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Author Topic:  Heel pedal on a ShoBud
Harold Liles Jr


From:
Denton, Texas USA
Post  Posted 16 Jan 2010 8:56 am    
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I don't know if anyone has seen this yet but this is a cool modifucation....

http://www.youtube.com/watch?v=PNMvxYqXw8I
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Harold Liles
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Dick Sexton


From:
Greenville, Ohio
Post  Posted 16 Jan 2010 11:46 am     Heel Pedal
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Herold,
Very interesting, I'd like to more about it and his set-up. Copedant?
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Harold Liles Jr


From:
Denton, Texas USA
Post  Posted 16 Jan 2010 12:02 pm    
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Dick, I'm sure John Davis on YouTube could get that info and post it. In the video you can hear him talk a little about his setup but not too much detail..
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Dick Sexton


From:
Greenville, Ohio
Post  Posted 16 Jan 2010 12:06 pm    
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Thanks Herold, maybe John will ring in here and take a little of the mystery out of it.
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J D Sauser


From:
Wellington, Florida
Post  Posted 16 Jan 2010 2:30 pm    
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After downloading the video and listening to it again and again, I have come to believe that what the heel pedal does, is to raise the E string most would have as the 8th string up a fourth; E-to-A.
This is where it seems to create that eerie unison with his B-pedaled sting G#-to-A which most will have as the 6th string.
The player also mentions, he, like most, can then also lower his E's half, which extends his total bending range to a b5th.
As his interlocutor points out, it's quite surprising how well it seems to stay in tune given the abusive pull.

... J-D.
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John Davis


From:
Cambridge, U.K.
Post  Posted 17 Jan 2010 8:29 am    
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Sorry guys, I can`t help much so I have sent the link to Barry so I am sure he will chime in His tuning has always been a mystery to me......
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richard burton


From:
Britain
Post  Posted 17 Jan 2010 8:39 am    
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It sounds like it raises the sixth string from F# to B (the steel is in D9 tuning)
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John Davis


From:
Cambridge, U.K.
Post  Posted 17 Jan 2010 9:04 am    
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What I can tell you is yes it does stay in tune and its amazing how quickly that Barry has incorperated the move into his playing and how smoothly it all works.....
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Harold Liles Jr


From:
Denton, Texas USA
Post  Posted 17 Jan 2010 9:08 am    
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Thanks for chiming in John, we all look forward to Barry's comments..
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Barry Gaskell

 

From:
Cheshire, UK
Post  Posted 17 Jan 2010 10:02 am    
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Hi Guys
As Richard says, it raises my sixth string (F#-B)two and half tones to unison with the pedalled fifth string. I also flatten my 6th a semi-tone on a knee lever so the total movement covers 3 tones. I play a D9th. I use Ernie Ball strings with a plain 22. It retains it's tuning perfectly.
Cheers
Barry
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Harold Liles Jr


From:
Denton, Texas USA
Post  Posted 18 Jan 2010 8:08 am    
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Hey Barry, could you post a few close-up pics of your heel pedal? there are a few of us who would like to look at the design.. That has so many possibilities..
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T. C. Furlong


From:
Lake County, Illinois, USA
Post  Posted 18 Jan 2010 11:58 am    
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That heel pedal is way cool. I also like the custom fretboard on the D9th (front) neck. I believe that Russ Hicks has a tone and a half raise on his sixth string. But a two and a half tone raise is crazy.
TC
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