Gold Tone returns from Beard with Aura pickup/pedal
Posted: 13 Oct 2008 5:53 pm
Dudes, it works and works really well. After reading my friend Marty Muse's review of his Fishman Aura setup, and looking ahead to the upcoming Michael Martin Murphey Christmas tour where I'll be playing reso primarily, I contacted Howard Parker and sent my maple Gold Tone to Beard for the install.
It arrived back here in TX on Friday and I immediately tried it out here in the music room, both with the Aura pedal and without, into a Fender Princeton Reverb. It sounds like a dobro both with and without the pedal, but the pedal adds a level of acoustic imaging that is quite definite and very noticeable; included in the pedal are 16 samples of reso guitar recorded with various high quality microphones from varying distances from the coverplate. No longer will a reso player need to find an old Goodrich MatchBro to add "dobrocity" to their amplified sound.
Howard allows as how the sound would be even better if the amplifier used is one voiced for acoustic instruments.
The pedal itself is simple to operate and features a volume control, a blend control to mix acoustic and sampled sounds, the different mic simulations, a phase control to limit any potential feedback (I didn't find a need for that yet) and a trim control to optimize pickup input level.
And the pickup is VERY feedback resistant, since it's part of the saddle assembly and not a stand alone transducer attached to the spider or the cone like the older Fishman pickups. I actually tried to make it feedback and only could once, by putting the coverplate directly against the amp! Of course, positioning like that would almost never occur in a live music situation.
I'm sending my mahogany Gold Tone to Beard this week for pickup installation as well.
This may be the best answer to the current problems of amplifying a reso guitar without feedback, loss of dobro tone, or the problematic placement and use of expensive microphones. I'm still experimenting with it, but only to find optimal sounds. I'm totally sold on the concept and execution of the system.
I understand that Jim Heffernan is raving about the system as well. This I can now understand.
It arrived back here in TX on Friday and I immediately tried it out here in the music room, both with the Aura pedal and without, into a Fender Princeton Reverb. It sounds like a dobro both with and without the pedal, but the pedal adds a level of acoustic imaging that is quite definite and very noticeable; included in the pedal are 16 samples of reso guitar recorded with various high quality microphones from varying distances from the coverplate. No longer will a reso player need to find an old Goodrich MatchBro to add "dobrocity" to their amplified sound.
Howard allows as how the sound would be even better if the amplifier used is one voiced for acoustic instruments.
The pedal itself is simple to operate and features a volume control, a blend control to mix acoustic and sampled sounds, the different mic simulations, a phase control to limit any potential feedback (I didn't find a need for that yet) and a trim control to optimize pickup input level.
And the pickup is VERY feedback resistant, since it's part of the saddle assembly and not a stand alone transducer attached to the spider or the cone like the older Fishman pickups. I actually tried to make it feedback and only could once, by putting the coverplate directly against the amp! Of course, positioning like that would almost never occur in a live music situation.
I'm sending my mahogany Gold Tone to Beard this week for pickup installation as well.
This may be the best answer to the current problems of amplifying a reso guitar without feedback, loss of dobro tone, or the problematic placement and use of expensive microphones. I'm still experimenting with it, but only to find optimal sounds. I'm totally sold on the concept and execution of the system.
I understand that Jim Heffernan is raving about the system as well. This I can now understand.