Joaquin Murphey article from Journal Of Country Music
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Joaquin Murphey article from Journal Of Country Music
In 2001, The Journal Of Country Music published a lengthy article on Joaquin, written by Chicago area musician/musicologist Kenneth Rainey.
It is easily the most thorough thing every published on Murphey. Rainey even managed to get an interview with the man himself and quotes Joaquin directly.
Download it here:
http://tangleweed.org/blog/uploads/earl ... ey_jcm.pdf
It's PDF format and runs several thousand words.
It is easily the most thorough thing every published on Murphey. Rainey even managed to get an interview with the man himself and quotes Joaquin directly.
Download it here:
http://tangleweed.org/blog/uploads/earl ... ey_jcm.pdf
It's PDF format and runs several thousand words.
- Frank Freniere
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Mitch: That was a great article and ultimately a very sad Bio. I agree with Joaquin's take on Johhny Weiss's Guitar style of playing. I always thought it was the weak spot in where Spade and Tex were taking the Bands. Most of the Section work with the Guitars was Joaquin, Johnny, and Smokey Rogers playing one of the parts in the three part harmony melodies and riffs. Later on when Tex Williams took over the Band he hired Benny Garcia who fit in much better with the Band IMHO. There never has been and probably never will be another Joaquin.
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- Guy Cundell
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Thanks for this article. Hearing Murphey for the first time was like a bolt from the blue and changed my life.
The C6, high G is noted. I wonder when he first used it?
The 'Murph" album is beautiful and very melancholic. His fate seems very unjust. Far from being obsolete as a result of the emergence of the PSG, his work still shines brilliantly. It is like comparing a charcoal drawing with an oil painting. The value has nothing to do with the medium. It is the artistry.
The C6, high G is noted. I wonder when he first used it?
The 'Murph" album is beautiful and very melancholic. His fate seems very unjust. Far from being obsolete as a result of the emergence of the PSG, his work still shines brilliantly. It is like comparing a charcoal drawing with an oil painting. The value has nothing to do with the medium. It is the artistry.
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Well put. I couldn't have expressed it better.Guy Cundell wrote: It is like comparing a charcoal drawing with an oil painting. The value has nothing to do with the medium. It is the artistry.
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Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Thanks, folks
Hi folks--
Thanks for your kind words regarding my article on Joaquin Murphey. If you're interested in reading more about the Cooley/ Williams bands, I also wrote a piece for the same publication on Larry 'Pedro' DePaul.
You can download a PDF of it here:
http://www.tangleweed.org/blog/2007/06/ ... ro-depaul/
Kenneth Rainey
Chicago, IL
Thanks for your kind words regarding my article on Joaquin Murphey. If you're interested in reading more about the Cooley/ Williams bands, I also wrote a piece for the same publication on Larry 'Pedro' DePaul.
You can download a PDF of it here:
http://www.tangleweed.org/blog/2007/06/ ... ro-depaul/
Kenneth Rainey
Chicago, IL
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