How LONG did it take YOU................to be come a success
Moderator: Shoshanah Marohn
- Ray Montee
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How LONG did it take YOU................to be come a success
Some of these new singing stars have been described as OVER-NIGHT successes.
How many nights did it take YOU, before you hit the big stage, the bright lights, the grammys and the BIG BUCKS?
How many years was it before the LIMO started picking YOU up for the next gig?
How many nights did it take YOU, before you hit the big stage, the bright lights, the grammys and the BIG BUCKS?
How many years was it before the LIMO started picking YOU up for the next gig?
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- Larry Jamieson
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I played my first gig 1930 in Cal City IL short distance as I lived in Mishawaka IN, In 1945 in Granite City IL Skeets Yaney was appearing At a record store to push his record of When My Blue Moon Turns to Gold Again. Alot of the folks present wanted Skeets to sing live but he had no band. Someone saw me and my guitar player in the crowd add isisted that Skeet sing with us.Skeets did not like the idea of singing with a couple of strangers. We had our instruments in the back of guitar players car so we got them and backed up Skeets on three numbers After the gig Skeets told me I did a fine job. I wasn't all that good but Skeets kind words spurred me on. As far as I believe I had reached the summit of my career. cc
- Tony Prior
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- Olaf van Roggen
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Started playing steel guitar when I was 23 years old. I'm almost 79 now and have not made it yet. Do you think I should give up any thoughts of being a "overnight success" ?
SL D-10, SL U-12,SL SD-10, Custom Tele w/B bender, Steel King, TC300 Effects, Goodrich H-10K pedal, Fender V/T Pedal, Hilton Pedal Elite seat.
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I experienced the Limo thing with Twitty in the 1960's at the state fair in Columbia, Missouri, when we had a police escort from our motel to the Arena.
In that venue I sure felt insecure, with only me and Conway doing all of the intros, leads, and endings, but, the audience was accepting. I guess that's the advantage of working with the headliner.
In that venue I sure felt insecure, with only me and Conway doing all of the intros, leads, and endings, but, the audience was accepting. I guess that's the advantage of working with the headliner.
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Dick Wood wrote:I'm afraid the only limo that will be coming to get me wont be taking me to a gig.
My idea of success is knowing that I'm a good, skillful player. And I'm not there yet, either. But I do have alot of very enjoyable friends who either like what I do or are really good at the pretense. And I guess that is a success of sorts, too. I'm happy with how things are going. I don't need no stinkin' limo. Especially not the one alluded to above.
Amor vincit omnia
- Mike Perlowin
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Hey, I don't care about the limo, or the fame and fortune or the groupies, I WANT ROADIES!!!!!!
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
- Les Anderson
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I was lucky enough to be picked up by a limo only once in more than 50 years of playing music. It was in Florida about 1963 or 64. The out of town members of the band were picked up in two limos. We had common taxis to take us back to our hotel.
Eerrrrrr, I wasn't playing a steel guitar in those days. Jazz bass and chromatic harmonicas.
Eerrrrrr, I wasn't playing a steel guitar in those days. Jazz bass and chromatic harmonicas.
- Marke Burgstahler
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Well, I got a taste of the limos and such on some of the tours I did with Gregg Allman..I started playing guitar when I was 8, and did my first tour with Gregg in '90...so that was 37 years.
But for me, "making it" occured when I stopped chasing the elusive "record deal" and became comfortable with what I was playing and fully enjoyed the people I was playing with, and saw that people were touched by my music in the way that I had hoped they would be - whether it was 200 folks in a nightclub or 2000 people at a performing arts center.
Would I like to have any of that back? Like Mike P. Said, I'll take the ROADIES!
And as far as I'm concerned, I'm starting all over again with the PSG...
But for me, "making it" occured when I stopped chasing the elusive "record deal" and became comfortable with what I was playing and fully enjoyed the people I was playing with, and saw that people were touched by my music in the way that I had hoped they would be - whether it was 200 folks in a nightclub or 2000 people at a performing arts center.
Would I like to have any of that back? Like Mike P. Said, I'll take the ROADIES!
And as far as I'm concerned, I'm starting all over again with the PSG...
"It Don't Mean A Thing If It Aint' Got That Swing"
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According to what you call success,When I was 10 years old,heard Hank Snow doing [I'm Moving On] I KNEW then I had to be a picker,Never thought about being a STAR,just wanted to make a living picking,around 16 was playing in clubs,[they were not bad about the age thing back then]The next 50 plus years played with to many bands to remember,I raised a family picking,never rode in a limo,but the band I play in now has a nice Silver Eagle we go to gigs on.Looking back I DID make a living doing what I dreamed of as a 10 year old kid,So I guess I'm a success. Not RICH or FAMOUS,But it was a damn good ride,Would do it all over again, If we were all STARS,then there would be nothing SPECIAL about the ones that are,If we could all play as well as the Big E,then he would be JUST another picker. DYKBC.
Hard headed, opinionated old geezer. BAMA CHARLIE. GOD BLESS AMERICA. ANIMAL RIGHTS ACTIVIST. SUPPORT LIVE MUSIC !
- Roger Rettig
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- Jaclyn Jones
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When I played at the Alvin Opry in Texas and the Bass player was Tony Booth and Norm Cass was on lead I knew I had arrived! I was signing and playing a Tele not steel. After 40 years of picking in bands, it worked for me! Down here limos look like a pick-up truck.
http://www.myspace.com/jaclynjones
http://www.youtube.com/user/jackiej1950
Lots of guitars, banjos, mandos and a Mullen G2-D10,PAC D10, 1966 Marlen D10,Line6 x3 Pro, Peavey Powerslide, Michael Kelly Dobro and a "Fox Vintage Amp" model 5F8A. Oh Yea, a very patient husband.
http://www.youtube.com/user/jackiej1950
Lots of guitars, banjos, mandos and a Mullen G2-D10,PAC D10, 1966 Marlen D10,Line6 x3 Pro, Peavey Powerslide, Michael Kelly Dobro and a "Fox Vintage Amp" model 5F8A. Oh Yea, a very patient husband.
- Rick Campbell
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- Alan Tanner
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Well...I have some pretty darn good friends that pick music, I enjoy playing a lot, in 50 years or so of picking I got to play the Opry twice and back up a few "names" here and there along the way also, I am in pretty good health, I went to war in the 60's and returned in one piece, I been sober and clean for 25 years, quit smokin' 24 years ago, still have my same wife of 40 years, and STILL get raised hairs on my neck (ain't got much left on top) when I hear someone REALLY get one out now and then, either singin' OR playin'. What MORE could a feller ask for???
I don't NEED no limo either, of either kind....ha
I don't NEED no limo either, of either kind....ha
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How long?
I had three good years after playing only two years. 1957, 1961 & 1962. I know this is a good start for an up & comer. I know better times are on the way, they gotta be! This was before I took it serious. Back then, I was called and known as "The Hillbilly Kid" in this now God forsaken State? I know I'm not alone. Been fun.
Jay Y.
Jay Y.
- Alan Brookes
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- Rick Alexander
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