New Jazz CD.
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New Jazz CD.
Hello everybody,
While I have never claimed to be a jazz musician, I have always wanted to record a bebop album so I finally did. I used legitimate jazz guys (local legends all) from the area, including Dr. James Polk on piano, Ephraim Owens on trumpet, Kevin Hall on drums and Spencer Starnes on upright. My good friend and fellow steel player Dave Biller was very kind to play guitar.
There is no way I can keep up with these monsters but I did my best. If anybody is interested, there are a few short clips at www.startexrecords.com.
I will have a few in Dallas if anyone should want to have one.
Thanks a million,
Jim
While I have never claimed to be a jazz musician, I have always wanted to record a bebop album so I finally did. I used legitimate jazz guys (local legends all) from the area, including Dr. James Polk on piano, Ephraim Owens on trumpet, Kevin Hall on drums and Spencer Starnes on upright. My good friend and fellow steel player Dave Biller was very kind to play guitar.
There is no way I can keep up with these monsters but I did my best. If anybody is interested, there are a few short clips at www.startexrecords.com.
I will have a few in Dallas if anyone should want to have one.
Thanks a million,
Jim
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Uh Oh, it has "Shadow" on it, I got to have a copy.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
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jazz cd.....
Ordered my copy last night......along with some other selections.
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Thank you all for the nice words. It's really easy to get too close to these projects, what with all the recording and then mixing and listening on different sound systems and then re-mixing over and over and then mastering and then not being happy with the mix and re-mixing for the ?th time.
This was my first time to mix a jazz record and I was not really sure how to. Most of the instruments got panned to the center and the instruments that were recorded stereo (piano and drum overheads) got panned hard to their respective sides.
The EQs and levels are another story -- there are so many ways to go -- but I hope I got everything in the ballpark.
There are many points of reference but since I did mostly tunes from Charlie Parker and Miles Davis (or their versions of other tunes) I was sort of wanting to stay along those lines and most of those recordings were mono and dry. I did get adventureous and add a little reverb!
The dang thing sounds different on every system I listen on but I hope I got close.
I will welcome all suggestions, comments and critique.
Nick, that is the '65 Emmons on Tru Country.
Thanks again, everybody!
Best,
Jim
This was my first time to mix a jazz record and I was not really sure how to. Most of the instruments got panned to the center and the instruments that were recorded stereo (piano and drum overheads) got panned hard to their respective sides.
The EQs and levels are another story -- there are so many ways to go -- but I hope I got everything in the ballpark.
There are many points of reference but since I did mostly tunes from Charlie Parker and Miles Davis (or their versions of other tunes) I was sort of wanting to stay along those lines and most of those recordings were mono and dry. I did get adventureous and add a little reverb!
The dang thing sounds different on every system I listen on but I hope I got close.
I will welcome all suggestions, comments and critique.
Nick, that is the '65 Emmons on Tru Country.
Thanks again, everybody!
Best,
Jim
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Fellas, don't be deceived by Jim's modesty, this is REAL legitimate jazz played on pedal steel guitar and Jim is burning by any standards. I fully expect that this CD will be very highly regarded. Dr. Polk on piano is a bona-fide jazz legend. The rhythm section is killer and the trumpet player is one of Austin's top jazz musicians, Ephraim Owens. Ephraim once commented to me, "MAN you country boys are SO good at bebop!" Jim is a world class player as far as I'm concerned, but ofcourse you guys all knew that...
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jim l
great job done very impressive see ya in az conv.
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I am digging the album as I write, listening to Thrivin' On a Riff. I've written here before that Jim is in my personal top five steel players, but this album is simply totally awesome music from everybody concerned.
This album ranks amongst the best of the steel guitar jazz albums of all time, IMHO.
My favorite cut is Cherokee. An absolutely incredible performance, especially Jim and David B.
By the way, Al Vescovo... you left Phoenix before I could snag a copy of your new one, with Song Of India, Comin' Home Baby, and the others. I must remedy that.
This album ranks amongst the best of the steel guitar jazz albums of all time, IMHO.
My favorite cut is Cherokee. An absolutely incredible performance, especially Jim and David B.
By the way, Al Vescovo... you left Phoenix before I could snag a copy of your new one, with Song Of India, Comin' Home Baby, and the others. I must remedy that.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?