That fellow will reply, "Look, I'm not asking what mixes you want with your whiskey, I want to know what your copedent is."  |
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