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Michael Lee Allen

 

From:
Portage Park / Irving Park, Chicago, Illinois
Post  Posted 20 Jan 2008 11:10 am    
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Last edited by Michael Lee Allen on 23 Feb 2011 9:37 am; edited 1 time in total
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scott murray


From:
Asheville, NC
Post  Posted 20 Jan 2008 1:56 pm    
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Quote:
not an original stylist


so critics didn't know squat back in 1964, either?
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1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster
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Michael Lee Allen

 

From:
Portage Park / Irving Park, Chicago, Illinois
Post  Posted 20 Jan 2008 2:22 pm    
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"Wisdom does not always come with age. Many times age arrives alone."


Last edited by Michael Lee Allen on 23 Feb 2011 9:38 am; edited 1 time in total
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Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 20 Jan 2008 6:39 pm    
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Thank the Lord Buddy showed it was possible to make "warm, pensive statements with the steel guitar." Otherwise, I'd be out of work... like I am now, come to think of it. Wink

The reviewer actually acknowledged that he dug what Buddy was "trying to do!" Smile
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My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Roger Shackelton

 

From:
MINNESOTA (deceased)
Post  Posted 29 Jan 2008 10:18 pm    
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In an interview some years ago, Buddy was recounting his feelings about the Steel Guitar Jazz session. Ray Price had flown Buddy to NYC from Nashville in a small airplane. The small airplane had a low weight limit and Buddy was unable to take an amp with a 15 inch speaker. His amp had a 12 inch speaker & broke up quite easily during the recording session. Buddy was unable to get the sound that he really wanted at the recording session. After the session was over, Buddy said he was very depressed about the results of that session.

I'm sure the photo of the Multichord on the record jacket didn't help record sales either.


Roger
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Jay Jessup


From:
Charlottesville, VA, USA
Post  Posted 30 Jan 2008 10:03 am    
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At least the reviewer was hip enough to realize what a cheezy job that piano player did and call him out on it!
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Cody Campbell

 

From:
Nashville, Tennessee
Post  Posted 30 Jan 2008 10:48 am    
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I thought pianist Bobby Scott did an excellent job on several tunes from that seesion, such as "Indiana", "Cherokee", "Oleo", etc.
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Jay Jessup


From:
Charlottesville, VA, USA
Post  Posted 30 Jan 2008 10:56 am    
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I haven't listened to SG jazz in a long time so you may be right but the main piano sound I hear in my mind when I think of SGJ is the endless Floyd Cramer style stuff he does on that tune, I think its Gonna Build a Mtn? It almost sounds like he is making fun of Buddy and the steel on that tune.
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Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 30 Jan 2008 11:25 am    
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Jay
I think that "Gonna Build A Mountain" is so diatonic in nature that Bobby Scott thought he was on a hillbilly date (and played that way), and Buddy thought it was a jazz session. I don't think there was musical sarcasm involved.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Dan Tyack

 

From:
Olympia, WA USA
Post  Posted 30 Jan 2008 10:32 pm    
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Two and a half stars for a downbeat review in the mid 60s is not bad. Especially for an instrument for which most of the jazz establishment had no respect for.

One thing which I think is clear: Buddy did better than any steel player could have have done at the time on that date, considering the environment and the challenges.
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