Page 1 of 3
Pinky on picking hand: Tucked or extended?
Posted: 11 Nov 2010 6:36 am
by Mike Neer
I've had this discussion with a few folks on my blog about the pinky and I was wondering if anyone would care to offer their thoughts on this.
My personal preference is to tuck the pinky in. I think I may extend the pinky once in a while for specific things, but 98% of the time it's curled under.
Thoughts?
Posted: 11 Nov 2010 7:47 am
by Barry Blackwood
Seems to be almost a subconscious thing. Whatever feels right.
Oh, yeah, extended ….
Posted: 11 Nov 2010 7:54 am
by Ben Jones
tucked.... no wait! extended!
Posted: 11 Nov 2010 8:17 am
by Bob Hickish
Mike
I ask the same question to Mr. Anderson when he had a hot topic going - he said he has seen it work both ways , so its what ever works for you -- I'm a tucker
Posted: 11 Nov 2010 8:43 am
by Ben Lawson
Yes. I do both. It depends on things that I'm not even aware of. Now that this has come up I'll probably pay attention to where my pinky is and miss what I was trying to pick.
Posted: 11 Nov 2010 8:52 am
by Barry Blackwood
Jerry Garcia, extended.
Posted: 11 Nov 2010 8:57 am
by Mike Neer
I don't know, Barry--his pinky looks tucked to me.
Jerry Byrd = tucked
Jimmy Day = curled but not tucked
Buddy Emmons = curled but not tucked
Posted: 11 Nov 2010 9:03 am
by John Billings
Tucked. Use it for blocking and harmonics.
Posted: 11 Nov 2010 10:36 am
by Barry Blackwood
Jerry Byrd = tucked
Jimmy Day = curled but not tucked
Buddy Emmons = curled but not tucked
I've seen pictures where E and Day were either tucked
or extended. I doubt they were thinking about it.
Posted: 11 Nov 2010 10:42 am
by Twayn Williams
Since I mainly pick block, extended. It's more manly
Posted: 11 Nov 2010 10:48 am
by Mike Neer
Twayn Williams wrote:Since I mainly pick block, extended. It's more manly
Indubitably!
I pick block almost exclusively (except when I don't) but the pinky is tucked.
Posted: 11 Nov 2010 11:59 am
by Joachim Kettner
I couldn't play anything with an extended little finger. That's why I keep it folded in. When I tried to extend it, it always sneaked under the first string. I somehow admire players that can stretch the pinky. Isn't that the best way to palm- block?
Posted: 11 Nov 2010 12:19 pm
by Stephen Gregory
I also talked to Reece
Posted: 11 Nov 2010 12:46 pm
by Wayne Franco
He didn't have an absolute preference but he said I was unusual in that I use 3 fingers and thumb and still extend my pinky. Most don't.
Posted: 11 Nov 2010 1:46 pm
by C Dixon
Doug Jernigan and his little pinky!
http://www.youtube.com/watch?v=oV6HUEkXSh8
If I had to pick that way, I would quit pikun!
But in his hand he drives me crazy. TRULY one of THE all time greatests ever!
May Jesus richly bless him and the gifts of this incredible player and true brother in Christ,
c.
Posted: 11 Nov 2010 1:52 pm
by chris ivey
oh jeezuz carl!
mine just kinda hangs around limply.
Posted: 11 Nov 2010 1:53 pm
by C Dixon
JayDee Maness is JUST the opposite!
http://www.youtube.com/watch?v=QAENUcHceZ4
And he drives me bananas! What a sound, what pickun!
May Jesus richly bless him and his incredible talents also, and that goes for each of you!
c.
Posted: 11 Nov 2010 1:59 pm
by Cal Sharp
Here's my humble take on it at
Steel Guitar Insanity
Posted: 11 Nov 2010 3:31 pm
by Bill Hankey
I'm actually amazed that this many accomplished players haven't suggested using the pinky for picking in wide grip chords. Perhaps they do. I see no reference to doing so in their comments.
Posted: 11 Nov 2010 3:49 pm
by Eric West
I'm with you Barry.
Caption?
"Here I think I found something that fell out of your pocket."
or..
"Tuck This..."
EJL
Posted: 11 Nov 2010 5:56 pm
by Barry Hyman
I have a big callous on the last knuckle of my pinky where it rides the strings of my pedal steel, tucked under, helping to mute and getting abraded in the process. But then I untuck it to grip five strings at once maybe once every minute or two...
Posted: 11 Nov 2010 7:44 pm
by Dave Mudgett
Extended. Thumbpick + 3 fingerpicks, my technique is heavily influenced by the fact that I play guitar (flatpick + middle/ring fingers) and banjo with the pinky used as an anchor, and hence tends to hang out naturally. I find it very useful for muting upper strings.
Carl, thank you for that clip of Doug Jernigan, whose technique is what I believe the Good Lord intended for me to aspire to. The level of control he exhibits is awe-inspiring, and has been since the first time I heard him on a JD Crowe record 30+ years ago, long before I ever thought about playing pedal steel.
Posted: 11 Nov 2010 7:47 pm
by C Dixon
I hear you Dave. All I can say brother is: AMEN!
Posted: 11 Nov 2010 10:47 pm
by Cal Sharp
When I anchor my pinky to the first string I'm using it as a reference point, and I don't even have to look at my right hand. If I tuck it under my hand, making a fist, I feel like my hand is just free-floating in space and I can't feel where the strings are.