Basic C-6th Scale Patterns: Lesson #12

robert kramer · From: Nashville TN

Last week in Lesson #11 we added CM7 and Dm7 Scales in Thirds > Ascending and Descending > picked in a Forward Pattern. This we week we will add CM7 and Dm7 Scales in Thirds > Ascending > picked in a Reverse Pattern

Please note: These patterns will be off and on the knee lever that lowers the 3rd string C to B.
NP = No Pedals - No Knee Levers.
KL = Knee Lever lowering 3rd string C to B as indicated at bottom of diagram.

First diagram: CM7 Scale > Ascending Thirds > picked in a Reverse Pattern.
Second diagram: CM7 Scale > Descending Thirds > picked in a Reverse Pattern. (Play over CM7 Chord)

(C-6th – Pedals & Knee Levers indicated at bottom of diagram.
NP = No Pedals - No Knee Levers. KL = Knee Lever lowering 3rd string C to B)

First diagram: Dm7 Scale > Ascending Thirds > picked in a Reverse Pattern.
Second diagram: Dm7 Scale > Descending Thirds > picked in a Reverse Pattern. (Play over Dm7, G7, G9, G13 Chords)

(C-6th – Pedals & Knee Levers indicated at bottom of diagram.
NP = No Pedals - No Knee Levers. KL = Knee Lever lowering 3rd string C to B)

Here is another way to jazz up these Thirds – this time descending down the scale:

First diagram: CM7 Descending Scale Pattern based on Thirds.
Second diagram: Dm7 Descending Scale Pattern based on Thirds.

(C-6th – Pedals & Knee Levers indicated at bottom of diagram.
NP = No Pedals - No Knee Levers. KL = Knee Lever lowering 3rd string C to B)

Tip of the Week: Saving & Fretboard Diagrams (Windows Computer)

>Right click on fretboard diagram
>Save Image As
>Save Image
>Right click on saved image
>Print
>Click through to >Printing Preferences
>Check Landscape
>Print

This does not print the text so you will have to write in type of scale pattern on the printed diagram.

Next week: CM7 & Dm7 Scales > Ascending and Descending > Alternating Thirds > Forward Patterns

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